The concept of environmental security, drawing on the widely understood notion of international strategic interdependence (in facing, for example, threats of nuclear war or economic collapse) is gaining currency as a way of thinking about international environmental management.
In 1989, the Institute for World Economy and International Relations of the Russian Academy of Sciences and the Marine Policy Center of Woods Hole Oceanographic Institution instituted a joint project to examine environmental security as it applies to the world's oceans. The Oceans and Environmental Security is a unified expression of their findings.
The oceans, as global commons, are of central importance to issues of international environmental security. Critical problems are those that are likely to destabilize normal relations between nations and provoke international countermeasures. As such, the book focuses on seven specific concerns:
A pioneering examination of history, current affairs, and daily life along the Russia–China border, one of the world’s least understood and most politically charged frontiers.
The border between Russia and China winds for 2,600 miles through rivers, swamps, and vast taiga forests. It’s a thin line of direct engagement, extraordinary contrasts, frequent tension, and occasional war between two of the world’s political giants. Franck Billé and Caroline Humphrey have spent years traveling through and studying this important yet forgotten region. Drawing on pioneering fieldwork, they introduce readers to the lifeways, politics, and history of one of the world’s most consequential and enigmatic borderlands.
It is telling that, along a border consisting mainly of rivers, there is not a single operating passenger bridge. Two different worlds have emerged. On the Russian side, in territory seized from China in the nineteenth century, defense is prioritized over the economy, leaving dilapidated villages slumbering amid the forests. For its part, the Chinese side is heavily settled and increasingly prosperous and dynamic. Moscow worries about the imbalance, and both governments discourage citizens from interacting. But as Billé and Humphrey show, cross-border connection is a fact of life, whatever distant authorities say. There are marriages, friendships, and sexual encounters. There are joint businesses and underground deals, including no shortage of smuggling. Meanwhile some indigenous peoples, persecuted on both sides, seek to “revive” their own alternative social groupings that span the border. And Chinese towns make much of their proximity to “Europe,” building giant Russian dolls and replicas of St. Basil’s Cathedral to woo tourists.
Surprising and rigorously researched, On the Edge testifies to the rich diversity of an extraordinary world haunted by history and divided by remote political decisions but connected by the ordinary imperatives of daily life.
If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.
The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.
Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.
Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.
The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.
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