front cover of Valentin Serov
Valentin Serov
Portraits of Russia's Silver Age
Elizabeth Valkenier
Northwestern University Press, 2001
Valentin Serov (1865-1911) burst onto the art scene at the age of twenty-two with his portrait Girl with Peaces. In a short time he became the preeminent portraitist of Russia's Silver Age. Elizabeth Kridl Valkenier weds art criticism to social history in her study of Serov. She casts the artist's work against the Gilden Age of turn-of-the-century Russia, an era when money and consumption abounded and revolutionary change was taking place at all levels of society. Painting prominent people of the day in business, government, the nobility, and the arts, Serov created a gallery of Russia's important figures--figures seen with a sharp eye and painted with subtle irony. "An elegant monument to one of Russia's most vibrant painters and a model of intellectual inquiry into the cultural effervescence that so characterized the twilight of Imperial Russia." --John E. Bowlt, University of Southern California "Serov emerges both as a subtle and versatile artist and a perceptive observer of Russian upper-class life and attitudes." --Richard Wortman, Columbia University "This shrewd and witty book will tell art historians as much about Russian history and society as it will tell historians and sociologists about Russian art." --Richard Taruskin, author of Stravinsky and the Russian Traditions "Valkenier ably and thoughtfully describes the artists and patrons that affected Serov's career as no one has done before in any language. She has a wonderful gift for synthesis." --Choice "Serov is rightly viewed as a figure of immense cultural importance, an assessment which this book will do much to initiate amongst the uninformed, or consolidate amongst Serov's many admirers." --Russian Review
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Vasily Zhukovsky's Romanticism and the Emotional History of Russia
Ilya Vinitsky
Northwestern University Press, 2015

Ilya Vinitsky's Vasily Zhukovsky's Romanticism and the Emotional History of Russia is the first major study in English of Vasily Zhukovsky (1783–1852)—a poet, transla­tor of German romantic verse, and, crucially, mentor of Pushkin. It focuses overdue attention to an important figure in Russian literary and cultural history.

Vinitsky’s "psychological biography" argues that Zhukovsky very consciously set out to create for himself an emotional life that reflected his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.

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Victory Banner Over the Reichstag
Film, Document and Ritual in Russia's Contested Memory of World War II
Jeremy Hicks
University of Pittsburgh Press, 2020
In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.
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Vietnamese Migrants in Russia
Mobility in Times of Uncertainty
Lan Anh Hoang
Amsterdam University Press, 2020
Drawing on ethnographic research conducted at Moscow’s wholesale markets from 2013 to 2016, Vietnamese Migrants in Russia: Mobility in Times of Uncertainty provides original insights into how uncertainty shapes social practice, identity and belonging in the context of irregular migration from Vietnam to Russia. The study speaks to various debates in migration and mobility studies -- particularly those focused on brokerage networks, the political economy of sexuality, and social belonging -- deepening our knowledge of how the core social values and cultural logics that underpin Vietnamese personhood are challenged and reconstituted by the ethos of the market economy. This book sheds important light on processes of mobility and social change in post-socialist societies that continue to grapple with yawning chasms between old and new ways of life, the local and the global, policy and practice, and obsolete governance techniques and rapidly changing socio-economic realities.
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Violent Affections
Queer Sexuality, Techniques of Power, and Law in Russia
Alexander Sasha Kondakov
University College London, 2022
An inciteful analysis of the affective rhetoric surrounding Russian anti-LGBTQ violence.

Passed in 2013, Russia’s “gay propaganda” law cemented the nation’s anti-LGBTQ sentiment into legal rhetoric that has since emboldened countless instances of violence against queer people. Based on an analysis of over three hundred criminal cases of anti-queer violence in Russia before and after the introduction of the law, Violent Affections shows how violent acts are framed in emotional language by perpetrators during their criminal trials, thus uncovering the techniques of power that work to translate emotions into violence against queer people. Utilizing an original methodology of studying legal memes, this book argues that individual affective states are directly connected to the political and legislative violence aimed at policing queer lives. Alexander Sasha Kondakov expands upon two sets of interdisciplinary literature–queer theory and affect theory–in order to conceptualize what is referred to as neo-disciplinary power. The book traces how affections circulate from body to body as a kind of virus, eventually enabling the turn from a memetic response to violent action.
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front cover of Voluntary Associations in Tsarist Russia
Voluntary Associations in Tsarist Russia
Science, Patriotism, and Civil Society
Joseph Bradley
Harvard University Press, 2009

On the eve of World War I, Russia, not known as a nation of joiners, had thousands of voluntary associations. Joseph Bradley examines the crucial role of voluntary associations in the development of civil society in Russia from the late eighteenth to the early twentieth century.

Russians populated a growing public sphere with societies based on the model of the European enlightenment. Owing to the mission of such learned associations as the Free Economic Society, the Moscow Agricultural Society, and the Russian Geographical Society, civil society became inextricably linked to patriotism and the dissemination of scientific knowledge. Although civil society and the autocratic state are often described as bitter rivals, cooperation in the project of national prestige and prosperity was more often the rule. However, an increasing public assertiveness challenged autocratic authority, and associations became a focal point of a contradictory political culture: they fostered a state-society partnership but at the same time were a critical element in the effort to emancipate society from autocracy and arbitrary officialdom.

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