front cover of Vasily Zhukovsky's Romanticism and the Emotional History of Russia
Vasily Zhukovsky's Romanticism and the Emotional History of Russia
Ilya Vinitsky
Northwestern University Press, 2015

Ilya Vinitsky's Vasily Zhukovsky's Romanticism and the Emotional History of Russia is the first major study in English of Vasily Zhukovsky (1783–1852)—a poet, transla­tor of German romantic verse, and, crucially, mentor of Pushkin. It focuses overdue attention to an important figure in Russian literary and cultural history.

Vinitsky’s "psychological biography" argues that Zhukovsky very consciously set out to create for himself an emotional life that reflected his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.

[more]

front cover of Versed in Living Nature
Versed in Living Nature
Wordsworth’s Trees
Peter Dale and Brandon C. Yen
Reaktion Books, 2022
Verdant with illustrations, a meditation upon the rootedness of trees in Wordsworth’s writing and beyond.
 
This is the first book to address William Wordsworth’s profound identification of the spirit of nature in trees. It looks at what trees meant to him, and how he represented them in his poetry and prose: the symbolic charm of blasted trees, a hawthorn at the heart of Irish folk belief, great oaks that embodied naval strength, yews that tell us about both longevity and the brevity of human life. Linking poetry and literary history with ecology, Versed in Living Nature explores intricate patterns of personal and local connections that enabled trees—as living things, cultural topics, horticultural objects, and even commodities—to be imagined, theorized, discussed, and exchanged. In this book, the literary past becomes the urgent present.
[more]

front cover of Victorian and Modern Poetics
Victorian and Modern Poetics
Carol T. Christ
University of Chicago Press, 1984

front cover of Victorians Reading the Romantics
Victorians Reading the Romantics
Essays by U. C. Knoepflmacher
U. C. Knoepflmacher and Linda Shires
The Ohio State University Press, 2016

Victorians Reading the Romantics: Essays by U. C. Knoepflmacher, edited by LindaM. Shires, offers a compelling new perspective on the long and influential publishing career and thought of Knoepflmacher, a leading critic of the novel and Victorian poetry. This volume draws together essays on nineteenth-century literature written between 1963 and 2012.An introductory essay and new scaffolding emphasize the interrelations among the essays, which together form a consistent approach to literary criticism.

Knoepflmacher’s vision of texts and readersstressesthe emotional knowledge afforded by reading, writing about, and teaching literary texts.Each chapter links Romantic texts to those of later writers. Shelley and Keats try to revise Wordsworth, but they are themselves recast by Browning and Hardy. Similarly, George Eliot and Virginia Woolf’s reliance on Romantic tropes are fruitfully examined. Above all, however, these chapters stress the impact of Wordsworth on his many contemporaries and successors. Knoepflmacher probes into their texts to find, as Wordsworth did, a momentaryfusionof opposites.He posits a reader who is flexible—able to move in multiple directions by paying attention to spatial, verbal, and imagistic coordinates, across and down a page.Given the attention paid tothe translation of affect into thought,this collectionwillcontribute to Victorian studiesas well as enhance our understanding of the affective dynamics of nineteenth-century literature.

[more]

front cover of The Visual Life of Romantic Theater, 1780-1830
The Visual Life of Romantic Theater, 1780-1830
Edited by Diane Piccitto and Terry F. Robinson
University of Michigan Press, 2023
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
[more]


Send via email Share on Facebook Share on Twitter