After the Deluge offers a new, provocative interpretation of Russia's struggle in the 1990s to construct a democratic system of government in the largest and most geographically divided country in the world. The Russian Federation that emerged from the Soviet Union faced dissolution as the leaders of Russia's constituent units in the early 1990s defied Moscow's authority, declared sovereign states on their territory, refused to remit taxes, and even adopted national constitutions, flags, and anthems.
Yet, by mid-decade, a fragile equilibrium had emerged out of the apparently chaotic brinkmanship of central and regional officials. Based on extensive statistical analysis of previously unpublished data as well as interviews with numerous central and regional policymakers, After the Deluge suggests an original and counterintuitive interpretation of this experience.
In most cases, confrontations between regions and Moscow constituted a functional kind of drama. Regional leaders signaled just how much they were willing to risk to secure particular benefits. With a policy of "selective fiscal appeasement," federal officials directed subsidies, tax breaks, and other benefits to the most protest-prone regions, which in turn engendered a shift in local public opinion. By buying off potential regional dissenters, Moscow halted what might have become an accelerating bandwagon.
Besides offering insight into Russia's emerging politics, After the Deluge suggests a range of parallels to other cases of territorially divided states and empires--from contemporary China to Ottoman Turkey. It should appeal to a broad audience of scholars in political science, economics, history, geography, and policy studies.
Daniel S. Treisman is Assistant Professor of Political Science, University of California, Los Angeles.
Sonja Luehrmann’s volume examines Alutiiq history within the larger context of Russian and American expansionism. The author uses source material in both English and Russian in order to create a work focused on the intersection of the two colonial perspectives—throwing light on our understanding of the differences in the way each society incorporated the Alutiiq community, both as a labor force and a social entity. In a series of map essays, Luehrmann examines the changing patterns of settlement and demography among the Alutiiq as the population responded to the conditions they encountered: economic exploitation, new cultural influences, intermarriage, disease, and the eruption of Novarupta. The addition of Russian source material fills an important blank in this unique history and makes Alutiiq Villages Under Russian and U.S. Rule a major resource for anyone working on Alutiiq history or the region’s history in the Russian colonial period.
Russia has fascinated outsiders for centuries, and according to Alicia Chudo, it is high time this borscht stopped. In this hilarious send up of Russian literature and history, Chudo takes no prisoners as she examines Russia's great tradition of unreadable geniuses, revolutionaries who can't hit the broad side of a tsar, and Soviets who like their vodka but love their tractors.
Written in the tradition of 1066and All That, The Pooh Perplex, and The Classics Redefined, And Quiet Flows the Vodka will, with any luck, be the final word on the ghastly first two millennia of Russian literature, history, and culture.
The “Silver Age” (c. 1890-1917) has been one of the most intensely studied topics in Russian literary studies, and for years scholars have been struggling with its precise definition. Firmly established in the Russian cultural psyche, it continues to influence both literature and mass media. The Archaeology of Anxiety is the first extended analysis of why the Silver Age occupies such prominence in Russian collective consciousness.
Galina Rylkova examines the Silver Age as a cultural construct-the byproduct of an anxiety that permeated society in reaction to the social, political, and cultural upheavals brought on by the Bolshevik Revolution, the fall of the Romanovs, the Civil War, and Stalin's Great Terror. Rylkova's astute analysis of writings by Anna Akhmatova, Vladimir Nabokov, Boris Pasternak and Victor Erofeev reveals how the construct of the Silver Age was perpetuated and ingrained.
Rylkova explores not only the Silver Age's importance to Russia's cultural identity but also the sustainability of this phenomenon. In so doing, she positions the Silver Age as an essential element to Russian cultural survival.