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Caesar
A Life in Western Culture
Maria Wyke
University of Chicago Press, 2008
More than two millennia have passed since Brutus and his companions murdered Julius Caesar—and inaugurated his legend. Though the assassins succeeded in ending Caesar’s dictatorship, they could never have imagined that his power and influence would only grow after his death, reaching mythic proportions and establishing him as one of the central icons of Western culture, fascinating armchair historians and specialists alike.
 
With Caesar, Maria Wyke takes up the question of just why Julius Caesar has become such an exalted figure when most of his fellow Romans have long been forgotten. Focusing on key events in Caesar’s life, she begins with accounts from ancient sources, then traces the ways in which his legend has been adapted and employed by everyone from Machiavelli to Madison Avenue, Shakespeare to George Bernard Shaw. Napoleon and Mussolini, for example, cited Caesar’s crossing of the Rubicon in defense of their own dictatorial aims, while John Wilkes Booth fancied himself a new Brutus, ridding America of an imperial scourge. Caesar’s personal life, too, has long been fair game—but the lessons we draw from it have changed: Suetonius derided Caesar for his lustfulness and his love of luxury, but these days he and his lover Cleopatra serve as the very embodiment of glamour, enticingly invoked everywhere from Caesars Palace in Las Vegas to the hit HBO series Rome.
 
Caesar is the witty and perceptive work of a writer who is as comfortable with the implications of Xena: Warrior Princess as with the long shadow cast by the Annals of Tacitus. Wyke gives us a Caesar for our own time: complicated, hotly contested, and perpetually, fascinatingly renewed.
 
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Caesar in Gaul and Rome
War in Words
By Andrew M. Riggsby
University of Texas Press, 2006

Winner, AAP/PSP Award for Excellence, Classics and Ancient History, 2006

Anyone who has even a passing acquaintance with Latin knows "Gallia est omnis divisa in partes tres" ("All Gaul is divided into three parts"), the opening line of De Bello Gallico, Julius Caesar's famous commentary on his campaigns against the Gauls in the 50s BC. But what did Caesar intend to accomplish by writing and publishing his commentaries, how did he go about it, and what potentially unforeseen consequences did his writing have? These are the questions that Andrew Riggsby pursues in this fresh interpretation of one of the masterworks of Latin prose.

Riggsby uses contemporary literary methods to examine the historical impact that the commentaries had on the Roman reading public. In the first part of his study, Riggsby considers how Caesar defined Roman identity and its relationship to non-Roman others. He shows how Caesar opens up a possible vision of the political future in which the distinction between Roman and non-Roman becomes less important because of their joint submission to a Caesar-like leader. In the second part, Riggsby analyzes Caesar's political self-fashioning and the potential effects of his writing and publishing the Gallic War. He reveals how Caesar presents himself as a subtly new kind of Roman general who deserves credit not only for his own virtues, but for those of his soldiers as well. Riggsby uses case studies of key topics (spatial representation, ethnography, virtus and technology, genre, and the just war), augmented by more synthetic discussions that bring in evidence from other Roman and Greek texts, to offer a broad picture of the themes of national identity and Caesar's self-presentation.

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Caesar
Politician and Statesman
Mattias Gelzer
Harvard University Press

In 1912 a young scholar published a slim volume investigating the social structure of the late Roman Republic, which was in due course to transform the study of Roman history. The author, Mattias Gelzer, went on to hold the Chair of Ancient History at Frankfurt and to become the greatest German-speaking historian of the Roman Republic since Mommsen. In 1921 he published his Caesar, which has by now gone through six editions in Germany and is still the standard account, in any language, of Caesar and his age. It amply fulfills the author’s intent “to give the educated public a lively picture of the complete political career of one of the great statesmen of the past.”

Based on a conscientious evaluation of the abundant source materials—primarily the writings of Caesar and his contemporaries—Professor Gelzer’s portrait renders Caesar in heroic proportions, destined and determined from the beginning to overthrow a corrupt aristocracy. The sixth edition (1960), brought up to date and provided with full annotations by the author, is the basis of this translation, which for the first time makes the work available in English.

With Professor Gelzer’s approval, some minor errors have been corrected, both in the text and in the chronological table and the map at the end of the book, and an analytical index of names has been added.

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The Case for the Prosecution in the Ciceronian Era
Michael C. Alexander
University of Michigan Press, 2003
Much of the modern world's knowledge of criminal court trials in the Late Roman Republic derives from the orations of Cicero. His eleven court trial speeches have provided information about the trials and the practices of the time period. Records of the prosecution's case are lost; these speeches, our only transcripts of the time, were delivered by the defense. The Case for the Prosecution in the Ciceronian Era attempts to restore the judicial balance by depicting the lost side of the trial.
Guided by Cicero's argument, Michael C. Alexander recreates the prosecution's case against the defendants in the trials.
Organized into eleven chapters, each detailing one trial, the core of the work discusses the different dimensions of each trial, the circumstances surrounding the cases, those involved, the legal charges and allegations made by the prosecution, the ways in which the prosecution might have countered Cicero's rebuttal and the outcome. There is also a discussion concerning particular problems the prosecution may have faced in preparing for the trial. This book reveals strong points in favor of the prosecution; justifies the hope of the prosecutor, a private citizen who had volunteered to undertake the case; and asks why the prosecutors believed they would come out victorious, and why they eventually failed.
The Case for the Prosecution in the Ciceronian Era draws on ancient rhetorical theory and on Roman law to shed light on these events. It will interest historians and classicists interested in Ciceronian oratory and those intrigued by legal history.
Michael C. Alexander is Associate Professor of History, University of Illinois, Chicago.
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A Casebook on Roman Water Law
Cynthia Jordan Bannon
University of Michigan Press, 2020
The Romans are famous for constructing aqueducts, canals, and dams. But their law is also a lasting, if less visible, monument to their attempts to control water. A Casebook on Roman Water Law presents an analytical collection of Roman sources for water rights. The Romans recognized water as a natural resource, a public good, and an economic commodity, and they grappled with these issues as they developed law to regulate water. Early in their history the Romans crafted laws and institutions to regulate water in both public and private contexts. In later eras they revised and adapted their law to fit changing economic, cultural, and physical environments of an empire that spanned the Mediterranean. Each case documents the role of law in this history, and the study questions engage with key issues in legal and environmental history, ancient and modern.

This casebook aims to cross historical and disciplinary boundaries by making the primary evidence for Roman water rights accessible to students and researchers. Cases are presented in both original Latin and English translation. To prepare for study of the cases, each chapter opens with an overview of its topic while the introduction presents the evidence for water rights and contextualizes them within historical and conceptual frameworks.
 
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Catiline, The Monster of Rome
An Ancient Case of Political Assassination
Francis Galassi
Westholme Publishing, 2014
Leader of a Conspiracy to Overthrow the Roman Republic, a Reform-Minded Senator Whose Reputation, Life, and Legacy Were Destroyed to Maintain the Status Quo
In 62 BC, Roman Senator Lucius Sergius Catiline lay dead on a battlefield in Tuscany. He was slain along with his soldiers after his conspiracy to overthrow the Roman Republic had been exposed by his adversary Cicero. It was an ignominious end for a man described at the time as a perverted, insane monster who had attempted to return his family to fortune and social standing. Chroniclers were not kind to Catiline, and his name over the centuries was synonymous with treachery. Recently, scholars have been reappraising the life and influence of this ancient Roman. In Catiline, The Monster of Rome: An Ancient Case of Political Assassination, economic historian Francis Galassi provides the first book-length account of Catiline in more than a generation.
            Rome first achieved a status as an empire during Catiline’s lifetime. The republic was, however, constantly at war with foreign powers and occasionally its own allies, and the disparity between the wealthy and the poor threatened to destabilize society. Catiline was from an aristocratic but impoverished family and first served as an officer with Cornelius Sulla during that general’s purges against Gaius Marius, the supposed champion of the oppressed masses. Catiline’s goal was to serve Sulla and then use that as a springboard to public office where he could recover his family’s former wealth and honor. However, the senatorial elite became suspicious if not threatened by the upstart Catiline and blocked his ambitions. Catiline was dogged by trumped-up charges, including raping a Vestal virgin and murdering his brother-in-law; he was acquitted each time, but his political life was ruined. With citizens demanding land and agrarian reform, Catiline genuinely embraced their dissatisfaction, and realizing that the elite would stop his attempt to gain status through elections, he organized a conspiracy to take control of Roman government through arms. Once his actions had been made public, many of his supporters and co-conspirators left him; but honoring the course he had chosen, he and his remaining soldiers fought a Roman army to their deaths. Rather than the “monster” as portrayed by his contemporaries, the author contends that Catiline was compelled to act for the benefit of common Romans to save Rome even if it meant overthrowing the government. As Galassi notes, Catiline’s contemporary, the slave Spartacus, has been a symbol of social reform for centuries, but it was actually Catiline, not Spartacus, who attempted to change Rome.
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Catullus. Tibullus. Pervigilium Veneris
Catullus and Tibullus
Harvard University Press, 1988

Polymetric gems, wistful elegies, and a lover’s prayer.

Catullus (Gaius Valerius, 84–54 BC), of Verona, went early to Rome, where he associated not only with other literary men from Cisalpine Gaul but also with Cicero and Hortensius. His surviving poems consist of nearly sixty short lyrics, eight longer poems in various metres, and almost fifty epigrams. All exemplify a strict technique of studied composition inherited from early Greek lyric and the poets of Alexandria. In his work we can trace his unhappy love for a woman he calls Lesbia; the death of his brother; his visits to Bithynia; and his emotional friendships and enmities at Rome. For consummate poetic artistry coupled with intensity of feeling, Catullus’ poems have no rival in Latin literature.

Tibullus (Albius, ca. 54–19 BC), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book 1 mostly proclaims his love for “Delia,” Book 2 his passion for “Nemesis.” The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.

The Pervigilium Veneris, a poem of not quite a hundred lines celebrating a spring festival in honor of the goddess of love, is remarkable both for its beauty and as the first clear note of romanticism which transformed classical into medieval literature. The manuscripts give no clue to its author, but recent scholarship has made a strong case for attributing it to the early fourth-century poet Tiberianus.

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Ceremony and Power
Performing Politics in Rome between Republic and Empire
Geoffrey S. Sumi
University of Michigan Press, 2015
In Ceremony and Power, Geoffrey Sumi is concerned with the relationship between political power and public ceremonial in the Roman Republic, with particular focus on the critical months following Caesar's assassination and later as Augustus became the first emperor of Rome. The book traces the use of a variety of public ceremonies, including assemblies of the people, triumphs, funerals, and games, as a means for politicians in this period of instability and transition to shape their public images and consolidate their power and prestige. Ultimately, Sumi shows that the will of the people, whether they were the electorate assembled at the comitia, the citizen body at the contio, the spectators at the theater, the crowd at the triumph, or mourners at a funeral, strongly influenced the decisions and actions of Roman aristocrats.

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Christian and Pagan in the Roman Empire
Robert Sider
Catholic University of America Press, 2001
In this volume, Robert D. Sider undertakes a judicious pruning of the original texts and brings a fresh accessibility to the important writings of Tertullian.
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A Chronicle of the Last Pagans
Pierre Chuvin
Harvard University Press, 1990

A Chronicle of the Last Pagans is a history of the triumph of Christianity in the Roman Empire as told from the perspective of the defeated: the adherents of the mysteries, cults, and philosophies that dominated Greco–Roman culture.

With a sovereign command of the diverse evidence, Pierre Chuvin portrays the complex spiritual, intellectual, and political lives of professing pagans after Christianity became the state religion. While recreating the unfolding drama of their fate—their gradual loss of power, exclusion from political, military, and civic positions, their assimilation, and finally their persecution—he records a remarkable persistence of pagan religiosity and illustrates the fruitful interaction between Christianity and paganism. The author points to the implications of this late paganism for subsequent developments in the Byzantine Empire and the West. Chuvin's compelling account of an often forgotten world of pagan culture rescues an important aspect of our spiritual heritage and provides new understanding of Late Antiquity.

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Cicero, Catullus, and the Language of Social Performance
Brian A. Krostenko
University of Chicago Press, 2001
Charm, wit, and style were critical, but dangerous, ingredients in the social repertoire of the Roman elite. Their use drew special attention, but also exposed one to potential ridicule or rejection for valuing style over substance. Brian A. Krostenko explores the complexities and ambiguities of charm, wit, and style in Roman literature of the late Republic by tracking the origins, development, and use of the terms that described them, which he calls "the language of social performance."

As Krostenko demonstrates, a key feature of this language is its capacity to express both approval and disdain—an artifact of its origins at a time when the "style" and "charm" of imported Greek cultural practices were greeted with both enthusiasm and hostility. Cicero played on that ambiguity, for example, by chastising lepidus ("fine") boys in the "Second Oration against Catiline" as degenerates, then arguing in his De Oratore that the successful speaker must have a certain charming lepos ("wit"). Catullus, in turn, exploited and inverted the political subtexts of this language for innovative poetic and erotic idioms.
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Cicero's Use of Judicial Theater
Jon Hall
University of Michigan Press, 2014
In Cicero’s Use of Judicial Theater, Jon Hall examines Cicero's use of showmanship in the Roman courts, looking in particular at the nonverbal devices that he employs during his speeches as he attempts to manipulate opinion. Cicero's speeches in the law-courts often incorporate theatrical devices including the use of family relatives as props during emotional appeals, exploitation of tears and supplication, and the wearing of specially dirtied attire by defendants during a trial, all of which contrast strikingly with the practices of the modem advocate. Hall investigates how Cicero successfully deployed these techniques and why they played such a prominent part in the Roman courts. These "judicial theatrics" are rarely discussed by the ancient rhetorical handbooks, and Cicero’s Use of Judicial Theater argues that their successful use by Roman orators derives largely from the inherent theatricality of aristocratic life in ancient Rome—most of the devices deployed in the courts appear elsewhere in the social and political activities of the elite.

While Cicero’s Use of Judicial Theater will be of interest primarily to professional scholars and students studying the speeches of Cicero, its wider analyses, both of Roman cultural customs and the idiosyncratic practices of the courts, will prove relevant also to social historians, as well as historians of legal procedure.

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City of the Soul
Rome and the Romantics
John A. Pinto
University Press of New England, 2016
City of the Soul critically examines how an international cast of visitors fashioned Rome’s image, visual and literary, in the century between 1770 and 1870—from the era of the Grand Tour to the onset of mass tourism. The Eternal City emerges not only as an intensely physical place but also as a romantic idea onto which artists and writers projected their own imaginations and longings. The book will appeal to a wide audience of readers interested in the history of art, architecture, and photography, the Romantic poets, and other writers from Byron to Henry James. It will also attract the interest of historians of urbanism, landscape, and Italy. Nonspecialists and armchair travelers will enjoy the diverse literary and artistic responses to Rome.
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The City Wall of Imperial Rome
An Account of Its Architectural Development from Aurelian to Narses
Ian A. Richmond
Westholme Publishing, 2013
The Essential Study of the Largest Monument Still to Be Seen in Rome
The City Wall of Imperial Rome: An Account of Its Architectural Development from Aurelian to Narses by Sir Ian A. Richmond was first published in 1930 and reprinted in facsimile in 1971. This scarce, essential work on the imperial fortifications of Rome has lost none of its relevance since its original publication. Despite the Wall’s great importance for our understanding of Roman fortifications, there have been no further major investigations. Rome had originally been fortified by the old Servian Wall, built during the Republican period in the late fourth century BC. The city expanded greatly over the centuries and by the time of the emperor Augustus (27 BC–14 AD) little trace of the wall remained. However, there was not a need for a protective wall until the crisis of the third century AD, when barbarian tribes in 270 broke into northern Italy. In response to this new threat, the Aurelian Walls were constructed between 271 and 275 to protect the capital against barbarian raids. The walls enclosed all of Rome on both sides of the Tiber River—an area of about 5.3 square miles— and ran for some 12.5 miles. The construction project was one of the greatest in the history of the city of Rome and the walls were built in a remarkably short time, with the emperor Aurelian himself overseeing the project. Initially, the main aim of the wall was not to withstand prolonged siege warfare but to deter barbarian invaders who were insufficiently equipped for siege warfare. Later, emperor Honorius improved both the walls and gates, so that Rome could withstand a real siege and be defended by a smaller garrison. During the time of the Gothic War (535–552), five thousand Roman troops withstood a year-long siege by an estimated 150,000 Goths due to the strength of the walls. When Rome was captured in 545 by the Ostrogothic king Totila, part of the walls were deliberately destroyed to prevent the Romans from ever using them again. The Aurelian Walls remain remarkably well preserved today, due largely to their constant use as Rome’s primary fortification until the nineteenth century. The walls are the largest monument of ancient Rome still to be seen in the city. In this new edition, Late Antiquity specialist Torsten Cumberland Jacobsen provides current information about the state of the walls and their preservation, an updated bibliography, and an essay about Sir Richmond and his career.
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Civil War
Caesar
Harvard University Press, 2016

The struggle that ended the Roman Republic.

Caesar (C. Iulius, 102–44 BC), statesman and soldier, defied the dictator Sulla; served in the Mithridatic wars and in Spain; entered Roman politics as a “democrat” against the senatorial government; was the real leader of the coalition with Pompey and Crassus; conquered all Gaul for Rome; attacked Britain twice; was forced into civil war; became master of the Roman world; and achieved wide-reaching reforms until his murder. We have his books of commentarii (notes): eight on his wars in Gaul from 58–52 BC, including the two expeditions to Britain in 55–54, and three on the civil war of 49–48. They are records of his own campaigns (with occasional digressions) in vigorous, direct, clear, unemotional style and in the third person, the account of the civil war being somewhat more impassioned.

This edition of the Civil War replaces the earlier Loeb Classical Library edition by A. G. Peskett (1914) with new text, translation, introduction, and bibliography. In the Loeb Classical Library edition of Caesar, Volume I is his Gallic War; Volume III consists of Alexandrian War, African War, and Spanish War, commonly ascribed to Caesar by our manuscripts but of uncertain authorship.

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The Civil War (Pharsalia)
Lucan
Harvard University Press

Epic history.

Lucan (M. Annaeus Lucanus, AD 39–65), son of wealthy M. Annaeus Mela and nephew of Seneca, was born at Corduba (Cordova) in Spain and was brought as a baby to Rome. In AD 60 at a festival in Emperor Nero’s honor Lucan praised him in a panegyric and was promoted to one or two minor offices. But having defeated Nero in a poetry contest he was interdicted from further recitals or publication, so that three books of his epic The Civil War were probably not issued in 61 when they were finished. By 65 he was composing the tenth book but then became involved in the unsuccessful plot of Piso against Nero and, aged only twenty-six, by order took his own life.

Quintilian called Lucan a poet “full of fire and energy and a master of brilliant phrases.” His epic stood next after Virgil’s in the estimation of antiquity. Julius Caesar looms as a sinister hero in his stormy chronicle in verse of the war between Caesar and the Republic’s forces under Pompey, and later under Cato in Africa—a chronicle of dramatic events carrying us from Caesar’s fateful crossing of the Rubicon, through the Battle of Pharsalus and death of Pompey, to Caesar victorious in Egypt. The poem is also called Pharsalia.

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Civil Wars
Caesar
Harvard University Press

Caesar (C. Iulius, 102–44 BCE), statesman and soldier, defied the dictator Sulla; served in the Mithridatic wars and in Spain; pushed his way in Roman politics as a 'democrat' against the senatorial government; was the real leader of the coalition with Pompey and Crassus; conquered all Gaul for Rome; attacked Britain twice; was forced into civil war; became master of the Roman world; and achieved wide-reaching reforms until his murder. We have his books of Commentarii (notes): eight on his wars in Gaul, 58–52 BC, including the two expeditions to Britain 55–54, and three on the civil war of 49–48. They are records of his own campaigns (with occasional digressions) in vigorous, direct, clear, unemotional style and in the third person, the account of the civil war being somewhat more impassioned.

The Loeb Classical Library edition of Caesar is in three volumes. Volume I is his Gallic War. The Alexandrian War, the African War and the Spanish War, commonly ascribed to Caesar by our manuscripts but of uncertain authorship, are collected in Volume III.

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Classical Philology, volume 116 number 4 (October 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021
This is volume 116 issue 4 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 117 number 1 (January 2022)
Classical Philology, volume 117 number 1 (January 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 117 issue 1 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 117 number 2 (April 2022)
Classical Philology, volume 117 number 2 (April 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 117 issue 2 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 117 number 3 (July 2022)
Classical Philology, volume 117 number 3 (July 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 117 issue 3 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 117 number 4 (October 2022)
Classical Philology, volume 117 number 4 (October 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 117 issue 4 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 118 number 1 (January 2023)
Classical Philology, volume 118 number 1 (January 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 118 issue 1 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 118 number 2 (April 2023)
Classical Philology, volume 118 number 2 (April 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 118 issue 2 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 118 number 3 (July 2023)
Classical Philology, volume 118 number 3 (July 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 118 issue 3 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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front cover of Classical Philology, volume 119 number 1 (January 2024)
Classical Philology, volume 119 number 1 (January 2024)
The University of Chicago Press
University of Chicago Press Journals, 2024
This is volume 119 issue 1 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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Clemency and Cruelty in the Roman World
Melissa Barden Dowling
University of Michigan Press, 2006
When the Roman democratic republic fell and the monarchical empire rose, a new vocabulary of power was needed to help balance the awesome abilities of the state to inflict harm and the need of its people for individual protection. In Clemency and Cruelty in the Roman World, Melissa Barden Dowling explores the formation of clemency as a human and social value in the Roman Empire, a topic that has been curiously neglected despite its obvious importance to our understanding of Roman society and the workings of the penal system.

In this first thorough study of the origins of clemency, Dowling provides a vivid look at the ideology of clemency and new philosophies of mercy and cruelty in Western society, through an examination of ancient art, literature, historical documents, and archaeological artifacts. By illuminating the emergence of mercy and forgiveness as social concepts, and the mechanisms by which peoples are transformed in response to changes in power structures, Dowling makes an important contribution to the study of the ancient Roman world, as well as to modern Western culture.
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Cleopatra and Rome
Diana E. E. Kleiner
Harvard University Press, 2009

With the full panorama of her life forever lost, Cleopatra touches us in a series of sensational images: floating through a perfumed mist down the Nile; dressed as Venus for a tryst at Tarsus; unfurled from a roll of linens before Caesar; couchant, the deadly asp clasped to her breast. Through such images, each immortalizing the Egyptian queen's encounters with legendary Romans--Julius Caesar, Mark Antony, and Octavian Augustus--we might also chart her rendezvous with the destiny of Rome. So Diana Kleiner shows us in this provocative book, which opens an entirely new perspective on one of the most intriguing women who ever lived. Cleopatra and Rome reveals how these iconic episodes, absorbed into a larger historical and political narrative, document a momentous cultural shift from the Hellenistic world to the Roman Empire. In this story, Cleopatra's death was not an end but a beginning--a starting point for a wide variety of appropriations by Augustus and his contemporaries that established a paradigm for cultural conversion.

In this beautifully illustrated book, we experience the synthesis of Cleopatra's and Rome's defining moments through surviving works of art and other remnants of what was once an opulent material culture: religious and official architecture, cult statuary, honorary portraiture, villa paintings, tombstones, and coinage, but also the theatrical display of clothing, perfume, and hair styled to perfection for such ephemeral occasions as triumphal processions or barge cruises. It is this visual culture that best chronicles Cleopatra's legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.

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A Coin in Nine Hands
A Novel
Marguerite Yourcenar
University of Chicago Press, 1994
During the space of a day in Rome in 1933, a ten-lira coin passes through the hands of nine people—including an aging artist, a prostitute, and a would-be assassin of Mussolini. The coin becomes the symbol of contact between human beings, each lost in private passions and nearly impenetrable solitude.

"A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."—Doris Grumbach, Los Angeles Times Book Review

"What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."—Anne Tyler, The New Republic

"Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."—Cynthia King, Houston Post

"Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."—Publisher's Weekly

Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.
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Coins and Costume in Late Antiquity
Jutta-Annette Bruhn
Harvard University Press, 1993
This catalogue focuses on numismatic gold jewelry, from pendants set with coins and medallions to stamped pseudo-medallions, or a combination of both. Special attention is given to the technical issues of mounting techniques.
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The Collection of Antiquities of the American Academy in Rome
Larissa Bonfante and Helen Nagy, editors
University of Michigan Press, 2016
The foundation of the American Academy in Rome dates back more than one hundred years to the early decades of the last century. Over the years, the Academy has acquired a study collection of material goods from antiquity, including coins, statues and figurines, lamps, stucco and other architectural fragments, jewelry, and inscriptions. While most are Roman in origin, some pieces are Greek or Etruscan. Some were gifts, others come from long-ago excavations, a few were bought. The Collection of Antiquities of the American Academy in Rome, the latest addition to the Supplements to the Memoirs of the American Academy in Rome series, focuses on highlights of the collection. Sections of the work are written by area specialists, with introductory material contributed by volume editors Larissa Bonfante and Helen Nagy, both of whom have published widely in archaeology and art history.


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The Colosseum
Keith Hopkins and Mary Beard
Harvard University Press, 2011

Byron and Hitler were equally entranced by Rome’s most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die…” and we know of not one single Christian martyr who met his finish here.

Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument—as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?

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A Commentary on Cicero, De Divinatione I
Celia E. Schultz
University of Michigan Press, 2014
A Commentary on Cicero, De Divinatione I, is the first English-language commentary on the Latin text of Marcus Tullius Cicero’s dialogue in almost one hundred years. The defense of divination (the science of predicting the future) offered in Book 1 is illustrated with many entertaining anecdotes that make the argument more accessible to a wider range of readers than many of Cicero’s other philosophical works. De Divinatione also preserves many fragments of otherwise lost masterpieces of Roman Republican literature. It is a text important for the study of Roman religion, as well as Roman political and intellectual history.

This commentary aims to assist the reader in seeing De Divinatione as a cohesive whole, and to make it accessible—not only to classicists, but also to scholars of religion and to philosophers who may not be familiar with the historical and Roman intellectual background that are the focus here. The cases made for and against divination in De Divinatione closely follow arguments made by Greek philosophers, but many of the examples illustrating them reflect Cicero’s preferences in literature, his own poetic efforts and political experience, and his expertise as an augur. The result is a very personal work closely tied to Cicero’s own experience.

Celia Schultz’s volume contains the full Latin text of De Divinatione, Book 1, and accompanies it with commentary on points of grammar, history, prosopography, and ancient religious practice, among other topics. She includes a helpful bibliography for those interested in further study of points raised in the text or commentary.
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A Commentary on Cicero, De Divinatione II
Andrew R. Dyck
University of Michigan Press, 2020
Andrew R. Dyck ranks among the top Latinists in Ciceronian studies. In this new volume, he offers the first commentary on Cicero’s De Divinatione II in nearly a century. This commentary aims to equip students and scholars of Latin with the kinds of historical and philosophical background and linguistic and stylistic information needed to understand and appreciate Cicero’s text on Roman religion and divination. Dyck situates Cicero’s text in the context of Roman religion in antiquity, and he traces the subsequent reception of the text. The introduction reviews recent interpretations of De Divinatione. Dyck rejects the view that has recently been widespread in Anglophone studies that De Divinatione stages a debate between roughly equal opponents and without the emergence of a clear authorial point of view. Instead he argues that a careful reading shows that Cicero as author is invested in the argument, with the particular aim of countering superstition.

Celia Schultz’s earlier volume in this series presented the text and commentary for De Divinatione I. With Andrew Dyck’s companion volume on the second book of De Divinatione, students and teachers are well served with crucial texts from one of Rome’s most famous philosophers, as he considers important Roman practices and beliefs.
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Commerce and Social Standing in Ancient Rome
John H. D'Arms
Harvard University Press, 1981

John D'Arms explores here a question of central importance for the social economic history of the Roman world: which sectors of society were actively engaged in trade?

In the late Roman Republic and early Empire senators were prohibited by law from direct participation in seaborne commerce; trade was not considered a respectable pursuit. Yet large fortunes were amassed by men of rank through a variety of lucrative enterprises. Exploiting the evidence of literature, archaeology, and inscription, D'Arms constructs case histories which reveal how senators realized commercial profits by indirect involvement: freedmen, municipal notables, and "friends" often served as the equivalent of partners or agents of aristocrats with large holdings in land. In demonstrating a flexibility in upper-class attitudes toward commercial activity, he offers a study in the adaptation of a social system to economic realities.

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The Commerce of War
Exchange and Social Order in Latin Epic
Neil Coffee
University of Chicago Press, 2009

Latin epics such as Virgil’s Aeneid, Lucan’s Civil War, and Statius’s Thebaid addressed Roman aristocrats whose dealings in gifts, favors, and payments defined their conceptions of social order. In The Commerce of War, Neil Coffee argues that these exchanges play a central yet overlooked role in epic depictions of Roman society.

            Tracing the collapse of an aristocratic worldview across all three poems, Coffee highlights the distinction they draw between reciprocal gift giving among elites and the more problematic behaviors of buying and selling. In the Aeneid, customary gift and favor exchanges are undermined by characters who view human interaction as short-term and commodity-driven. The Civil War takes the next logical step, illuminating how Romans cope once commercial greed has supplanted traditional values. Concluding with the Thebaid, which focuses on the problems of excessive consumption rather than exchange, Coffee closes his powerful case that these poems constitute far-reaching critiques of Roman society during its transition from republic to empire.

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Comparing Roman Hellenisms in Italy
Edited by Basil Dufallo and Riemer A. Faber
University of Michigan Press, 2023
The story of Roman Hellenism—defined as the imitation or adoption of something Greek by those subject to or operating under Roman power—begins not with Roman incursions into the Greek mainland, but in Italy, where our most plentiful and spectacular surviving evidence is concentrated. Think of the architecture of the Roman capital, the Campanian towns of Pompeii and Herculaneum buried by Vesuvius, and the Hellenic culture of the Etruscans. Perhaps “everybody knows” that Rome adapted Greek culture in a steadily more “sophisticated” way as its prosperity and might increased. This volume, however, argues that the assumption of smooth continuity, let alone steady “improvement,” in any aspect of Roman Hellenism can blind us to important aspects of what Roman Hellenism really is and how it functions in a given context.

As the first book to focus on the comparison of Roman Hellenisms per se, Comparing Roman Hellenisms in Italy shows that such comparison is especially valuable in revealing how any singular instance of the phenomenon is situated and specific, and has its own life, trajectory, circumstances, and afterlife. Roman Hellenism is always a work in progress, is often strategic, often falls prey to being forgotten, decontextualized, or reread in later periods, and thus is in important senses contingent. Further, what we may broadly identify as a Roman Hellenism need not imply Rome as the only center of influence. Roman Hellenism is often decentralized, and depends strongly on local agents, aesthetics, and materials. With this in mind, the essays concentrate geographically on Italy to lend both focus and breadth to our topic, as well as to emphasize the complex interrelation of Hellenism at Rome with Rome’s surroundings. Because Hellenism, whether as practiced by Romans or Rome’s subjects, is in fact widely diffused across far-flung geographical regions, the final part of the collection gestures to this broader context.
 
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Compendium of Roman History. Res Gestae Divi Augusti
Velleius Paterculus
Harvard University Press

An imperial historian and an emperor’s history.

Velleius Paterculus, who lived in the reigns of Augustus and Tiberius (30 BC–AD 37), served as a military tribune in Thrace, Macedonia, Greece, and Asia Minor, and later, from AD 4 to 12 or 13, as a cavalry officer and legatus in Germany and Pannonia. He was quaestor in AD 7, praetor in 15. He wrote in two books “Roman Histories,” a summary of Roman history from the fall of Troy to AD 29. As he approached his own times he becomes much fuller in his treatment, especially between the death of Caesar in 44 BC and that of Augustus in AD 14. His work has useful concise essays on Roman colonies and provinces and some effective compressed portrayals of characters.

Res Gestae Divi Augusti. In his 76th year (AD 13–14) the emperor Augustus wrote a dignified account of his public life and work of which the best preserved copy (with a Greek translation) was engraved by the Galatians on the walls of the temple of Augustus at Ancyra (Ankara). It is a unique document giving short details of his public offices and honors; his benefactions to the empire, to the people, and to the soldiers; and his services as a soldier and as an administrator.

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The Complete Poetry of Catullus
Catullus; Translated and with commentary by David Mulroy
University of Wisconsin Press, 2002

    Catullus’ life was akin to pulp fiction. In Julius Caesar’s Rome, he engages in a stormy affair with a consul’s wife. He writes her passionate poems of love, hate, and jealousy. The consul, a vehement opponent of Caesar, dies under suspicious circumstances. The merry widow romances numerous young men. Catullus is drawn into politics and becomes a cocky critic of Caesar, writing poems that dub Julius a low-life pig and a pervert. Not surprisingly, soon after, no more is heard of Catullus.
    David Mulroy brings to life the witty, poignant, and brutally direct voice of a flesh-and-blood man, a young provincial in the Eternal City, reacting to real people and events in a Rome full of violent conflict among individuals marked by genius and megalomaniacal passions. Mulroy’s lively, rhythmic translations of the poems are enhanced by an introduction and commentary that provide biographical and bibliographical information about Catullus, a history of his times, a discussion of the translations, and definitions and notes that ease the way for anyone who is not a Latin scholar.

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Confiscation or Coexistence
Egyptian Temples in the Age of Augustus
Andrew Connor
University of Michigan Press, 2022
It is generally accepted that Roman administrators, arriving in Egypt in the aftermath of Augustus’ annexation of the province, confiscated en masse the land and other property belonging to the temples of Egypt—estimated at as much as one-third of the country. It is further accepted that this confiscation doomed the temples by removing their economic support and making them subservient to the Roman state, and that this in turn led to the collapse of Egyptian religion. In Confiscation or Coexistence: Egyptian Temples in the Age of Augustus, author Andrew Connor takes direct issue with both claims.

The interpretative consensus developed after the publication of a handful of key documents—P.Tebt. 2.302 especially, alongside BGU 4.1198 and 1200, and P.Berl.Leihg. 1.5. Connor offers a fundamentally revised interpretation of these texts, building from a fresh examination of the papyri themselves. The book frames the interpretation in a wider discussion of Roman interactions with Egyptian religion, including material from inside and outside Egypt, and locates the development of an interpretative consensus in early 20th-century scholarship within the wider context of empire and colonization at the time. In doing so, Connor explores these papyri through their historical, intellectual, and linguistic contexts, alongside a number of other important texts bearing on the relationship between the temples and the Roman state.
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The Conquest of Ruins
The Third Reich and the Fall of Rome
Julia Hell
University of Chicago Press, 2019
The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake.

Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.
 
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Conspiracy Narratives in Roman History
By Victoria Emma Pagán
University of Texas Press, 2005

Conspiracy is a thread that runs throughout the tapestry of Roman history. From the earliest days of the Republic to the waning of the Empire, conspiracies and intrigues created shadow worlds that undermined the openness of Rome's representational government. To expose these dark corners and restore a sense of order and safety, Roman historians frequently wrote about famous conspiracies and about how their secret plots were detected and the perpetrators punished. These accounts reassured readers that the conspiracy was a rare exception that would not happen again—if everyone remained vigilant.

In this first book-length treatment of conspiracy in Roman history, Victoria Pagán examines the narrative strategies that five prominent historians used to disclose events that had been deliberately shrouded in secrecy and silence. She compares how Sallust, Livy, and Tacitus constructed their accounts of the betrayed Catilinarian, Bacchanalian, and Pisonian conspiracies. Her analysis reveals how a historical account of a secret event depends upon the transmittal of sensitive information from a private setting to the public sphere—and why women and slaves often proved to be ideal transmitters of secrets. Pagán then turns to Josephus's and Appian's accounts of the assassinations of Caligula and Julius Caesar to explore how the two historians maintained suspense throughout their narratives, despite readers' prior knowledge of the outcomes.

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Conspiracy Theory in Latin Literature
By Victoria Emma Pagán
University of Texas Press, 2012

Conspiracy theory as a theoretical framework has emerged only in the last twenty years; commentators are finding it a productive way to explain the actions and thoughts of individuals and societies. In this compelling exploration of Latin literature, Pagán uses conspiracy theory to illuminate the ways that elite Romans invoked conspiracy as they navigated the hierarchies, divisions, and inequalities in their society. By seeming to uncover conspiracy everywhere, Romans could find the need to crush slave revolts, punish rivals with death or exile, dismiss women, denigrate foreigners, or view their emperors with deep suspicion. Expanding on her earlier Conspiracy Narratives in Roman History, Pagán here interprets the works of poets, satirists, historians, and orators—Juvenal, Tacitus, Suetonius, Terence, and Cicero, among others—to reveal how each writer gave voice to fictional or real actors who were engaged in intrigue and motivated by a calculating worldview.

Delving into multiple genres, Pagán offers a powerful critique of how conspiracy and conspiracy theory can take hold and thrive when rumor, fear, and secrecy become routine methods of interpreting (and often distorting) past and current events. In Roman society, where knowledge about others was often lacking and stereotypes dominated, conspiracy theory explained how the world worked. The persistence of conspiracy theory, from antiquity to the present day, attests to its potency as a mechanism for confronting the frailties of the human condition.

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Constantine and Eusebius
Timothy D. Barnes
Harvard University Press, 1981

This study of the Roman Empire in the age of Constantine offers a thoroughly new assessment of the part Christianity played in the Roman world of the third and fourth centuries.

Timothy D. Barnes gives the fullest available narrative history of the reigns of Diocletian and Constantine. He analyzes Constantine’s rise to power and his government, demonstrating how Constantine’s sincere adherence to Christianity advanced his political aims. He explores the whole range of Eusebius’ writings, especially those composed before Constantine became emperor, and shows that many attitudes usually deemed typical of the “Constantinian revolution” were prevalent before the new Christian empire came into existence. This authoritative political and cultural history of the age of Constantine will prove essential to students and historians of the ancient world.

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Constructing Communities in Vergil's Aeneid
Cultural Memory, Identity, and Ideology
Tedd A. Wimperis
University of Michigan Press, 2024
Constructing Communities in Vergil's Aeneid: Cultural Memory, Identity, and Ideology presents a new examination of memory, ethnic identity, and politics within the fictional world of this Roman epic, drawing previously unexplored connections between Vergil’s characters, settings, and narrative and the political context of the early Roman Empire. This book investigates how the Aeneid’s fictive ethnic communities—the Trojans, Carthaginians, Latins, and Arcadians who populate its poetic world—are shown to have identities, myths, and cultural memories of their own. And much like their real-life Roman counterparts, they engage in the politics of the past in such contexts as royal iconography, diplomacy, public displays, and incitements to war.

Where previous studies of identity and memory in the Aeneid have focused on the poem’s constructions of Roman identity, Constructing Communities turns the spotlight onto the characters themselves to show how the world inside the poem is replicating, as if in miniature, real forms of contemporary political and cultural discourse, reflecting an historical milieu where appeals to Roman identity were vigorously asserted in political rhetoric. The book applies this evidence to a broad literary analysis of the Aeneid, as well as a reevaluation of its engagement with Roman imperial ideology in the Age of Augustus.
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Contested Pasts
A Determinist History of Alexander the Great in the Roman Empire
Jennifer Finn
University of Michigan Press, 2022
Taking as a key turning point the self-fashioning of the first Roman emperor Augustus, author Jennifer Finn revisits the idea of “universal history” in Polybius, Justin, and Diodorus, combined with the Stoic philosophy of determinism present in authors like Plutarch and Arrian. Finn endeavors to determine the ways in which Roman authors manipulated narratives about Alexander’s campaigns—and even other significant events in Mediterranean history—to artificially construct a past to which the Romans could attach themselves as a natural teleological culmination. In doing so, Contested Pasts uses five case studies to reexamine aspects of Alexander’s campaigns that have received much attention in modern scholarship, providing new interpretations of issues such as: his connections to the Trojan and Persian wars; the Great Weddings at Susa; the battle(s) of Thermopylae in 480 BCE and 191 BCE and Alexander's conflict at the Persian Gates; the context of his “Last Plans”;” the role of his memory in imagining the Roman Civil Wars; and his fictitious visit to the city of Jerusalem. While Finn demonstrates throughout the book that the influence for many of these narratives likely originated in the reign of Alexander or his Successors, nevertheless these retroactive authorial manipulations force us to confront the fact that we may have an even more opaque understanding of Alexander than has previously been acknowledged. Through the application of a mnemohistorical approach, the book seeks to provide a new understanding of the ways in which the Romans—and people in the purview of the Romans—conceptualized their own world with reference to Alexander the Great.
 
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The Context of Ancient Drama
Eric Csapo and William J. Slater
University of Michigan Press, 1995
Ancient theater has always caught contemporary interest, despite the eclectic nature of the surviving evidence. Tourists wander the remains of buildings at Epidauros and Athens, and generations of people have pondered Medea and Oedipus, yet it can be surprisingly difficult to find reliable, accessible information on these plays and their theaters. The Context of Ancient Drama remedies this situation. It provides, in modern English translation, documents that illustrate all aspects of the drama of antiquity, other than the text of the dramas themselves. For convenience the material is grouped in thematic sections, such as "music," or "judging." The illustrations give well-known examples of the kind of evidence that has survived to us. Plans of theaters are provided, to exemplify the outlines of the buildings' development, and an extensive glossary of terms offers information to the interested amateur and the theater specialist alike. The Context of Ancient Drama will be of interest to a wide spectrum of students and teachers. Theater historians, students of dramatic performance and the visual arts, and students and teachers in literature-in-translation courses will all find much that speaks to them.
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Coriolanus
William Shakespeare
Arizona Center for Medieval and Renaissance Studies, 2023
A powerfully topical new translation of Shakespeare’s study of military power and political folly.

Bay Area director, actor, and producer Sean San José takes on the themes of power and politics in his version of Coriolanus, Shakespeare’s exploration of militaristic might and political folly. San José’s take on this little-known classic reimagines the text to be spoken by and for a community of “others.” The translation, which brings Shakespeare’s language into our era, rendering its thematic and dramatic power broadly accessible, is powered by a reexamination of populism in our current political moment.
 
This translation of Coriolanus was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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Cornelius Nepos
A Study in the Evidence and Influence
John Alexander Lobur
University of Michigan Press, 2021
Roman author Cornelius Nepos wrote at a very dynamic time in Roman history, but oddly enough little has been said about what his surviving work as a whole can tell us about that period. In the scholarship of the nineteenth and twentieth centuries, the author was much maligned as inaccurate, simple-minded, and derivative, and thus it has been hard to make the case that the evidence he provides is important or even useful. John Lobur’s work rehabilitates Nepos to show that in fact he should be understood as an emblematic member of the Italian intelligentsia, one well-positioned to write narratives of great potency with respect to the ideological tenor of emerging Roman imperial culture.

Cornelius Nepos: A Study in the Evidence and Influence begins by exploring the writer's ancient reception, which suggests he was in no way seen as beneath consideration by the Romans themselves. The volume then deconstructs the critical framework that cast him as an "inferior" author in the classical canon. What emerges is an author who reworked Greek historical narratives in a learned, sophisticated way, yet one still limited by the compositional logistics and limitations inherent in ancient scholarship. The study then explores his contemporary relationships and embeds his work among the crucial ideological activity at play in the late Republic and Triumviral periods. Cornelius Nepos spends considerable time on the fragmentary evidence (which highlights Nepos' interest in changes in fashion and consumption) to suggest that he was a valued cultural elder who informed a public eager to recover a sense of tradition during a period of bewilderingly fast social and cultural change. The book finishes with a thematic examination of the entire Lives of the Foreign Commanders (a set of biographies on ancient non-Roman generals) to show that despite the expression of very “Republican” sentiments, he was in fact fashioning an ideological framework for something imperial and quasi-monarchic which, though autocratic, was still antityrannical and imagined as resting on a broad and “democratic” foundation of social consent. Nepos saw that Rome would soon be ruled by one person, and his biographies show how the elites of the day both processed that reality and attempted to circumscribe it for good ends through the creation of new models of legitimacy.
 
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Correspondence, Volume I
Fronto
Harvard University Press

Letters of an imperial tutor.

The literary remains of the rhetorician Marcus Cornelius Fronto (ca. AD 100–176) first came to light in 1815, when Cardinal Mai, then prefect of the Ambrosian Library in Milan, discovered that beneath an account of the Acts of the first Council of Chalcedon in 451 had originally been written a copy of the correspondence between Fronto and members of the imperial family, including no less than three who were to wear the purple. The letters possess an extraordinary fascination as giving an authentic record of the relationship between the foremost teacher of his time and his illustrious student Marcus Aurelius, his chief correspondent. Apart from small-talk (but even that is replete with interest) the principal subject is Latin prose style. Fronto practices to excess the cultivation of trendy mannerisms, but sees clearly enough the sterility of a slavish imitation of classical models.

The Loeb Classical Library edition of Fronto is in two volumes.

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Correspondence, Volume II
Fronto
Harvard University Press

Letters of an imperial tutor.

The literary remains of the rhetorician Marcus Cornelius Fronto (ca. AD 100–176) first came to light in 1815, when Cardinal Mai, then prefect of the Ambrosian Library in Milan, discovered that beneath an account of the Acts of the first Council of Chalcedon in 451 had originally been written a copy of the correspondence between Fronto and members of the imperial family, including no less than three who were to wear the purple. The letters possess an extraordinary fascination as giving an authentic record of the relationship between the foremost teacher of his time and his illustrious student Marcus Aurelius, his chief correspondent. Apart from small-talk (but even that is replete with interest) the principal subject is Latin prose style. Fronto practices to excess the cultivation of trendy mannerisms, but sees clearly enough the sterility of a slavish imitation of classical models.

The Loeb Classical Library edition of Fronto is in two volumes.

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Corrupting Luxury in Ancient Greek Literature
Robert J. Gorman and Vanessa B. Gorman
University of Michigan Press, 2014
A widely accepted truism says that luxury corrupts, and in both popular and scholarly treatments, the ancient city of Sybaris remains the model for destructive opulence. This volume demonstrates the scarcity of evidence for Sybarite luxury, and examines the vocabulary of luxury used by the Hellenic world. Focus on the word truphe reveals it means an attitude of entitlement: not necessarily a bad trait, unless in extreme form. This pattern holds for all Classical evidence, even the historian Herodotus, where the idea of pernicious luxury is commonly thought to be thematic.

Advancing a new method to evaluate this fragmentary evidence, the authors argue that almost all relevant ancient testimony is liable to have been distorted during transmission. They present two conclusions: first, that there exists no principle of pernicious luxury as a force of historical causation in Hellenic or Hellenistic literature. Rather, that idea is derived from early Latin prose historiography and introduced from that genre into the Greek writers of the Roman period, who in turn project the process back in time to explain events such as the fall of Sybaris. The second conclusion is methodological. The authors lay down a strategy to determine the content and extent of fragments of earlier authors found in cover texts such as Athenaeus, by examining the diction along synchronic and diachronic lines.

This book will appeal to scholars of intellectual history, the history of morality, and historiographical methodology.
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Cosa and the Colonial Landscape of Republican Italy (Third and Second Centuries BCE)
Andrea U. De Giorgi, Editor
University of Michigan Press, 2019

This important new volume examines archaeological evidence of Roman colonization of the Middle Republican period.  Themes of land use, ethnic accommodation and displacement, colonial identity, and administrative schemes are also highlighted. In delving deeply into the uniqueness of select colonial contexts, these essays invite a novel discussion on the phenomenon of colonialism in the political landscape of Rome’s early expansion. Roman urbanism of the Middle Republican period brought to the Italian peninsula fundamental changes, an important example of which, highlighted by a wealth of studies, is the ebullience of a dense network of colonies, as well as a mix of senatorial tactics and individual initiatives that underpinned their foundation.  Whether Latin, Roman, or Maritimae, colonies created a new mesh of communities and imposed a new topography; more subtly, they signified the mechanisms of the rising hegemony. This book brings to the fore the diversity, agendas, and overall impact of a “settlement device” that changed the Italian landscape and introduced a new idea of Roman town.
 

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Cosa
The Roman and Greek Amphoras
Elizabeth Lyding Will and Kathleen Warner Slane
University of Michigan Press, 2019
This long-awaited volume presents the work of Elizabeth Lyding Will on the important group of transport amphoras found at Cosa. This town has been widely recognized as a prototypical colony of the later Roman Republic and a source for trade with Gaul and Spain, so this publication of its finds has important implications for archaeologists and historians of the ancient world. Will’s initial work was on Latin amphora-stamps in the eastern Mediterranean, and through the 1960s and 1970s she developed an amphora typology based on materials found in the region and at Cosa. What has not been appreciated is that this typology was not limited to stamped Republican amphoras but also included unstamped vessels, such as imperial Spanish, African, and eastern amphoras dating as late as the fifth century CE. This book shows that Will was far ahead of her time in documenting the Mediterranean trade in commodities carried in amphoras: her work not only provides a record of the amphoras found on the town-site of Cosa, but also includes a comparison between the finds from the port and the town.   

At the time of Will’s death, her manuscript consisted of a typed catalogue of the amphora stamps from Cosa and an equal number of unstamped vessels, but was missing important elements. On the basis of extensive notes and photographs, Kathleen Warner Slane has reviewed and updated the manuscript, adding type descriptions and footnotes to materials that have appeared since Will’s death as well as a framing introduction and conclusions. Appendices highlight an Augustan amphora dump on the Arx and add a catalogue of the Greek amphora stamps found at Cosa.

Cosa: The Roman and Greek Amphoras will be of interest to scholars and students of Rome and its system of colonies, and also to those interested in Greek and Roman archaeology and trade in the ancient world.
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Cosa
The Sculpture and Furnishings in Stone and Marble
Jacquelyn Collins-Clinton
University of Michigan Press, 2020
Cosa, a small Roman town, has been excavated since 1948 by the American Academy in Rome. This new volume presents the surviving sculpture and furniture in marble and other stones and examines their nature and uses. These artifacts provide an insight into not just life in a small Roman town but also its embellishment mainly from the late Republic and through the early Empire to the time of Hadrian. While public statuary is not well preserved, stone and marble material from the private sphere are well represented; domestic sculpture and furniture from the third century BCE to the first CE form by far the largest category of objects. The presence of these materials in both public and private spheres sheds light on the wealth of the town and individual families. The comparative briefness of Cosa’s life means that this material is more easily comprehensible as a whole for the entire town as excavated, compared for instance to the much larger cities of Pompeii and Herculaneum.
 
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Cosa V
An Intermittent Town, Excavations 1991-1997
Elizabeth Fentress
University of Michigan Press, 2003

Since excavation began in 1948, the site of Cosa has become one of our most important sources on Roman colonization, urbanism, and daily life. These excavations illuminate every phase of the site's history, from the Republican and early imperial period, to a medieval castle destroyed in the 14th century.
This book includes a narrative account of the history of the town seen in the light of the excavations, as well as the publication of all the medieval finds from the site. Illustrated with 150 figures and plates, including numerous reconstruction drawings and an important sequence of Roman pottery, it will be useful to all those interested in Roman and Medieval archaeology and history.
An innovative aspect of this publication is the simultaneous web publication of the site's stratigraphy. In this manner, the detailed site information will be available to specialists and those of the general public who closely follow new directions in Roman archaeology.
Elizabeth Fentress is an independent scholar and archaeologist working in Rome. She served as Mellon Professor at the American Academy in Rome between 1996 and 1999.
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CP vol 110 num 1
The University of Chicago Press
University of Chicago Press Journals, 2015
This is volume 110 issue 1 of Classical Philology. Classical Philology (CP) has been an internationally respected journal for the study of the life, languages, and thought of the ancient Greek and Roman world since 1906. CP covers a broad range of topics, including studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, material culture, religion, and reception of ancient Greece and Rome.
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The Craft of Zeus
Myths of Weaving and Fabric
John Scheid and Jesper Svenbro
Harvard University Press, 1996
The fundamental gesture of weaving in The Craft of Zeus is the interlacing of warp and woof described by Plato in The Statesman—an interweaving signifying the union of opposites. From rituals symbolizing—even fabricating—the cohesion of society to those proposed by oracles as a means of propitiating fortune; from the erotic and marital significance of weaving and the woven robe to the use of weaving as a figure for language and the fabric of the text, this lively and lucid book defines the logic of one of the central concepts in Greek and Roman thought—a concept that has persisted, woof and warp crossing again and again, as the fabric of human history has unfolded.
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Crime and Community in Ciceronian Rome
By Andrew M. Riggsby
University of Texas Press, 1999

In the late Roman Republic, acts of wrongdoing against individuals were prosecuted in private courts, while the iudicia publica (literally "public courts") tried cases that involved harm to the community as a whole. In this book, Andrew M. Riggsby thoroughly investigates the types of cases heard by the public courts to offer a provocative new understanding of what has been described as "crime" in the Roman Republic and to illuminate the inherently political nature of the Roman public courts.

Through the lens of Cicero's forensic oratory, Riggsby examines the four major public offenses: ambitus (bribery of the electorate), de sicariis et veneficiis (murder), vis (riot), and repetundae (extortion by provincial administrators). He persuasively argues that each of these offenses involves a violation of the proper relations between the state and the people, as interpreted by orators and juries. He concludes that in the late Roman Republic the only crimes were political crimes.

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The Crisis of Masculinity in the Age of Augustus
Melanie Racette-Campbell
University of Wisconsin Press, 2023
The political rupture caused by the ascension of Augustus Caesar in ancient Rome, which ended the centuries-old Republic, had drastic consequences for the performance and understanding of masculinity in a markedly androcentric society. Previously, masculinity was established and maintained through the frame of competition, in both public and private spheres—but the total accumulation of power by one man foreclosed most avenues of, and even appreciation for, competition. Melanie Racette-Campbell examines how Rome’s elite men navigated this liminal moment between Republic and Empire, and shows that the process was neither linear nor uniform. 

Already in the late Republic, prior to Augustus’s rise to power, cracks in the hegemonic concept of masculinity were starting to show. Careful reading of contemporary texts reveals a decades-long process as tumultuous and unsteady as the political events they echoed, one in which multiple and competing strategies for reconceiving the nature of masculinity were tested, employed, discarded, and adopted in a complex public-private discourse. The eventual reconstitution of a definition of Roman manhood was not easily agreed upon. Masculinity in both the Republic and the Empire are well studied subjects, but by shining a light on the precise moment of transition Racette-Campbell unveils the precise complexity, contours, and nuances of the Augustan crisis of masculinity.
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Critical Essays, Volume I
Dionysius of Halicarnassus
Harvard University Press, 1974

A master of ancient Greek prose styles.

Dionysius of Halicarnassus had migrated to Rome by 30 BC, where he lived until his death some time after 8 BC, writing his Roman Antiquities and teaching the art of rhetoric and literary composition.

Dionysius’ purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention, and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. He advocated the minute study of the styles of the finest prose authors of the fifth and fourth centuries BC, especially the Attic orators. His critical essays on these and on the historian Thucydides represent an important development from the somewhat mechanical techniques of rhetorical handbooks to a more sensitive criticism of individual authors. Illustrating his analysis with well-chosen examples, Dionysius preserves a number of important fragments of Lysias and Isaeus.

The essays on those two orators and on Isocrates, Demosthenes, and Thucydides comprise Volume I of this edition. Volume II contains three letters to his students; a short essay on the orator Dinarchus; and his finest work, the essay On Literary Composition, which combines rhetoric, grammar, and criticism in a manner unique in ancient literature.

The Loeb Classical Library also publishes a seven-volume edition of Roman Antiquities, by Dionysius of Halicarnassus, a history from earliest times to 264 BC.

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Critical Essays, Volume II
Dionysius of Halicarnassus
Harvard University Press, 1974

A master of ancient Greek prose styles.

Dionysius of Halicarnassus had migrated to Rome by 30 BC, where he lived until his death some time after 8 BC, writing his Roman Antiquities and teaching the art of rhetoric and literary composition.

Dionysius’ purpose, both in his own work and in his teaching, was to re-establish the classical Attic standards of purity, invention, and taste in order to reassert the primacy of Greek as the literary language of the Mediterranean world. He advocated the minute study of the styles of the finest prose authors of the fifth and fourth centuries BC, especially the Attic orators. His critical essays on these and on the historian Thucydides represent an important development from the somewhat mechanical techniques of rhetorical handbooks to a more sensitive criticism of individual authors. Illustrating his analysis with well-chosen examples, Dionysius preserves a number of important fragments of Lysias and Isaeus.

The essays on those two orators and on Isocrates, Demosthenes, and Thucydides comprise Volume I of this edition. Volume II contains three letters to his students; a short essay on the orator Dinarchus; and his finest work, the essay On Literary Composition, which combines rhetoric, grammar, and criticism in a manner unique in ancient literature.

The Loeb Classical Library also publishes a seven-volume edition of Roman Antiquities, by Dionysius of Halicarnassus, a history from earliest times to 264 BC.

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front cover of The Crowd in Rome in the Late Republic
The Crowd in Rome in the Late Republic
Fergus Millar
University of Michigan Press, 2002
It has often been thought that Roman politics was dominated by a governing class, or even aristocracy, and it has sometimes been presumed that the Senate was a legislative body. The Crowd in Rome in the Late Republic takes a dramatically new tack, and explores the consequences of a democracy in which public office could be gained only by direct election by the people. And while the Senate could indeed debate public matters, advise other office-holders, and make some administrative decisions, it could not legislate. An office-holder who wanted to pass a law had to step out of the Senate-house and propose it to the people in the Forum--where there were few guarantees.
In this important study, Fergus Millar explores the development of the Roman Republic, which, as it drew to a close in the middle decades of the first century B.C.E., had come to cover most of Italy. There were nearly a million adult male voters in the time of Cicero, but there were no constituencies, and no absentee ballots. To exercise their rights, voters had to come in person to Rome and to meet in the Forum. Millar takes the period from the dictatorship of Sulla to Caesar's crossing of the Rubicon and shows how the politics of the crowd was central to the great changes that took place year after year, and altered the Republic forever.
The originality of Millar's highly accessible work lies first in its serious treatment of the importance of open-air oratory in Roman public life, and second, in its use of the narratives of events that evidence provides. Third, it refuses to interpret these narratives in the light of modern theories about the importance of the client-patron system, or the domination of the Senate. This work questions how we should understand the Roman Republic: as a network of aristocratic families dominating the people, or an erratic and volatile democracy in which power was exercised by the tiny proportion of citizens who actually came to listen to speeches and to vote.
This work speaks to those interested in ancient history and its consequences in the modern world.
Fergus Millar is Camden Professor of Ancient History, Brasenose College, Oxford University.
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Culture and Society in Lucian
Christopher P. Jones
Harvard University Press, 1986

The works of the second-century satirist Lucian--of which about seventy survive--have had a marked influence on western literature since the Renaissance. Translated by Erasmus, and called "inimitable" by Gibbon, Lucian is the first to tell the famous story of the Sorcerer's Apprentice. His subjects range from the hypocrisy of philosophers to fantastic voyages in space. He is often thought the true father of science fiction and, at the same time, is one of the most important witnesses to early Christianity. C. P Jones examines Lucian's work, setting this brilliant writer in the social and intellectual context of an age that proved pivotal in Greco-Roman history.

Lucian's art has been widely considered bookish, concerned with people and customs he and his readers knew only from literature. Jones argues that on the contrary his attacks on such targets as mercenary Stoics and the snake-god Glycon were aimed with mischievous precision. The result is a fresh portrait of Lucian and a vivid picture of a society whose outward assurance masked uncertainty and the onset of profound change.

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