A SCHOLARLY BOOK REPOSITORY28 start with F start with F
Straus argues that the keys for interpreting Stalinism lie in occupational specialization, on the one hand, and community organization, on the other. He focuses on the daily life of the new Soviet workers in the factory and community, arguing that the most significant new trends saw peasants becoming open hearth steel workers, housewives becoming auto assembly line workers and machine operatives, and youth training en masse rather than occupations categories in the vocational schools in the factories, the FZU.
Tapping archival material only recently available and a wealth of published sources, Straus presents Soviet social history within a new analytical framework, suggesting that Stalinist forced industrialization and Soviet proletarianization is best understood within a comparative European framework, in which the theories of Marx, Durkheim, and Weber best elucidate both the broad similarities with Western trends and the striking exceptional aspects of the Soviet experience.
This library exhibition catalogue is a survey of current knowledge about the Ukrainian Famine of 1932-1933. Intended to be a ready source of information and documentation as well as a guide for further research, this publication consists of a concise, well-illustrated historical narrative, a brief summary of scholarly research on the subject, excerpts from a wide range of sources, and an extensive bibliography.
The following aspects of the Famine and its historical context are presented: the Ukrainian Revolution 1917-1921; the development of Bolshevik policy toward the nationalities and the peasantry; the Ukrainian Socialist Soviet Republic arid the policy of Ukrainization; the Ukrainian cultural renaissance of the 1920s; Stalin's seizure of power--purges, collectivization, and industrialization; the Famine in the contemporary western press; the Famine in memoirs and published eyewitness accounts; the Famine in literature; and commemoration of the fiftieth anniversary of the Famine.
Fascination and Enmity presents an original transnational history of the two nations during the critical era of the world wars. By examining the mutual perceptions and misperceptions within each country, the contributors reveal the psyche of the Russian-German dynamic and its use as a powerful political and cultural tool.
Through accounts of fellow travelers, POWs, war correspondents, soldiers on the front, propagandists, revolutionaries, the Comintern, and wartime and postwar occupations, the contributors analyze the kinetics of the Russian-German exchange and the perceptions drawn from these encounters. The result is a highly engaging chronicle of the complex entanglements of two world powers through the great wars of the twentieth century.
With interdisciplinary analysis of literature, painting, and film, Faster, Higher, Stronger, Comrades! traces how physical fitness had an even broader impact on culture and ideology in the Soviet Union than previously realized. From prerevolutionary writers and painters glorifying popular circus wrestlers to Soviet photographers capturing unprecedented athleticism as a means of satisfying their aesthetic ideals, the nation's artists embraced sports in profound, inventive ways. Though athletics were used for doctrinaire purposes, Tim Harte demonstrates that at their core, they remained playful, joyous physical activities capable of stirring imaginations and transforming everyday realities.
James R. Gibson offers a detailed study that is both an account of this chapter of Russian history and a full examination of the changing geography of the Okhotsk Seaboard and the Kamchatka Peninsula over the course of two centuries.
The early decades of the nineteenth century in Imperial Russia embraced a sequence of catastrophic events—the assassination of Paul I, Napoleon’s invasion, the Decembrist rebellion, the cholera epidemic, the Polish uprising—along with radical changes in the fabric of society. Yet, far from exhausted by these convulsions, Russian literature blossomed as never before, producing the first in the long line of novels now regarded as masterpieces throughout the world. With all the sentimentality, nostalgia, and mythic echoes the term evokes, posterity has called this the golden age of Russian letters.
William Mills Todd describes the ideology of the educated westernized gentry (obshchestvo) of the time, then charts the various possibilities for literary life: first patronage, the salons, popular literature; then the rapid emergence of an incipient literary profession, which was encouraged by copyright laws, journals and booksellers, and an increasing readership. Through an examination of three brilliant fictions—Pushkin’s Eugene Onegin, Lermontov’s A Hero of Our Time, and Gogol’s Dead Souls—he explores the complicated interactions of literature and society as these writers “discovered” their own milieu and were discovered by it, confronting the fragility, exclusiveness, and potential for hypocrisy and self-delusion in Russian culture. Todd’s interdisciplinary approach will ensure his book’s appeal to students of comparative and other national literatures as well as of Russian culture.
Andrei Kozyrev was foreign minister of Russia under President Boris Yeltsin from August 1991 to January 1996. During the August 1991 coup attempt against Mikhail Gorbachev, he was present when tanks moved in to seize the Russian White House, where Boris Yeltsin famously stood on a tank to address the crowd assembled. He then departed to Paris to muster international support and, if needed, to form a Russian government-in-exile. He participated in the negotiations at Brezhnev’s former hunting lodge in Belazheva, Belarus where the leaders of Russia, Ukraine, and Belarus agreed to secede from the Soviet Union and form a Commonwealth of Independent States. Kozyrev’s pro-Western orientation made him an increasingly unpopular figure in Russia as Russia’s spiraling economy and the emergence of ultra-wealthy oligarchs soured ordinary Russians on Western ideas of democracy and market capitalism.
The Firebird takes the reader into the corridors of power to provide a startling eyewitness account of the collapse of the Soviet Union, the struggle to create a democratic Russia in its place, and how the promise of a better future led to the tragic outcome that changed our world forever.
Why did nineteenth-century Russians put the eighteenth century so quickly behind them? How does a meaningful present become a seemingly meaningless past? Interpreting texts by Lomonosov, Derzhavin, Pushkin, Viazemsky, Turgenev, Tolstoy, and others, Golburt finds surprising answers, in the process innovatively analyzing the rise of periodization and epochal consciousness, the formation of canon, and the writing of literary history.
Winner, Marc Raeff Book Prize, Eighteenth-Century Russian Studies Association
Winner, Heldt Prize for the Best Book by a Woman in Slavic/Eastern European/Eurasian Studies, Association for Women in Slavic Studies
Winner, Best Book in Literary and Cultural Studies, American Association of Teachers of Slavic and Eastern European Languages
Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War.
Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims.
Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.
The First Socialist Society is the compelling and often tragic history of what Soviet citizens lived through from 1917 to 1993, told with great sympathy and perception. Tracing the evolution of the Soviet political system from its origins in 1917, Geoffrey Hosking shows how power has rarely been transmitted outside a tightly knit ruling elite and explains the forms of contact that have existed between rulers and ruled. He emphasizes the experience of the peasantry, urban workers, and professional people, showing how, more often than is commonly realized in the West, they have resisted repression and deprivation. He ranges over the character and role of religion, law, education, and literature within Soviet society; and the significance and fate of various national groups. As the story unfolds, we come to understand how the ideas of Marxism changed, taking on almost unrecognizable forms by unique political and economic circumstances.
Hosking’s analysis of this vast and complex country begins by asking how it was that the first socialist revolution took place in backward, autocratic Russia. Why were the Bolsheviks able to seize power and hold on to it? The core of the book lies in the years of Stalin’s rule: how did he exercise such unlimited power, and how did the various strata of society survive and come to terms with his tyranny? Later chapters recount Khrushchev’s efforts to reform the worst features of Stalinism and the unpredictable effects of his attempts within the East European satellite countries, bringing out elements of socialism that had been obscured or overlaid in the Soviet Union itself.
In this second enlarged edition, Hosking charts the remarkable events following the fall of the Berlin Wall in November 1989 through the formation of the Commonwealth of Independent States in December 1991, relating these momentous changes to earlier Soviet history. From changes in style in the early days of glasnost to changes in substance as the reforms under perestroika transformed the political system, Hosking shows the boldness of Gorbachev’s program as well as its ultimate result: the dissolution of the Soviet Union.
Russia occupies a unique position in the Muslim world. Unlike any other non-Islamic state, it has ruled Muslim populations for over five hundred years. Though Russia today is plagued by its unrelenting war in Chechnya, Russia’s approach toward Islam once yielded stability. In stark contrast to the popular “clash of civilizations” theory that sees Islam inevitably in conflict with the West, Robert D. Crews reveals the remarkable ways in which Russia constructed an empire with broad Muslim support.
In the eighteenth century, Catherine the Great inaugurated a policy of religious toleration that made Islam an essential pillar of Orthodox Russia. For ensuing generations, tsars and their police forces supported official Muslim authorities willing to submit to imperial directions in exchange for defense against brands of Islam they deemed heretical and destabilizing. As a result, Russian officials assumed the powerful but often awkward role of arbitrator in disputes between Muslims. And just as the state became a presence in the local mosque, Muslims became inextricably integrated into the empire and shaped tsarist will in Muslim communities stretching from the Volga River to Central Asia.
For Prophet and Tsar draws on police and court records, and Muslim petitions, denunciations, and clerical writings—not accessible prior to 1991—to unearth the fascinating relationship between an empire and its subjects. As America and Western Europe debate how best to secure the allegiances of their Muslim populations, Crews offers a unique and critical historical vantage point.
Here is the history of the disintegration of the Russian Empire, and the emergence, on its ruins, of a multinational Communist state. In this revealing account, Richard Pipes tells how the Communists exploited the new nationalism of the peoples of the Ukraine, Belorussia, the Caucasus, Central Asia, and the Volga-Ural area--first to seize power and then to expand into the borderlands.
The Formation of the Soviet Union acquires special relevance in the post-Soviet era, when the ethnic groups described in the book once again reclaimed their independence, this time apparently for good.
In a 1996 Preface to the Revised Edition, Pipes suggests how material recently released from the Russian archives might supplement his account.
Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. “Autobiography” (1785) recounts a highly educated serf’s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem “News About Russia” (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In “The Story of My Life and Wanderings” (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary “Notes of a Serf Woman” (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power.
These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times.
While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Šķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting.
With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book will contribute to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.
Murphy examines the government of the Polish-Lithuanian Commonwealth and the several imperial administrations that replaced it after the Partitions, comparing and contrasting their relationships with local citizenry, minority communities, and nobles who enjoyed considerable autonomy in their management of the cities of present-day Poland, Ukraine, and Belarus. He shows how the failure of Enlightenment-era reform was a direct result of the inherent defects in the reformers' visions, rather than from sabotage by shortsighted local residents. Reform in Poland-Lithuania effectively destroyed the existing system of complexities and imprecisions that had allowed certain towns to flourish, while also fostering a culture of self-government and civic republicanism among city citizens of all ranks and religions. By the mid-nineteenth century, the increasingly immobile post-Enlightenment state had transformed activist citizens into largely powerless subjects without conferring the promised material and economic benefits of centralization.
Contributors. Irina Antoschyuk, Mario Biagioli, Ksenia Ermoshina, Marina Fedorova, Andrey Indukaev, Alina Kontareva, Diana Kurkovsky, Vincent Lépinay, Alexandra Masalskaya, Daria Savchenko, Liubava Shatokhina, Alexandra Simonova, Ksenia Tatarchenko, Zinaida Vasilyeva, Dimitrii Zhikharevich
This book is an inquiry into the possibilities of politics in exile. Russian Mensheviks, driven out of Soviet Russia and their party stripped of legal existence, functioned abroad in the West—in Berlin, Paris, and New York—for an entire generation. For several years they also continued to operate underground in Soviet Russia. Bereft of the usual advantages of political actors, the Mensheviks succeeded in impressing their views upon social democratic parties and Western thinking about the Soviet Union.
The Soviet experience through the eyes of its first socialist victims is recreated here for the first time from the vast storehouse of archival materials and eyewitness interviews. The exiled Mensheviks were the best informed and most perceptive observers of the Soviet scene through the 1920s and 1930s. From today’s perspective the Mensheviks’ analyses and reflections strikingly illuminate the causes of the failure of the Soviet experiment.
This book also probes the fate of Marxism and democratic socialism as it tracks the activities and writings of a remarkable group of men and women—including Raphael Abramovitch, Fedor and Lidia Dan, David Dallin, Boris Nicolaevsky, Solomon Schwarz, and Vladimir Woytinsky—entangled in the most momentous events of this century. Their contribution to politics and ideas in the age of totalitarianism merits scrutiny, and their story deserves to be told.
From the Shadow of Empire traces how these nationalist writers refashioned key historical myths—the legend of the nation’s spiritual birth, the tale of the founding of Russia, stories of Cossack independence—to portray the Russian people as the ruling nationality, whose character would define the empire. In an effort to press the government to alter its traditional imperial policies, writers from across the political spectrum made the cult of military victories into the dominant form of national myth-making: in the absence of popular political participation, wars allowed for the people’s involvement in public affairs and conjured an image of unity between ruler and nation. With their increasing reliance on the war metaphor, Reform-era thinkers prepared the ground for the brutal Russification policies of the late nineteenth century and contributed to the aggressive character of twentieth-century Russian nationalism.
Making innovative use of obstetrical manuals, belles lettres, children’s primers, and other primary documents from the era, Anna Kuxhausen draws together many discourses—medical, pedagogical, and political—to show the scope and audacity of new notions about childrearing. Reformers aimed to teach women to care for the bodies of pregnant mothers, infants, and children according to medical standards of the Enlightenment. Kuxhausen reveals both their optimism and their sometimes fatal blind spots in matters of implementation. In examining the implication of women in public, even political, roles as agents of state-building and the civilizing process, From the Womb to the Body Politic offers a nuanced, expanded view of the Enlightenment in Russia and the ways in which Russians imagined their nation while constructing notions of childhood.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Serhii Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union.
Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
A new history shows that, despite Marxism’s rejection of money, the ruble was critical to the Soviet Union’s promise of shared prosperity for its citizens.
In spite of Karl Marx’s proclamation that money would become obsolete under Communism, the ruble remained a key feature of Soviet life. In fact, although Western economists typically concluded that money ultimately played a limited role in the Soviet Union, Kristy Ironside argues that money was both more important and more powerful than most histories have recognized. After the Second World War, money was resurrected as an essential tool of Soviet governance. Certainly, its importance was not lost on Soviet leaders, despite official Communist Party dogma. Money, Ironside demonstrates, mediated the relationship between the Soviet state and its citizens and was at the center of both the government’s and the people’s visions for the maturing Communist project. A strong ruble—one that held real value in workers’ hands and served as an effective labor incentive—was seen as essential to the economic growth that would rebuild society and realize Communism’s promised future of abundance.
Ironside shows how Soviet citizens turned to the state to remedy the damage that the ravages of the Second World War had inflicted upon their household economies. From the late 1940s through the early 1960s, progress toward Communism was increasingly measured by the health of its citizens’ personal finances, such as greater purchasing power, higher wages, better pensions, and growing savings. However, the increasing importance of money in Soviet life did not necessarily correlate to improved living standards for Soviet citizens. The Soviet government’s achievements in “raising the people’s material welfare” continued to lag behind the West’s advances during a period of unprecedented affluence. These factors combined to undermine popular support for Soviet power and confidence in the Communist project.
Ukraine is in the midst of the worst international crisis in East-West relations since the Cold War, and history itself has become a battleground in Russia-Ukraine relations. Can history and historical narratives be blamed for what has happened in the region, or can they show the path to peace and reconciliation, helping to integrate the history of the region in the broader European context?
The essays collected here address these questions, rethinking the meaning of Ukrainian history by venturing outside boundaries established by the national paradigm, and demonstrating how research on the history of Ukraine can benefit from both regional and global perspectives. The Future of the Past shows how the study of Ukraine’s past enhances our understanding of Europe, Eurasia, and the world—past, present, and future.
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