front cover of Aimee Semple McPherson and the Resurrection of Christian America
Aimee Semple McPherson and the Resurrection of Christian America
Matthew Avery Sutton
Harvard University Press, 2007

From the Pilgrims who settled at Plymouth Rock to Christian Coalition canvassers working for George W. Bush, Americans have long sought to integrate faith with politics. Few have been as successful as Hollywood evangelist Aimee Semple McPherson.

During the years between the two world wars, McPherson was the most flamboyant and controversial minister in the United States. She built an enormously successful and innovative megachurch, established a mass media empire, and produced spellbinding theatrical sermons that rivaled Tinseltown's spectacular shows. As McPherson's power grew, she moved beyond religion into the realm of politics, launching a national crusade to fight the teaching of evolution in the schools, defend Prohibition, and resurrect what she believed was the United States' Christian heritage. Convinced that the antichrist was working to destroy the nation's Protestant foundations, she and her allies saw themselves as a besieged minority called by God to join the "old time religion" to American patriotism.

Matthew Sutton's definitive study of Aimee Semple McPherson reveals the woman, most often remembered as the hypocritical vamp in Sinclair Lewis's Elmer Gantry, as a trail-blazing pioneer. Her life marked the beginning of Pentecostalism's advance from the margins of Protestantism to the mainstream of American culture. Indeed, from her location in Hollywood, McPherson's integration of politics with faith set precedents for the religious right, while her celebrity status, use of spectacle, and mass media savvy came to define modern evangelicalism.

[more]

front cover of Bandido
Bandido
The Death and Resurrection of Oscar "Zeta" Acosta
Ilan Stavans
Northwestern University Press, 2003
The Hispanic Malcolm X. Writer. Activist. Civil rights attorney. Obese, dark-skinned, and angry. Man with a surplus of personality. Man of vision. All the above describe Oscar "Zeta" Acosta. El Paso-born, Acosta became a leading figure in the Chicano rights movement of the 1960s and 1970s, winning landmark decisions in civil rights cases as an attorney. As a tireless writer and activist, he had a profound influence on his contemporaries. He seemed to be everywhere at once, knowing everyone in "el movimiento" and involving himself in many of its key moments. Tumultuous and prone to excess, he is the Samoan in Hunter S. Thompson's Fear and Loathing in Las Vegas. In 1974, after a last phone call to his son, Acosta disappeared in the Mexican state of Mazatlán.

Hailed as "a fine, learned homage" (Kirkus), "a kaleidoscopic portrait" (Booklist), and "a game of mirrors" (The Washington Post), Bandido is a veritable tour de force. Through interviews and Acosta's writings (published and unpublished), Ilan Stavans reconstructs—even reinvents—the man behind the myth. Part biographical appraisal, part reflection on the legacy of the Civil Rights era, Bandido is an opportunity to understand the challenges and pitfalls Latinos face in finding a place of their own in America.
[more]

front cover of The Death and Resurrection of Elvis Presley
The Death and Resurrection of Elvis Presley
Ted Harrison
Reaktion Books, 2016
There is no other way to put it: Elvis is the King. Note the present tense: even though Elvis (supposedly) died nearly forty years ago, he has lived on in our hearts, as a sound, as an image, and as an especially vigorous personality. In fact, it’s safe to say no other celebrity has done so quite as well. The Death and Resurrection of Elvis Presley is the story of that afterlife, of Elvis after he left the building. Walking the eccentrically carpeted rooms of Graceland, bidding into stratospheric sums on his auctioned relics, and mingling among the some 200,000 impersonators of his likeness, Ted Harrison offers nothing less than the ultimate Elvis tribute.

Harrison begins, of course, in pilgrimage: to Graceland. He shows how Elvis’s estate was pillaged nearly to ruin by his manager but was saved through the deft business acumen and financial vision of his divorced wife, one Priscilla Presley. If Graceland seems holy, that’s because it is: Harrison unveils in Elvis’s allure a deeply spiritual dimension, showing how Elvis fans, over the decades, have anointed their idol with Christ-like qualities. Through Elvis’s extravagance, Harrison raises fascinating links between money and faith, and through Elvis’s life, he shows how the King actually fulfilled a host of roles ranging from hero to martyr to saint. Underpinning the whole story is Elvis’s extraordinary charisma and—lest we forget—his astonishing musical genius.

Fascinating, colorful, and deeply informative, this book is a must-have for any fan, anyone who was ever lucky enough to see Elvis alive or who hopes they might still be able to.
[more]

front cover of Death, Resurrection, and Human Destiny
Death, Resurrection, and Human Destiny
Christian and Muslim Perspectives
David Marshall and Lucinda Mosher, Editors
Georgetown University Press, 2016

Death, Resurrection, and Human Destiny: Christian and Muslim Perspectives is a record of the 2012 Building Bridges seminar for leading Christian and Muslim scholars, convened by Rowan Williams, then Archbishop of Canterbury. The essays in this volume explore what the Bible and Qurān—and the Christian and Islamic theological traditions—have to say about death, resurrection, and human destiny. Special attention is given to the writings of al-Ghazali and Dante. Other essays explore the notion of the good death. Funeral practices of each tradition are explained. Relevant texts are included with commentary, as are personal reflections on death by several of the seminar participants. An account of the informal conversations at the seminar conveys a vivid sense of the lively, penetrating, but respectful dialogue which took place. Three short pieces by Rowan Williams provide his opening comments at the seminar and his reflections on its proceedings. The volume also contains an analysis of the Building Bridges Seminar after a decade of his leadership.

[more]

front cover of On Resurrection
On Resurrection
Irven M. St. Albert the Great
Catholic University of America Press, 2020
According to 1 Cor 15.44 and 1 Cor 15.52, the human body “is sown an animal body, [but] it will rise a spiritual body” and “the dead will rise again incorruptible, and we will be changed.” These passages prompted many questions: What is a spiritual body? How can a body become incorruptible? Where will the resurrected body be located? And, what will be the nature of its experience? Medieval theologians sought to answer such questions but encountered troubling paradoxes stemming from the conviction that the resurrected body will be an “impassible body” or constituted from “incorruptible matter.” By the thirteenth century the resurrection demanded increased attention from Church authorities, not only in response to certain popular heresies but also to calm heated debates at the University of Paris. William of Auvergne, Bishop of Paris, officially condemned ten errors in 1241 and in 1244, including the proposition that the blessed in the resurrected body will not see the divine essence. In 1270 Parisian Bishop Étienne Tempier condemned the view that God cannot grant incorruption to a corruptible body, and in 1277 he rejected propositions that a resurrected body does not return as numerically one and the same, and that God cannot grant perpetual existence to a mutable, corruptible body. The Dominican scholar Albert the Great was drawn into the university debates in Paris in the 1240s and responded in the text translated here for the first time. In it, Albert considers the properties of resurrected bodies in relation to Aristotelian physics, treats the condition of souls and bodies in heaven, discusses the location and punishments of hell, purgatory, and limbo, and proposes a “limbo of infants” for unbaptized children. Albert’s On Resurrection not only shaped the understanding of Thomas Aquinas but also that of many other major thinkers.
[more]

front cover of Paul and the Resurrected Body
Paul and the Resurrected Body
Social Identity and Ethical Practice
Matt O'Reilly
SBL Press, 2020

A new reading of Pauline theology, ethics, and eschatology grounded in social-identity theory and sociorhetorical criticism

Readers often think of Paul’s attitude toward the resurrection of the body in individual terms: a single body raised as the climax of an individual’s salvation. In Paul and the Resurrected Body: Social Identity and Ethical Practice, Matt O’Reilly makes the case that, for Paul, the social dimension of future bodily resurrection is just as important, if not more so. Through a close reading of key texts in the letters to the Corinthians, Romans, and Philippians, O’Reilly argues that resurrection is integral to Paul’s understanding of Christian social identity. In Paul’s theological reasoning, a believer’s hope for the future depends on being identified as part of the people of God who will be resurrected.

Features

  • A clarification of the eschatological basis for Paul’s ethical expectations
  • Exploration of the social significance of Paul’s theological reasoning
  • An integration of ancient rhetorical theory with contemporary social-identity theory
[more]

logo for Georgetown University Press
¡Presente!
Nonviolent Politics and the Resurrection of the Dead
Kyle Lambelet
Georgetown University Press, 2019

¡Presente! develops a lived theology of nonviolence through an extended case study of the movement to close the School of the Americas (also known as the SOA or WHINSEC). Specifically,it analyzes how the presence of the dead—a presence proclaimed at the annual vigil of the School of the Americas Watch—shapes a distinctive, transnational, nonviolent movement. Kyle B.T. Lambelet argues that such a messianic affirmation need not devolve into violence or sectarianism and, in fact, generates practical reasoning.

By developing a messianic political theology in dialogue with the SOA Watch movement, Lambelet's work contributes to Christian ethics as he explores the political implications of the resurrection of the dead. This book contributes to studies of strategic nonviolence and civil resistance by demonstrating how religious and moral dynamics remain an essential part of such struggles.

[more]

front cover of Resurrection
Resurrection
Comics in Post-Soviet Russia
José Alaniz
The Ohio State University Press, 2022
Winner, 2023 Eisner Award for Best Comics-Related Book

Resurrection: Comics in Post-Soviet Russia traces the “kopecks to rubles” journey of Russian comics at the turn of the century. As the follow-up to José Alaniz’s groundbreaking Komiks: Comic Art in Russia (2010), Resurrection authoritatively and exhaustively details the Russian comic landscape of the last three decades: beginning after the 1991 fall of the Soviet Union and encompassing the fourth Putin administration, the COVID-19 crisis, and beyond. Bolstering his analysis with interviews with some of the major figures in Russia’s comics industry, Alaniz particularly focuses on the representation of masculinity, disability, historical trauma, and superheroes, as well as on the recent rise of fandom, alternative micropresses, and nonfiction graphic narrative. Resurrection is a sweeping discussion of the metamorphosis of contemporary Russian comic art from its rebirth to its entry into mainstream culture.
[more]

front cover of Resurrection from the Underground
Resurrection from the Underground
Feodor Dostoevsky
René Girard
Michigan State University Press, 2012

In a fascinating analysis of critical themes in Feodor Dostoevsky’s work, René Girard explores the implications of the Russian author’s “underground,” a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard’s remarkable engagement with Dostoevsky’s work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is “triangular” or “mimetic”—copied from models or mediators whose objects of desire become our own. Girard’s interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky’s writing, culminating in a revelatory discussion of the author’s spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky’s Notes from the Underground.

[more]

logo for Harvard University Press
Resurrection, Immortality, and Eternal Life in Intertestamental Judaism and Early Christianity
Expanded Edition
George W. E. Nickelsburg
Harvard University Press

In this groundbreaking publication, originally published in 1972, George Nickelsburg places ideas in their historical circumstances as he probes biblical and postbiblical texts and challenges widely accepted scholarship. The continuities in literary forms demonstrate that divine justice was the central issue, but that people differed as to whether that justice was enacted in this life, in the assumption to heaven, in a resurrection, or in the ongoing life as an immortal soul.

The expanded edition includes subsequent studies on the resurrection accounts and theologies of the New Testament, the New Testament passion narratives, and Jewish and Christian theologies about the Son of Man.

This book provides a window into aspects of the ancient apocalyptic worldview whose dynamics and functions are often misunderstood.

[more]

front cover of Resurrection in Paul
Resurrection in Paul
Cognition, Metaphor, and Transformation
Frederick S. Tappenden
SBL Press, 2016

Explore the embodied foundations of Paul's resurrection ideals

It is commonly recognized that Paul's resurrection ideals are bodily ideals, though this dictum is usually configured along literal and metaphorical lines. The realism of future resurrected bodies is disconnected from the metaphoricity of bodily transformation in the present. Drawing on cognitive linguistics, this fresh and innovative study addresses this problem. By eschewing the opposition of metaphor and realism, Tappenden explores the concepts and metaphors Paul uses to fashion notions of resurrection, and the uses to which those notions are put. Rather than asserting resurrection as a disembodied, cognicentric proposition, this book illuminates the body's central role in shaping and grounding the apostle's thought and writings.

Features:

  • Close examination of Paul's letters within multiple, interlocking cultural contexts
  • Provides a novel and fresh approach to assessing (in)coherence across the undisputed letters
  • Addresses the materialist nature of early Christian and Judean resurrection ideals without compromising the metaphoricity of those ideals
[more]

front cover of Resurrection of the Animals
Resurrection of the Animals
Anita Skeen
Michigan State University Press, 2002
The Resurrection of the Animals explores the trinity of the natural world, the humans adrift in it, and the animals that accompany them. Although each of the five sections centers on a particular theme, motifs of change, loss, cycles, and transformation thread through the collection, weaving the parts into a unified whole. Individual sections focus on: the seasons of the year, and by extension, people’s lives; the power of memory and its limitations; the theory that what is magical often resides within; and, the mysteries of love. The Resurrection of the Animals culminates in the title section, revealing the lessons of kinship with animals and how epiphanies occur in the simplest actions— taking a walk with dogs or catching sight of a bird on the wing. These poems suggest that memory, association, and interaction with the tangible world can revive a part of the self that has slipped below the depths of consciousness.
[more]

front cover of The Resurrection of the Body
The Resurrection of the Body
Pier Paolo Pasolini from Saint Paul to Sade
Armando Maggi
University of Chicago Press, 2009
Italian novelist, poet, and filmmaker Pier Paolo Pasolini was brutally killed in Rome in 1975, a macabre end to a career that often explored humanity’s capacity for violence and cruelty. Along with the mystery of his murderer’s identity, Pasolini left behind a controversial but acclaimed oeuvre as well as a final quartet of beguiling projects that signaled a radical change in his aesthetics and view of reality.
 
The Resurrection of the Body is an original and compelling interpretation of these final works: the screenplay Saint Paul, the scenario for Porn-Theo-Colossal, the immense and unfinished novel Petrolio, and his notorious final film, Salò or the 120 Days of Sodom, a disturbing adaptation of the writings of the Marquis de Sade. Together these works, Armando Maggi contends, reveal Pasolini’s obsession with sodomy and its role within his apocalyptic view of Western society. One of the first studies to explore the ramifications of Pasolini’s homosexuality, The Resurrection of the Body also breaks new ground by putting his work into fruitful conversation with an array of other thinkers such as Freud, Strindberg, Swift, Henri Michaux, and Norman O. Brown.
[more]

front cover of Yerkes Observatory, 1892-1950
Yerkes Observatory, 1892-1950
The Birth, Near Death, and Resurrection of a Scientific Research Institution
Donald E. Osterbrock
University of Chicago Press, 1996
Drawing on his experience as historian of astronomy, practicing astrophysicist, and director of Lick Observatory, Donald Osterbrock uncovers a chapter in the history of astronomy by providing the story of the Yerkes Observatory.

"An excellent description of the ups and downs of a major observatory."—Jack Meadows, Nature

"Historians are much indebted to Osterbrock for this new contribution to the fascinating story of twentieth-century American astronomy."—Adriaan Blaauw, Journal for the History of Astronomy

"An important reference about one of the key American observatories of this century."—Woodruff T. Sullivan III, Physics Today
[more]


Send via email Share on Facebook Share on Twitter