Ecology and the Sacred commemorates and advances the anthropology of Roy A. (Skip) Rappaport. Rappaport was an original and visionary thinker whose writings, like these essays, encompass ecological theory and method; ritual, the sacred, and the cybernetics of the holy; the structural study of social maladaptation or "the anthropology of trouble"; and a policy-engaged anthropology that addresses social complexity and structural disorders in modern contexts. The contributors, who are leaders in anthropological studies of the environment and of religion, address themes emerging from Rappaport's pioneering ethnography of Papua New Guinea through his engagement with contemporary social problems. In addition to presenting significant new ethnographic data and sharp critical perspectives, the collection demonstrates the essential holism of anthropology as represented by Rappaport's contributions and legacy.
At a time when anthropology is fractured by debates over whether it is a science or a humanistic tradition, theoretical or applied, this festschrift testifies that a unified anthropology is both possible and necessary for the understanding of humanity and global transformations. The volume will be of interest not only to anthropologists, but to geographers, sociologists, scholars in science-studies, historians, and experts and practitioners in religious studies, as well.
Ellen Messer is Visiting Associate Professor, Tufts University. Michael Lambek is Professor of Anthropology, University of Toronto.

Winner, 2019 John W. Frick Book Award
Winner, 2020 Ann Saddlemyer Award
Finalist, ATHE Outstanding Book Award for 2020
Mention Spéciale, Société québécoise d'études théâtrale

In Encounters on Contested Lands, Julie Burelle employs a performance studies lens to examine how instances of Indigenous self-representation in Québec challenge the national and identity discourses of the French Québécois de souche—the French-speaking descendants of white European settlers who understand themselves to be settlers no more but rather colonized and rightfully belonging to the territory of Québec. 

Analyzing a wide variety of performances, Burelle brings together the theater of Alexis Martin and the film L'Empreinte, which repositions the French Québécois de souche as métis, with protest marches led by Innu activists; the Indigenous company Ondinnok's theater of repatriation; the films of Yves Sioui Durand, Alanis Obomsawin, and the Wapikoni Mobile project; and the visual work of Nadia Myre. These performances, Burelle argues, challenge received definitions of sovereignty and articulate new ones while proposing to the province and, more specifically, to the French Québécois de souche, that there are alternative ways to imagine Québec's future and remember its past. 

The performances insist on Québec's contested nature and reframe it as animated by competing sovereignties. Together they reveal how the "colonial present tense" and "tense colonial present" operate in conjunction as they work to imagine an alternative future predicated on decolonization. Encounters on Contested Lands engages with theater and performance studies while making unique and needed contributions to Québec and Canadian studies, as well as to Indigenous and settler-colonial studies.

According to the people of the Mueda plateau in northern Mozambique, sorcerers remake the world by asserting the authority of their own imaginative visions of it. While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery—for many of them, West’s efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In Ethnographic Sorcery, West explores the fascinating issues provoked by this equation.

A key theme of West’s research into sorcery is that one sorcerer’s claims can be challenged or reversed by other sorcerers. After West’s attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.