front cover of Art in the Lives of Immigrant Communities in the United States
Art in the Lives of Immigrant Communities in the United States
DiMaggio, Paul
Rutgers University Press, 2010
Art in the Lives of Immigrant Communities in the United States is the first book to provide a comprehensive and lively analysis of the contributions of artists from America's newest immigrant communities--Africa, the Middle East, China, India, Southeast Asia, Central America, and Mexico. Adding significantly to our understanding of both the arts and immigration, multidisciplinary scholars explore tensions that artists face in forging careers in a new world and navigating between their home communities and the larger society. They address the art forms that these modern settlers bring with them; show how poets, musicians, playwrights, and visual artists adapt traditional forms to new environments; and consider the ways in which the communities' young people integrate their own traditions and concerns into contemporary expression.
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front cover of Churches and Charity in the Immigrant City
Churches and Charity in the Immigrant City
Religion, Immigration, and Civic Engagement in Miami
Stepick, Alex
Rutgers University Press, 2009
In addition to being a religious country--over ninety percent of Americans believe in God--the United States is also home to more immigrants than ever before. Churches and Charity in the Immigrant City focuses on the intersection of religion and civic engagement among Miami's immigrant and minority groups. The contributors examine the role of religious organizations in developing social relationships and how these relationships affect the broader civic world. Essays, for example, consider the role of leadership in the promotion and creation of "civic social capital" in a Haitian Catholic church, transnational ties between Cuban Catholics in Miami and Havana, and several African American congregations that serve as key comparisons of civic engagement among minorities. This book is important not only for its theoretical contributions to the sociology of religion, but also because it gives us a unique glimpse into immigrants' civic and religious lives in urban America.
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front cover of Òrìsà Devotion as World Religion
Òrìsà Devotion as World Religion
The Globalization of Yorùbá Religious Culture
Edited by Jacob K. Olupona and Terry Rey
University of Wisconsin Press, 2008
As the twenty-first century begins, tens of millions of people participate in devotions to the spirits called Òrìsà. This book explores the emergence of Òrìsà devotion as a world religion, one of the most remarkable and compelling developments in the history of the human religious quest. Originating among the Yorùbá people of West Africa, the varied traditions that comprise Òrìsà devotion are today found in Africa, the Americas, Asia, Europe, and Australia.
    The African spirit proved remarkably resilient in the face of the transatlantic slave trade, inspiring the perseverance of African religion wherever its adherents settled in the New World. Among the most significant manifestations of this spirit, Yorùbá religious culture persisted, adapted, and even flourished in the Americas, especially in Brazil and Cuba, where it thrives as Candomblé and Lukumi/Santería, respectively. After the end of slavery in the Americas, the free migrations of Latin American and African practitioners has further spread the religion to places like New York City and Miami. Thousands of African Americans have turned to the religion of their ancestors, as have many other spiritual seekers who are not themselves of African descent. 
    Ifá divination in Nigeria, Candomblé funerary chants in Brazil, the role of music in Yorùbá revivalism in the United States, gender and representational authority in Yorùbá religious culture—these are among the many subjects discussed here by experts from around the world. Approaching Òrìsà devotion from diverse vantage points, their collective effort makes this one of the most authoritative texts on Yorùbá religion and a groundbreaking book that heralds this rich, complex, and variegated tradition as one of the world’s great religions.   
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front cover of Zombie Apocalypse
Zombie Apocalypse
Holy Land, Haiti, Hollywood
Terry Rey
Temple University Press, 2024


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