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Byline, Richard Wright
Articles from the DAILY WORKER and NEW MASSES
Edited by Earle V. Bryant
University of Missouri Press, 2015

A writer perhaps best known for the revolutionary works Black Boy and Native Son, Richard Wright also worked as a journalist during one of the most explosive periods of the 20th century. From 1937 to 1938, Wright turned out more than two hundred articles for the Daily Worker, the newspaper that served as the voice of the American Communist Party. Byline, Richard Wright assembles more than one hundred of those articles plus two of Wright’s essays from New Masses, revealing to readers the early work of an American icon.

As both reporter and Harlem bureau chief, Wright covered most of the major and minor events, personalities, and issues percolating through the local, national, and global scenes in the late 1930s. Because the Daily Worker wasn’t a mainstream paper, editors gave Wright free rein to cover the stories he wanted, and he tackled issues that no one else covered. Although his peers criticized his journalistic writing, these articles offer revealing portraits of Depression-era America rendered in solid, vivid prose.

Featuring Earle V. Bryant’s informative, detailed introduction and commentary contextualizing the compiled articles, Byline, Richard Wright provides insight into the man before he achieved fame as a novelist, short story writer, and internationally recognized voice of social protest. This collection opens new territory in Wright studies, and fans of Wright’s novels will delight in discovering the lost material of this literary great.

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Indonesian Notebook
A Sourcebook on Richard Wright and the Bandung Conference
Brian Russell Roberts and Keith Foulcher, editors
Duke University Press, 2016
While Richard Wright's account of the 1955 Bandung Conference has been key to shaping Afro-Asian historical narratives, Indonesian accounts of Wright and his conference attendance have been largely overlooked. Indonesian Notebook contains myriad documents by Indonesian writers, intellectuals, and reporters, as well as a newly recovered lecture by Wright, previously published only in Indonesian. Brian Russell Roberts and Keith Foulcher introduce and contextualize these documents with extensive background information and analysis, showcasing the heterogeneity of postcolonial modernity and underscoring the need to consider non-English language perspectives in transnational cultural exchanges. This collection of primary sources and scholarly histories is a crucial companion volume to Wright'sThe Color Curtain.
 
 
 

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Richard Wright
An Introduction to the Man and His Works
Russell Carl Brignano
University of Pittsburgh Press, 1970

The first book-length study of Richard Wright (1908–1960) gives a critical, historical, and biographical perspective on the gifted African American writer. It presents Wright not only as an artist whose subjects and themes were affected by his race, but also as a sensitive and talented man who was deeply immersed in the major social and intellectual movements of his day.

Brigano discusses Wright’s artistry and his major public concerns as revealed in his novels, short stories, essays, and poetry: race relations in the United States, the role of Marxism in recent history and the future, the direction of international affairs, and the modes of modern personal and social philosophies.

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Richard Wright
The Life and Times
Hazel Rowley
University of Chicago Press, 2008
Consistently an outsider—a child of the fundamentalist South with an eighth-grade education, a self-taught intellectual, a black man married to a white woman—Richard Wright nonetheless became the unparalleled voice of his time. The first full-scale biography of the author best known for his searing novels Black Boy and Native Son, Richard Wright: The Life and Times brings the man and his work—in all their complexity and distinction—to vibrant life. Acclaimed biographer Hazel Rowley chronicles Wright’s unprecedented journey from a sharecropper’s shack in Mississippi to Chicago’s South Side to international renown as a writer and outspoken critic of racism.
            Drawing on journals, letters, and eyewitness accounts, Richard Wright probes the author’s relationships with Langston Hughes and Ralph Ellison, his attraction to Communism, and his so-called exile in France. Skillfully interweaving quotes from Wright’s own writings, Rowley deftly portrays a passionate, courageous, and flawed man who would become one of our most enduring literary figures.
 
“Splendid. . . . Richard Wright is well written, prodigiously researched, and nicely paced, a compelling evocation of the man, his craft, and the different worlds through which he moved.”—Michael J. Ybarra, Wall Street Journal
 
“A welcome and illuminating work . . . [Rowley] does an outstanding job. . . . Rich and revealing.”—Megan Harlan, San Francisco Chronicle
 
“A magnificent biography, subtle and insightful. . . . Rowley writes with style and grace, and her research on Wright is prodigious.”—Howard Zinn, The Week

 
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Thunder on the Stage
The Dramatic Vision of Richard Wright
Bruce Allen Dick
University of Illinois Press, 2024
Richard Wright’s dramatic imagination guided the creation of his masterpieces Native Son and Black Boy and helped shape Wright’s long-overlooked writing for theater and other performative mediums.

Drawing on decades of research and interviews with Wright’s family and Wright scholars, Bruce Allen Dick uncovers the theatrical influence on Wright’s oeuvre--from his 1930s boxing journalism to his unpublished one-acts on returning Black GIs in WWII to his unproduced pageant honoring Vladimir Lenin. Wright maintained rewarding associations with playwrights, writers, and actors such as Langston Hughes, Theodore Ward, Paul Robeson, and Lillian Hellman, and took particular inspiration from French literary figures like Jean-Paul Sartre. Dick’s analysis also illuminates Wright’s direct involvement with theater and film, including the performative aspects of his travel writings; the Orson Welles-directed Native Son on Broadway; his acting debut in Native Son’s first film version; and his play “Daddy Goodness,” a satire of religious charlatans like Father Divine, in the 1930s.

Bold and original, Thunder on the Stage offers a groundbreaking reinterpretation of a major American writer.

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The Unfinished Quest of Richard Wright
Michel Fabre
University of Illinois Press, 1993
Widely acclaimed for its comprehensive and sensitive picture of one of America's most renowned writers, The Unfinished Quest of Richard Wright received the Anisfield-Wolf Award on Race Relations when it was first published. This first paperback edition contains a new preface and bibliographic essay, updating changes in the author's approach to his subject and discussing works published on Wright since 1973.
 
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