Have you ever been a fan of a show that was canceled abruptly or that killed off a beloved character unexpectedly? Or perhaps it was rebooted after a long absence and now you’re worried it won’t be as good as the original? Anyone who has ever followed entertainment closely knows firsthand that such transitions can be jarring. 

Indeed, for truly loyal fans, the loss can feel very real—even throwing their own identity into question. Examining how fans respond to and cope with transitions, endings, or resurrections in everything from band breakups (R.E.M.) to show cancellations (Hannibal) to closing down popular amusement park rides, this collection brings together an eclectic mix of scholars to analyze the various ways fans respond to change. Essays explore practices such as fan discussion and creating alternative fan fictions, as well as cases where fans abandon their objects of interest completely and move on to new ones. Shedding light on how fans react, both individually and as a community, the contributors also trace the commonalities and differences present in fandoms across a range of media, and they pay close attention to the ways fandom operates across paratexts and transmedia forms including films, comics, and television. 

This fascinating approach promises to make an important contribution to the fields of fan, media, and cultural studies, and should appeal widely to students, scholars, and anyone else with a genuine interest in understanding why these transitions can have such a deep impact on fans’ lives. 
Contributors: Stuart Bell, Anya Benson, Lucy Bennett, Paul Booth, Joseph Brennan, Kristina Busse, Melissa A. Click, Ruth Deller, Evelyn Deshane, Nichola Dobson, Simone Driessen, Emily Garside, Holly Willson Holladay, Bethan Jones, Nicolle Lamerichs, Kathleen Williams, Rebecca Williams 
 

In 1895, an extraordinarily enigmatic faith healer emerged in the American West. An Alsatian immigrant and former cobbler, Francis Schlatter looked like popular depictions of Jesus, and it was said that his very touch could heal everything from migraines and arthritis to blindness and cancer. First in Albuquerque, and then in Denver, thousands flocked to him, hoping to receive his healing touch. Schlatter accepted no money for his work, behaved modestly, fasted heavily, and treated everyone, from wealthy socialites to impoverished immigrants, equally. He quickly captured national attention, and both the sick hoping to be cured and reporters hoping to expose a fraud hurried to Denver to see the celebrated healer. By November of 1895, it is estimated that Schlatter was treating thousands of people every day, and the neighborhood in which he was staying was overrun with the sick and lame, their families, reporters from across the country, and hucksters hoping to make a quick buck off the local attention. Then, one night, Schlatter simply vanished. Eighteen months later, his skeleton was reportedly found on a mountainside in Mexico’s Sierra Madre range, finally bringing Schlatter’s great healing ministry to an end.

Or did it?

Within hours of the announcement of Schlatter’s found remains, a long-haired man emerged in Cleveland to say that he was Francis Schlatter, and the next twenty-five years, several others claimed to be Denver’s great healer. In The Vanishing Messiah, a modern researcher painstakingly pieces together evidence from letters, newspaper reports, hospital records, mug shots, and published reminiscences of the healer to find out what really happened to Francis Schlatter after he left Denver in the middle of the night in November 1895. In doing so, David N. Wetzel uncovers a historical puzzle of lies, deception, and betrayal, and offers a tantalizing look into a nineteenth-century messiah and his twentieth-century reincarnations—one of whom may have been the healer himself.