There is growing interest in the history of masculinity and male culture, including violence, as an integral part of a proper understanding of gender. In almost every historical setting, masculinity and violence are closely linked; certainly, violent crime has been overwhelmingly a male enterprise. But violence is not always criminal: in many cultural contexts violence is linked instead to honor and encoded in rituals. We possess only an imperfect understanding of the ways in which aggressive behavior, or the abstention from aggressive behavior, contributes to the construction of masculinity and male honor. In this collection, internationally renowned expert Pieter Spierenburg brings together eight scholars to explore the fascinating interrelationship of masculinity, honor, and the body.
            The essays focus on the United States and western Europe from the seventeenth to the twentieth centuries. The contributors are Ute Frevert, Steven Hughes, Robert Nye, Daniele Boschi, Amy Sophia Greenberg, Martin J. Wiener, Stephen Kantrowitz, and Terence Finnegan. Men and Violence will be welcomed and widely used by a broad range of scholars and students.

This first volume of a two-volume collection of essays provides a comprehensive examination of the idea of social control in the history of Europe. The uniqueness of these volumes lies in two main areas. First, the contributors compare methods of social control on many levels, from police to shaming, church to guilds. Second, they look at these formal and informal institutions as two-way processes. Unlike many studies of social control in the past, the scholars here examine how individuals and groups that are being controlled necessarily participate in and shape the manner in which they are regulated. Hardly passive victims of discipline and control, these folks instead claimed agency in that process, accepting and resisting—and thus molding—the controls under which they functioned. The essays in this volume focus on the interplay of ecclesiastical institutions and the emerging states, examining discipline from a bottom-up perspective.

This second volume of a two-volume collection of essays provides a comprehensive examination of the idea of social control in the history of Europe. The uniqueness of these volumes lies in two main areas. First, the contributors compare methods of social control on many levels, from police to shaming, church to guilds. Second, they look at these formal and informal institutions as two-way processes. Unlike many studies of social control in the past, the scholars here examine how individuals and groups that are being controlled necessarily participate in and shape the manner in which they are regulated. Hardly passive victims of discipline and control, these folks instead claimed agency in that process, accepting and resisting—and thus molding—the controls under which they functioned.

The essays in this volume explore the various means by which communities in nineteenth- and twentieth-century Europe were subjected to forms of discipline, noting how the communities themselves generated their own forms of internal control. In addition, the essays discuss various policing institutions, exploring in particular the question of how liberal and totalitarian regimes differed in their styles of control, repression, and surveillance.

Pieter Spierenburg narrates two sensational murder cases among intimates in eighteenth-century Amsterdam. The cases recounted here both resulted from fatal attraction. They represented the darker side of the eighteenth-century revolution in love. This period witnessed great cultural changes affecting personal relationships and emotions. The new ideal of love demanded that couples spend much of their time together and explore each other’s feelings. But this new ideal was meant for married and engaged couples only; for others it meant disaster. Love gone wrong was the theme of the sentimental novels of the age, but it also happened to real people, with fatal consequences.

Written in Blood traces the lives and ultimate fate of Nathaniel Donker, who, together with the help of his mistress, brutally murders and dismembers the wife. The second tale focuses on J. B. F. van Gogh, who falls in love with a prostitute; she later rejects him and, when a letter written with his own blood fails to change her mind, he stabs her to death in a fit of passionate rage.

In Written in Blood, the reader gets two stories for the price of one. And, whereas earlier microhistories have been situated in a village or a small town, the scene here is Amsterdam and its canals. Spierenburg reveals in detail what concepts like honor and gender roles came down to in individual lives. He also shows that these murders produced a strange mixture of modern romantic feelings and traditional notions of honor and shame.