front cover of Gender, Class, and the Professionalization of Russian City Teachers, 1860–1914
Gender, Class, and the Professionalization of Russian City Teachers, 1860–1914
Christine Ruane
University of Pittsburgh Press, 1994
Christine Ruane examines the issues of gender and class in the teaching profession of late imperial Russia, at a time when the vocation was becoming increasingly feminized in a zealously patriarchal society. Teaching was the first profession open to women in the 1870s, and by the end of the century almost half of all Russian teachers were female. Yet the notion that mothers had a natural affinity for teaching was paradoxically matched by formal and informal bans against married women in the classroom. Ruane reveals not only the patriarchal rationale but also how women teachers viewed their public roles and worked to reverse the marriage ban.

Ruane's research and insightful analysis broadens our knowledge of an emerging professional class, especially newly educated and emancipated women, during Russia's transition to a more modern society.
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front cover of Glasnost—Soviet Cinema Responds
Glasnost—Soviet Cinema Responds
By Nicholas Galichenko
University of Texas Press, 1991

With the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost—Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films.

The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals.

The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.

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front cover of Global Russian Cultures
Global Russian Cultures
Edited by Kevin M. F. Platt
University of Wisconsin Press, 2020
Is there an essential Russian identity? What happens when "Russian" literature is written in English, by such authors as Gary Shteyngart or Lara Vapnyar? What is the geographic "home" of Russian culture created and shared via the internet? Global Russian Cultures innovatively considers these and many related questions about the literary and cultural life of Russians who in successive waves of migration have dispersed to the United States, Europe, and Israel, or who remained after the collapse of the USSR in Ukraine, the Baltic states, and the Central Asian states.

The volume's internationally renowned contributors treat the many different global Russian cultures not as "displaced" elements of Russian cultural life but rather as independent entities in their own right. They describe diverse forms of literature, music, film, and everyday life that transcend and defy political, geographic, and even linguistic borders. Arguing that Russian cultures today are many, this volume contends that no state or society can lay claim to be the single or authentic representative of Russianness. In so doing, it contests the conceptions of culture and identity at the root of nation-building projects in and around Russia.
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front cover of Great Negotiations
Great Negotiations
Agreements that Changed the Modern World
Fredrik Stanton
Westholme Publishing, 2010

Lessons in Diplomacy from Colonial America to the Cold War

"In a time when negotiations, both great and small, continue to shape our world, this book provides an excellent opportunity to learn from the past and understand the present.”Kofi Annan, Nobel Peace Prize Winner and former Secretary General of the United Nations

“A thought-provoking, informative book, highly recommended for all readers interested in international affairs.”Library Journal

“For anyone with an interest in diplomacy and political history, Stanton's book is both entertaining and informative.” Foreign Policy Watch

“Every professional concerned with dispute resolution and every student of negotiation has much to learn from Fredrik Stanton's lively stories of eight history-shaping negotiations.”—Robert H. Mnookin, Chair Program on Negotiation, Harvard Law School

“An excellent introduction into some of the great triumphs and failures of modern diplomacy.”Seattle Post-Intelligencer

“An interesting, informative study well worth reading and pondering.” —American Diplomacy

“Stanton deftly illustrates that the power of haggling can easily rival that of any army or warhead.”—Roll Call

“Exhaustive research and careful thought have enabled Stanton to employ an extraordinary writing talent to produce a contribution to history and a source of enjoyable reading.”—New York Law Journal

“Stanton brings back to life both famous and some long forgotten personalities in the history of major American, European, and Asian negotiations. He persuasively makes his case for the importance of negotiators and negotiations both when wars can be kept from beginning and when wars end. He weaves in deft descriptions of the personal strengths and foibles of negotiators and homes in on the ability of the best to improvise when maneuvering on unfamiliar terrain.” Ambassador Richard W. Murphy, Council on Foreign Relations

Words as much as weapons have shaped the course of history. Whether to avert, resolve, assist, or secure the outcome of a conflict, diplomacy in the modern age has had great triumphs and bitter failures, from the Cuban Missile Crisis in 1962, which narrowly spared humanity from a nuclear Armageddon, to the Treaty of Versailles after World War I, which created problems that still confront us today. Drawing on primary sources, transcripts, and interviews, Great Negotiations: Agreements that Changed the Modern World tells the stories of eight key episodes in modern diplomacy. From Benjamin Franklin securing crucial French support for the American revolution to Reagan and Gorbachev laying the groundwork to eliminate an entire class of nuclear weapons, Fredrik Stanton explains what each party brought to the negotiating table, the stakes, the obstacles to success, and how they were overcome.

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front cover of The Great West Ukrainian Prison Massacre of 1941
The Great West Ukrainian Prison Massacre of 1941
A Sourcebook
Edited by Ksenya Kiebuzinski and Alexander Motyl
Amsterdam University Press, 2017
After Germany invaded the Soviet Union in 1941, the Soviet secret police, the NKVD, executed a staggering number of political prisoners in Western Ukraine-somewhere between 10,000 and 40,000-in the space of eight days, in one of the greatest atrocities perpetrated by the Soviet state. Yet the Great West Ukrainian Prison Massacre of 1941 is largely unknown. This sourcebook aims to change that, offering detailed scholarly analysis, eyewitness testimonies and profiles of known victims, and a selection of fiction, memoirs, and poetry that testifies to the lasting impact of the massacre in the collective memory of Ukrainians.
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front cover of Greetings, Pushkin!
Greetings, Pushkin!
Stalinist Cultural Politics and the Russian National Bard
Jonathan Brooks Platt
University of Pittsburgh Press, 2016
In 1937, the Soviet Union mounted a national celebration commemorating the centenary of poet Alexander Pushkin’s death. Though already a beloved national literary figure, the scale and feverish pitch of the Pushkin festival was unprecedented. Greetings, Pushkin! presents the first in-depth study of this historic event and follows its manifestations in art, literature, popular culture, education, and politics, while also examining its philosophical underpinnings.
            Jonathan Brooks Platt looks deeply into the motivations behind the Soviet glorification of a long-dead poet—seemingly at odds with the October Revolution’s radical break with the past. He views the Pushkin celebration as a conjunction of two opposing approaches to time and modernity: monumentalism, which points to specific moments and individuals as the origin point for cultural narratives, and eschatology, which glorifies ruptures in the chain of art or thought and the destruction of canons.
            In the midst of the Great Purge, the Pushkin jubilee was a critical element in the drive toward a nationalist discourse that attempted to unify and subsume the disparate elements of the Soviet Union, supporting the move to “socialism in one country.”
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front cover of Guardians of Living History
Guardians of Living History
An Ethnography of Post-Soviet Memory Making in Estonia
Inge Melchior
Amsterdam University Press, 2020
Guardians of Living History: An Ethnography of Post-Soviet Memory Making in Estonia interrogates how people living in a society with an extremely complicated, violent past, only a short history of independence, and a desire to belong to Europe engage with the past, both within their families and as members of a national community. In line with other scholarship on memory, this book shows that many Estonians desire an established collective story, as they live in a society where their national identity is quite regularly under threat. At the same time however, that same closure is perceived to pose a threat to the survival of Estonian culture and independence. Guardians of Living History provides an intimate insight into the lives of Estonians from the countryside, former deportees, young intellectuals, and memory activists, who all in their own ways act as guardians of a national history: a history which they wish to keep alive, apolitical, and as close to their family stories as possible.
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