Between a River and a Mountain details American labor's surprisingly complex relationship to the American war in Vietnam. Breaking from the simplistic story of "hard hat patriotism," Wehrle uses newly released archival material to demonstrate the AFL-CIO's continuing dedication to social, political, and economic reform in Vietnam. The complex, sometimes turbulent, relationship between American union leaders and their counterparts in the Vietnamese Confederation of Labor (known as the CVT) led to dangerous political compromises: the AFL-CIO eventually accepted much-needed support for their Vietnamese activities from the CIA, while the CVT's need to sustain their relationship with the Americans lured them into entanglements with a succession of corrupt Saigon governments. Although the story's endpoint--the painfully divided and weakened labor movement of the 1970s--may be familiar, Wehrle offers an entirely new understanding of the historical forces leading up to that decline, unraveling his story with considerable sophistication and narrative skill.
"Stunning in its research and sophisticated in its analysis, Between a River and a Mountain is one of the best studies we have of labor and the Vietnam War."
--Robert K. Brigham, Shirley Ecker Boskey Professor of History and International Relations, Vassar College
"Skillfully blending diplomatic and labor history, Wehrle's book is a valuable contribution to the ever-widening literature on the Vietnam War."
--George Herring, University of Kentucky
"Wehrle has written a compelling and original study of the AFL-CIO, the South Vietnamese labor movement and the Vietnam War."
--Judith Stein, Professor of History, City College and Graduate School of the City University of New York
"With this important book, Edmund Wehrle gives us the first full-fledged scholarly examination of organized labor's relationship to the Vietnam War. Based on deep research in U.S. and foreign archives, and presented in clear and graceful prose, Between a River and a Mountain adds a great deal to our understanding of how the AFL-CIO approached the war and in turn was fundamentally altered by its staunch support for Americanization. Nor is it merely an American story that Wehrle tells, for he also presents fascinating information on the Vietnamese Confederation of Labor and its sometimes-strained relations with U.S. labor."
--Fredrik Logevall, Cornell University
Edmund F. Wehrle is Assistant Professor of History, Eastern Illinois University.
"Downum's book provides a comprehensive overview of prehistoric settlement patterns within the Los Robles region of southern Arizona. . . . An important contribution to understanding the prehistoric patterns of settlement for the project area and surrounding region."—Journal of the West
"Downum's carefully done volume is an important contribution to Hohokam archaeology. . . . Clearly written and illustrated."—AM Indian Quarterly
A brilliant, experimental ethnography,Brushed by Cedar is destined to change the way anthropologists write about the people they befriend.
Crisca Bierwert has created a fresh poststructural ethnography that offers new insights into Coast Salish cultures. Arguing against the existence of a master narrative, she presents her understanding of these Native American peoples of Washington state and British Columbia, Canada, through poetic bricolage, offering the reader a pastiche of rich cultural images. Bierwert employs postmodern literary and social analyses to examine many aspects of Salish culture: legends and their storytellers; domestic violence; longhouse ceremonies; the importance and power of place; and disputes over fishing rights. Her reflections overlap as a dialogue would, weaving throughout the book significant threads of Salish knowledge and creating a nonauthoritative text that nonetheless speaks knowingly.
This book represents the future of contemporary anthropology. Unlike traditional ethnography, it makes no attempt to portray a complete picture of the Coast Salish. Instead, Bierwert utilizes a critical and diffuse approach that defies colonial, syncretic, and hegemonic structures and applies advanced literary theory to the creation of ethnography.
Brushed by Cedar is an important guideline for anyone who writes about other cultures and will be expecially useful to classes in the methodology and history of ethnography, as well as to scholars specializing in Native American studies or oral literatures.
Fog, tide, ice, and human error--before the American Revolution those who ventured to cross the vast Hudson Valley waterway did so on ferryboats powered by humans, animals, and even fierce winds. Before that war, not a single Hudson River bridge or tunnel had been built. It wasn't until Americans looked to the land in the fight for independence that the importance of crossing the river efficiently became a subject of serious interest, especially militarily. Later, the needs of a new transportation system became critical--when steam railroads first rolled along there was no practical way to get them across the water without bridges.
Crossing the Hudson continues this story soon after the end of the war, in 1805, when the first bridge was completed. Donald E. Wolf simultaneously tracks the founding of the towns and villages along the water's edge and the development of technologies such as steam and internal combustion that demanded new ways to cross the river. As a result, innovative engineering was created to provide for these resources.
From hybrid, timber arch, and truss bridges on stone piers to long-span suspension and cantilevered bridges, railroad tunnels, and improvements in iron and steel technology, the construction feats that cross the Hudson represent technical elegance and physical beauty. Crossing the Hudson reveals their often multileveled stories--a history of where, why, when, and how these structures were built; the social, political, and commercial forces that influenced decisions to erect them; the personalities of the planners and builders; the unique connection between a builder and his bridge; and the design and construction techniques that turned mythical goals into structures of utility and beauty.
Crossing the River
Shalom Eilati University of Alabama Press, 2008 Library of Congress DS135.L53E3513 2008
Crossing the River is a personal memoir—and more. Against the backdrop of Lithuania’s occupation—first by the Red Army, next by the Germans, and then again by the Russians—it is a story reflected through the prism of a sharp-eyed young child, Shalom Eilati. His story starts in the occupied Kovno Ghetto and ends with his flight across the Soviet border, through Poland and Germany and finally, his arrival in Palestine.
The adult survivor, while recalling the terrorized child that he was and how he then perceived the adult world, also takes stock of his present life. Throughout the memoir, Eilati attempts to reconcile his present life as a husband, father, scientist, and writer, with the images, feelings, and thoughts from the past that have left an indelible mark on his life and that continue to haunt him.
Crossing the River presents a wide range of Nguyen Huy Thiep's short fiction, both realistic stories in contemporary settings and retellings of folk myths that serve as contemporary parables. When Thiep's stories first appeared in the 1980s, they set off a chain of debate, not only within intellectual and political circles, but also within the society at large. Typically, the struggles of his characters were about survival, not survival in the context of war or revolution, but survival in the context of the emotional and psychological strength it takes to live within the harsh confines of post-war Vietnamese society. Thiep captured the emotional quality of Vietnamese life in a way no other author had done, and his importance can be recognized today by his enormous influence on younger writers.
Everyone knows that Washington crossed the Delaware and turned the "times that try men's souls" into a triumphal victory. And today residents of and visitor to New York, New Jersey, and Pennsylvania enjoy canoeing and tubing, shad fishing and bed and breakfasting along the Delaware. Have you ever wondered about the life of the river in the two centuries in between? The Delaware was the scene of important events after the Revolution, too- an early and tragic experiment in steam propulsion, a notoriously lethal prison camp in the Civil War, memorable floods, hurricanes, ice storms, and even a furious battle with the U.S. army.
Frank Dale, who has lived near the Delaware all of his life, has burrowed into old newspaper files and archives and traced down eyewitnesses o the life of the Delaware. Rivers were the highways of choice in early America, and the Delaware presented much greater challenges than the nearby Hudson. Filled with rapid, falls, and inconvenient rocks, the river refused to accommodate itself easily to the needs of commerce. The rivermen who ventured down the Delaware on massive timber rafts or Durham boats filled with iron ore earned a deserved reputation for pure ornery courage. Later entrepreneurs tried steamboats, canals, and bridges to attempt to harness and exploit this most unexploitable river, with decidedly mixed results. In recent times, the Tocks Island Dam was defeated by a community that had come to admire the river's stubborn resistance to being conquered and harnesses to human ends. Canoeists and waterside strollers can now appreciate its unspoiled beauties.
This delightful divertissement is a lampoon of dueling culture set in southeastern Alabama, penned by a cousin of the better known humorist Johnson Jones Hooper. Interestingly George W. Hooper did not identify himself as the author, perhaps for fear that some enterprising duelist would decide he had been personally lampooned and take umbrage.
The main character is a figure familiar in outline to readers of John Gorman Barr, J. J. Hooper, Joseph G. Baldwin, and other practitioners of what is known as the humor of the Old Southwest. This tetchy blowhard is able to find a personal slight in every social circumstance of the most casual nature, to determine the only resolution that could preserve his personal honor is a duel, and then to find elaborate reasons why the affair d’honneur must be postponed indefinitely. The protagonist is accompanied by a Watson-like admirer of comparable wooden-headedness, who admiringly keeps track of all this punctilio—and constantly just barely avoids offending his patron at every turn.
The work ends with the provisions of the real “Code Duello,” which cede nothing to the fiction in sheer ridiculousness.
In 1987 photographer Sandra Dyas moved to Iowa City and began documenting the area’s vibrant live music scene, with its distinctive combination of folk, blues, roots/Americana, and rock sounds. The sixty photos in Down to the River capture her twenty years of photographing live music venues and shooting portraits of musicians in and around the city, resulting in a collection of images as compassionate and honest as the music itself.
Dyas’s photographs present both the sweaty intensity of live performances and the more contemplative moments of individual portraits. They are complemented by Chris Offutt’s empathetic essay, which also encapsulates the experience of connecting with a new home through its music. A companion CD with eighteen tracks by Iowa’s finest singer/songwriters, including Dave Moore, Greg Brown, Bo Ramsey, David Zollo, and Pieta Brown, add up to an unmatched perspective on Iowa music and musicians.
1. Iowa Crawl, Joe Price
2. Poor Back Slider, Greg Brown
3. Parnell, David Zollo
4. #807, Pieta Brown
5. Wheels of Steel, Radoslav Lorkovic
6. Down to the River, Dave Moore
7. Lucy and Andy Drive to Arkansas, Kevin Gordon
8. Chuck Brown, Mike and Amy Finders
9. Nobody But You, Joe Price
10. Earleton, BeJae Fleming
11. Ceremonial Child, High and Lonesome
12. Sidetrack Lounge, Bo Ramsey
13. On the Edge, Pieta Brown
14. One Wrong Turn, Greg Brown
15. Not in Iowa, Kelly Pardekooper
16. Living in a Cornfield, Bo Ramsey
17. ’57 Chevy, Tom Jessen’s Dimestore Outfit
18. Roll on John, the Pines
How to Save a River presents in a concise and readable format the wisdom gained from years of river protection campaigns across the United States. The book begins by defining general principles of action, including getting organized, planning a campaign, building public support, and putting a plan into action. It then provides detailed explanations of how to: form an organization and raise money develop coalitions with other groups plan a campaign and build public support cultivate the media and other powerful allies develop credible alternatives to damaging projects How to Save a River provides an important overview of the resource issues involved in river protection, and suggests sources for further investigation. Countless examples of successful river protection campaigns prove that ordinary citizens do have the power to create change when they know how to organize themselves.
Jazz on the River
William Howland Kenney University of Chicago Press, 2005 Library of Congress ML3508.K45 2005 | Dewey Decimal 781.650976
Just after World War I, the musical style called jazz began a waterborne journey outward from that quintessential haven of romance and decadence, New Orleans. For the first time in any organized way, steam-driven boats left town during the summer months to tramp the Mississippi River, bringing an exotic new music to the rest of the nation. For entrepreneurs promoting jazz, this seemed a promising way to spread northward the exciting sounds of the Crescent City. And the musicians no longer had to wait for folks upriver to make their way down to New Orleans to hear the vibrant rhythms, astonishing improvisations, and new harmonic idioms being created.
Simply put, when jazz went upstream, it went mainstream, and in Jazz on the River, William Howland Kenney brings to life the vibrant history of this music and its seduction of the men and women along America's inland waterways. Here for the first time readers can learn about the lives and music of the levee roustabouts promoting riverboat jazz and their relationships with such great early jazz adventurers as Louis Armstrong, Fate Marable, Warren "Baby" Dodds, and Jess Stacy. Kenney follows the boats from Memphis to St. Louis, where new styles of jazz were soon produced, all the way up the Ohio River, where the music captivated audiences in Cincinnati and Pittsburgh alike.
Jazz on the River concludes with the story of the decline of the old paddle wheelers-and thus riverboat jazz-on the inland waterways after World War II. The enduring silence of our rivers, Kenney argues, reminds us of the loss of such a distinctive musical tradition. But riverboat jazz still lives on in myriad permutations, each one in tune with our own times.
Like many rivers of the arid Southwest, the Gila is for much of its length a dry bed except after seasonal rains. Yet a mere century ago it hosted a thriving biological community, and two centuries ago American Indians fished from its banks.
It is no mystery how the desert swallowed up the Gila. Beaver trapping, overgrazing, and woodcutting first ruined natural watersheds, then damming confined the last drops of its surface flow. Historical sources and archaeological data inform us of the Gila's past, but its bird life further testifies to the changes.
Amadeo Rea traces the decline of bird life on the Middle Gila in a book that addresses the broader issue of habitat deterioration. Bird lovers will find it a storehouse of data on avian migration patterns and on ornithological classification based on skeletal structure. Anthropologists can draw on its Piman ethnoclassification of birds, which links the Gila River tribe with various other Uto-Aztecan peoples of Mexico's west coast.
But for all concerned with protecting our environment, Once a River offers evidence of change that might be apprehended elsewhere. It is a case history of a loss that perhaps need never have occurred.
Raven and River
Nancy White Carlstrom University of Alaska Press, 2011 Library of Congress PZ7.C21684Rav 2011
Raven and River leads young readers on a fantastical journey with a raven across the icy Alaska landscape on the verge of spring. Along the way, the raven’s sonorous cry wakes a cast of sleeping woodland creatures, including a bear, a beaver, a hare, and a squirrel—all of whom join him in imploring the still-frozen river to melt and thereby initiate the change of seasons. Packed with information and featuring vibrant full-color illustrations by Jon Van Zyle, Raven and River brings to life these two important harbingers of Alaska’s spring.
“John Hildebrand sets out in a canoe . . . to explore the great riverway of northwestern Canada and Alaska. . . . The geography is closely rendered and the characters especially sharply drawn. The country is filled with mad dropouts at river fish camps, good-hearted girls in the towns, sullen natives in tumbledown villages, cranky old-timers, terrible drunks and worse moralizers who live off the wild landscape and its abundant resources. . . . This is a fine work, and Hildebrand is a fine writer.”—Charles E. Little, Wilderness
A major contribution to the nascent anthropology of urban environments, Reigning the River illuminates the complexities of river restoration in Kathmandu, Nepal’s capital and one of the fastest-growing cities in South Asia. In this rich ethnography, Anne M. Rademacher explores the ways that urban riverscape improvement involved multiple actors, each constructing ideals of restoration through contested histories and ideologies of belonging. She examines competing understandings of river restoration, particularly among bureaucrats in state and conservation-development agencies, cultural heritage activists, and advocates for the security of tens of thousands of rural-to-urban migrants settled along the exposed riverbed.
Rademacher conducted research during a volatile period in Nepal’s political history. As clashes between Maoist revolutionaries and the government intensified, the riverscape became a site of competing claims to a capital city that increasingly functioned as a last refuge from war-related violence. In this time of intense flux, efforts to ensure, create, or imagine ecological stability intersected with aspirations for political stability. Throughout her analysis, Rademacher emphasizes ecology as an important site of dislocation, entitlement, and cultural meaning.
When the City of Reno decided at the beginning of this century to create a trench to lower the railroad tracks that ran through its center, archaeologists associated with the ReTRAC (Reno Transportation Rail Access Corridor) project had a unique opportunity to explore the evidence of thousands of years of human history locked beneath downtown’s busy streets. The River and the Railroad traces the people and events that shaped the city, incorporating archaeological findings to add a more tangible physical dimension to the known history. It offers fascinating insights into the lives of many different people from Reno’s past and helps to correct some common misperceptions about the history of the American West.
Mira Hamermesh is an award-winning film maker, painter and writer. This moving memoir gives a vivid account of her remarkable life.
As a young Jewish teenager Hamermesh escaped the horrors of German-occupied Poland and was spared the experience of the ghetto and the concentration camp that claimed most of her family. Mira shows how her status as a refugee has continued to influence her throughout her life. The journey led her across Europe and eventually to Palestine in 1941; her account of that region, before the establishment of Israel, provides a fascinating insight into the historical setting for today's conflict.
Having settled in London where she studied art and married, she eventually won a place at the celebrated Polish Film School in Lodz. At the height of the Cold War Mira Hamermesh commuted across the Iron Curtain – her experience of a divided Europe offers many insights into the political factors that affected people's everyday lives. Mira's theme of political conflict, so often explored in her films, is brought to life here in an intimate account that will live long in the memory.
River of Dark Dreams places the Cotton Kingdom at the center of worldwide webs of exchange and exploitation that extended across oceans and drove an insatiable hunger for new lands. This bold reaccounting dramatically alters our understanding of American slavery and its role in U.S. expansionism, global capitalism, and the upcoming Civil War.
In River of Hope, Omar S. Valerio-Jiménez examines state formation, cultural change, and the construction of identity in the lower Rio Grande region during the eighteenth and nineteenth centuries. He chronicles a history of violence resulting from multiple conquests, of resistance and accommodation to state power, and of changing ethnic and political identities. The redrawing of borders neither began nor ended the region's long history of unequal power relations. Nor did it lead residents to adopt singular colonial or national identities. Instead, their regionalism, transnational cultural practices, and kinship ties subverted state attempts to control and divide the population.
Diverse influences transformed the borderlands as Spain, Mexico, and the United States competed for control of the region. Indian slaves joined Spanish society; Mexicans allied with Indians to defend river communities; Anglo Americans and Mexicans intermarried and collaborated; and women sued to confront spousal abuse and to secure divorces. Drawn into multiple conflicts along the border, Mexican nationals and Mexican Texans (tejanos) took advantage of their transnational social relations and ambiguous citizenship to escape criminal prosecution, secure political refuge, and obtain economic opportunities. To confront the racialization of their cultural practices and their increasing criminalization, tejanos claimed citizenship rights within the United States and, in the process, created a new identity.
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
Sustainability defines the need for any society to live within the constraints of the land’s capacity to deliver all natural resources it consumes. To be sustainable, nature and its endowment need to be linked to human behavior, similar to the practices of indigenous peoples. The River of Life compares the general differences between Native Americans’ and the Western world’s view of resources and provides the nuts and bolts of a sustainability portfolio designed by indigenous peoples. It also introduces ideas on how to link nature and society to make sustainable choices, aiming to facilitate thinking about how to change destructive behaviors and to integrate indigenous culture into thinking and decision processes.
Surrender to a wild river and unexpected things can happen. Time on the water can produce moments of pristine clarity or hatch wild thoughts, foster a deep connection with the real world or summon the spiritual.
River of Light: A Conversation with Kabir is centered in one man’s meditations and revelations while traveling on a river. John Morgan spent a week traveling the Copper River in Southcentral Alaska, and the resulting encounters form the heart of this book-length poem. The river’s shifting landscape enriches the poem’s meditative mood while currents shape the poem and the pacing of its lines. The mystic poet Kabir is Morgan’s internal guide and serves as a divine foil through quiet stretches that bring to mind questions about war and human nature. Artwork by distinguished Alaska artist Kesler Woodward is a sublime companion to the text.
A combination of adventurer’s tale and spiritual quest, River of Light: A Conversation with Kabir takes the reader on a soulful journey that is both deeply personal and profoundly universal.
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation.
Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
His name is inextricably linked with a single work, A Sand County Almanac, a classic of natural history literature and the conservationist's bible. This book brings together the best of Leopold's essays.
"There are few places where the game [of politics] is played with more intensity than in Chicago," notes Steve Neal, who has covered that city's politics since 1979.
The longtime political columnist for the Chicago Sun-Times, Neal covered Jane M. Byrne's election in 1979 as the city's first woman mayor and Harold Washington's 1983 triumph as Chicago's first African American mayor. Even people who are not interested in politics are drawn to Neal's column because of his hard-hitting style and lucid insights. Rolling on the River is the first published collection of his work.
In these pages, you'll meet the state legislator who never met a special interest he did not like, an alderman groveling to a mob boss, and the prosecutor who gained notoriety as a publicity hound. Of a junketing congressman, Neal writes: "Instead of sending out a congressional newsletter, [he] ought to be sending his constituents 'Wish you were here' postcards of sandy beaches."
Neal's beat is politics, but his interests are rich and varied. He also writes about sports, music, literature, and film with a point of view that is fresh and original. Neal shows how Muhammad Ali became the heavyweight champion who transcended sports and how Sid Luckman changed football. He writes of Kenny Washington's importance in breaking professional football's color barrier and Steve Prefontaine's courage in taking on the little gray men of the sports establishment. Neal chronicles Paul Robeson's struggles: "His name became a great whisper. . . . The injustices against Paul Robeson have not been righted."
Nobel laureate Saul Bellow tells Neal that comedy is the bright hope of American fiction because it is too difficult for writers in this country to grasp the worst of the human condition. Neal tells why Frank Sinatra called Chicago his kind of town and also shows how the city inspires the poetry of Gwendolyn Brooks.
Neal, a former White House correspondent, shares his perspective as one of the few reporters to have interviewed Ronald Reagan in four different decades. He recalls spending an evening with Richard M. Nixon, defends Harry Truman's most controversial decision, and writes from Ireland of John F. Kennedy's enduring legacy in the nation of his ancestors. Neal portrays William Jefferson Clinton as the "world's oldest teenager."
With vivid imagery, Neal makes his subjects come alive. Mayor Richard M. Daley is likened to Forrest Gump, and the legendary boxing announcer Ben Bentley is hailed as the last of the Damon Runyon characters.
Tough but fair. Illuminating. Compassionate. That's the best of Steve Neal.
The Green River runs wild, free and vigourous from southern Wyoming to northeastern Utah. Edward Abbey wrote in these pages in 1975 that Anne Zwinger's account of the Green River and its subtle forms of life and nonlife may be taken as authoritative. 'Run, River, Run,' should serve as a standard reference work on this part of the American West for many years to come." —New York Times Book Review
In the New World, the buying and selling of slaves and of the commodities that they produced generated immense wealth, which reshaped existing societies and helped build new ones. From small beginnings, slavery in North America expanded until it furnished the foundation for two extraordinarily rich and powerful slave societies, the United States of America and then the Confederate States of America. The expansion and concentration of slavery into what became the Confederacy in 1861 was arguably the most momentous development after nationhood itself in the early history of the American republic.
This book examines a relatively small part of slavery’s North American domain, the lower Chattahoochee river Valley between Alabama and Georgia. Although geographically at the heart of Dixie, the valley was among the youngest parts of the Old South; only thirty-seven years separate the founding of Columbus, Georgia, and the collapse of the Confederacy. In those years, the area was overrun by a slave society characterized by astonishing demographic, territorial, and economic expansion. Valley counties of Georgia and Alabama became places where everything had its price, and where property rights in enslaved persons formed the basis of economic activity. Sold Down the River examines a microcosm of slavery as it was experienced in an archetypical southern locale through its effect on individual people, as much as can be determined from primary sources.
Published in cooperation with the Historic Chattahoochee Commission and the Troup County Historical Society.
Since the late 1960s, Oregon has been at the forefront of environmental protection in the United States. The state generally, and Portland in particular, continue to have strong “green” credentials well into the twenty-first century. Within this forty year period of progress, however, the health of the Willamette River has been a consistent blot on the record. Willamette River water pollution has not gone away—the problem has, in fact, gotten much more complex. James Hillegas-Elting’s book, Speaking for the River, provides a historical look at this dilemma.
Willamette River cleanup efforts between 1926 and 1975 centered on a struggle between abatement advocates and the two primary polluters in the watershed, the City of Portland and the pulp and paper industry. Beginning in 1926, clean streams advocates created ad hoc groups of public health experts, sanitary engineers, conservationists, sportsmen, and others to pressure Portland officials and industry representatives to cease polluting the river. By the late 1960s, these grassroots initiatives found political footholds at the state level. As governor between 1967 and 1975, Tom McCall took the issue of environmental protection personally, providing the charisma and leadership that was needed to finally make substantive progress toward cleaning the Willamette.
Speaking for the River is the first book to describe the historical roots of Willamette River pollution, providing important context for understanding the political, fiscal, and technological antecedents to the present-day conundrum. Hillegas-Elting’s contribution to the academic literature on environmental and urban history in Oregon will be welcomed by policy makers, environmentalists, and concerned citizens alike.
What happens when an English professor takes a year off to explore a tiny prairie creek? Between mishaps with the canoe, long walks to the sites of Cheyenne villages and cavalry trenches, and gallons of coffee with isolated farmers, what happens is insight. In Stepping Twice Into the River, Robert King recounts his exploration of the "almost unnoticeable" along North Dakota's Sheyenne River, from its headwaters to river's end. With each experience along the way - tracing a military campaign, canoeing the river, visiting a ghost town and even trying to sleep in an ancient Cheyenne village - King examines a different aspect of the plains: Native American culture, pioneer society, religion, war, agriculture, and nature.
Blending travel narrative and poetic reflection, Stepping Twice Into the River takes readers on a journey through time, revealing both stability and change and offering prairie wisdom. An affectionate and shrewd observer, King illuminates the ordinary from the perspectives of history, science, and literature. In the hands of this gifted thinker and writer, local facts yield universal metaphor.
There Was a River
Bruce Berger University of Arizona Press, 1994 Library of Congress F788.B47 1994 | Dewey Decimal 979.033092
On October 7, 1962, Bruce Berger and three friends embarked on what may have been the last trip taken through the Colorado River's Glen Canyon before the floodgates were closed at Glen Canyon Dam and Lake Powell began to fill. After thirty years, one can grieve for what was lost and then, like Berger, take another look around.
The Southwest Berger sees is an unusual, even odd, place, with inhabitants that are just as strange. In this collection of essays he introduces us to people and places that define a region and a way of life. We meet eccentric desert dwellers like Cactus Pete, who claimed to have mapped the mountains of Venus long before NASA penetrated its clouds. We chart the canals of Phoenix, which have created a Martian landscape out of an irrigation system dating back to the ancient Hohokam; stay at a "wigwam" motel in Holbrook, whose kitsch appeals even to Hopis; and dim our lights for the International Dark-Sky Association's efforts to keep night skies safe for astronomy.
Focusing on the interaction of people with the environment, Berger reveals an original vision of the Southwest that encompasses both city and wilderness. In a concluding essay centering on the sale of his mother's estate in Phoenix, he concedes that "our intention to leave the desert alone has resulted, unwittingly, in loss after loss, simply by our being here." Sometimes there are losses—a canyon, a house—but Berger attunes us to the prodigies of change.
Up on the River is John Madson’s loving and often hilarious tribute to the people, animal life, and places of the Upper Mississippi. Madson’s Upper Mississippi is the part “between the saints,” from St. Louis to St. Paul, and where for thirty years he explored the bright waters of the upper reaches of the mighty river itself as well as the tangled multitude of sloughs, cuts, and side channels that wander through its wooded islands and floodplain forests.
“Some of my best time on the River has been in the company of game wardens, biologists, commercial fishermen, clammers, trappers, hunters, and a smelly, mud-smeared coterie of river rats in general, and my views of the River are far more likely to reflect theirs than those of the transportation industry,” Madson writes of his thirty-year acquaintance with the Mississippi. Traveling mainly by canoe and johnboat, he tells of encounters between archetypal commercial fishermen and archetypal game wardens over hot fish chowder, fishing for crappies in the tops of submerged trees and for walleyes amid gale force winds, nesting and migrating herons and ducks and eagles, the histories of river logging and pearling and button making, and towboats and barges and the lives of the “ramstugenous” people who move freight on the river.
Learning about the Upper Mississippi via the wry tutelage of John Madson, who discovered that “whenever I am out on a river some of its freeness rubs off on me,” readers of this classic book will also come under the spell of this freeness.
This novel is one of Dan Gerber's triumphs. From the author of American Atlas, Out of Control, and Grass Fires, Gerber's A Voice From the River followed Grass Fires to prominence on national bestseller lists. This novel once again affirms the Gerber's solid reputation for writing about the confrontation of the Spirit World and what some consider to be the Last of Days.
Normal0falsefalsefalseMicrosoftInternetExplorer4Missing: seventeen-year-old Kai Dionne and his dog Talia.
The search for these two spans a single day, morning twilight to late evening, from the time Kai leaps in a half-frozen river to save the dog to the hour he and Talia are recovered. Each person who comes to the river brings his or her secret needs and desires; each has known loss, and all are survivors: a homeless boy tries to find himself, his lost twin, his double; a childless mother grieves for her son and daughter; a man who shot his father recalls a tender, intimate night “when the father was kind, and not afraid, and not angry.” Kai and Talia belong to, and are loved by, a whole community. As strangers work together toward a single cause, they become family—bound by love not only to the ones lost, but to all who gather.
The perceiving consciousness is oceanic and atmospheric, embracing all living beings, swirling around a person, a bird, a bear, trillium blooming in dark woods, snow, stones, pines singing—moving closer and closer, loving, finally merging, sensing and knowing as one, before lightly whirling out again to embrace and love another. This powerful current of shared memory and experience, this ceaseless prayer, is a celebration of life, all life, mystery and miracle within an immense animate landscape, a song of praise, the voice of the river.
Melanie Rae Thon opens a new genre: call it Eco Avant-Garde, a confession of faith, and a love song to the world.
A classic account of the Wisconsin River's early exploration by French traders and Jesuit priests through the 1940s. Mixing folklore and legend, Derleth tells of the Winnebago, Sauk, and Fox peoples; of lumberjacks, farmers, miners, and preachers; of ordinary folks and famous figures such as the Ringling Brothers, Chief Blackhawk, Frank Lloyd Wright, and Zona Gale.
With the River on Our Face
Emmy Pérez University of Arizona Press, 2016 Library of Congress PS3616.E7433A6 2016 | Dewey Decimal 811.6
Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection.
Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants.
“What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems.
The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento.
With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.
In Woman of the River one of the major voices in Latin American poetry confronts the political realities of contemporary Central America. Many of the poems are political, direct, and condemnatory of the United States’ presence in Latin America, and they are rich, human documents rooted in Alegria’s knowledge of and love for her subjects.
As Carolyn Forche has written of Alegria’s previous selection of poems, Flowers from the Volcano: “These poems are testimonies to the value of a single human memory, political in the sense that there is no life apart from our common destiny. They are poems of passionate witness and confrontation. Responding to those who would state that politics has no place in poetry, she would add her voice to that of Neruda’s: we do not wish to please them . . . .” She carries within her the ancient blood of the Pipiles and laces her language with mesitizo richness.”
Georgie White Clark-adventurer, raconteur, eccentric--first came to know the canyons of the Colorado River by swimming portions of them with a single companion. She subsequently hiked and rafted portions of the canyons, increasingly sharing her love of the Colorado River with friends and acquaintances. At first establishing a part-time guide service as a way to support her own river trips, she went on to become perhaps the canyons' best-known river guide, introducing their rapids to many others-on the river, via her large-capacity rubber rafts, and across the nation, via magazine articles and movies. Georgie Clark saw the river and her sport change with the building of Glen Canyon Dam, enormous increases in the popularity of river running, and increased National Park Service regulation of rafting and river guides. Adjusting, though not always easily, to the changes, she helped transform an elite adventure sport into a major tourist activity.
The Mississippi River occupies a sacred place in American culture and mythology. Often called The Father of Rivers, it winds through American life in equal measure as a symbol and as a topographic feature. To the people who know it best, the river is life and a livelihood. River boatmen working the wide Mississippi are never far from land. Even in the dark, they can smell plants and animals and hear people on the banks and wharves.
Bonnie Stepenoff takes readers on a cruise through history, showing how workers from St. Louis to Memphis changed the river and were in turn changed by it. Each chapter of this fast-moving narrative focuses on representative workers: captains and pilots, gamblers and musicians, cooks and craftsmen. Readers will find workers who are themselves part of the country’s mythology from Mark Twain and anti-slavery crusader William Wells Brown to musicians Fate Marable and Louis Armstrong.