front cover of And Here
And Here
100 Years of Upper Peninsula Writing, 1917–2017
Ronald Riekki
Michigan State University Press, 2017
Upper Peninsula literature has traditionally been suppressed or minimized in Michigan anthologies and Michigan literature as a whole. Even the Upper Peninsula itself has been omitted from maps, creating a people and a place that have become in many ways “ungeographic.” These people and this place are strongly made up of traditionally marginalized groups such as the working class, the rural poor, and Native Americans, which adds even more insult to the exclusion and forced oppressive silence. And Here: 100 Years of Upper Peninsula Writing, 1917–2017, gives voice to Upper Peninsula writers, ensuring that they are included in Michigan’s rich literary history. Ambitiously, And Here includes great U.P. writing from every decade spanning from the 1910s to the 2010s, starting with Lew R. Sarett’s (a.k.a. Lone Caribou) “The Blue Duck: A Chippewa Medicine Dance” and ending with Margaret Noodin’s “Babejianjisemigad” and Sally Brunk’s “KBIC.” Taken as a whole, the anthology forcefully insists on the geographic and literary inclusion of the U.P.—on both the map and the page.
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front cover of Here
Here
Women Writing on Michigan's Upper Peninsula
Ronald Riekki
Michigan State University Press, 2015
How does place impact prose? Here: Women Writing on Michigan’s Upper Peninsula explores that very question, drawing on the work of Upper Peninsula authors past and present to create a vibrant kaleidoscope of voices and experiences. Bame-wa-wa-ge-zhik-aquay, Janet Loxley Lewis, Lorine Niedecker, Catie Rosemurgy, and thirty-one other authors important to the region appear in this exceptional and diverse volume. In poetry (“Spring” by Beverly Matherne, “For Those Who Dream of Cranes” by Elinor Benedict, and “Skin on Skin” by Sally Brunk), short fiction (“North Country” by Roxane Gay, “For the Healing of All Women” by April Lindala, and “Winter Mines” by Sharon Dilworth), and novel excerpts (from Once on This Island by Gloria Whelan, South of Superior by Ellen Airgood, and Dandelion Cottage by Carroll Watson Rankin), the unique character of the U.P. materializes on the page. The book also shines a spotlight on powerful emerging voices such as Lisa Fay Coutley, Charmi Keranen, and Saara Myrene Raappana. The first of its kind, this is an anthology for all seasons, an homage to the rich literary heritage of the region.
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front cover of Undocumented
Undocumented
Great Lakes Poets Laureate on Social Justice
Ronald Riekki
Michigan State University Press, 2019
Focusing on contemporary issues, this text showcases a large collection of regional poets laureate writing on subjects critical to understanding social justice as it relates to the Great Lakes region. Undocumented: Great Lakes Poets Laureate on Social Justice includes writing by seventy-eight poets who truly represent the diversity of the Great Lakes region, including Rita Dove, Marvin Bell, Crystal Valentine, Kimberly Blaeser, Mary Weems, Karen Kovacik, Wendy Vardaman, Zora Howard, Carla Christopher, Meredith Holmes, Karla Huston, Joyce Sutphen, and Laren McClung, among others. City, state, and national poets laureate with ties to Illinois, Indiana, Michigan, Minnesota, New York, Ohio, Ontario, Pennsylvania, and Wisconsin appear in these pages, organized around themes from the Southern Poverty Law Center’s “Ten Ways to Fight Hate: A Community Response Guide,” calling on readers to act on behalf of victims of social injustice.
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