Inspiration and Interpretation provides readers with a much needed general theological introduction to the study of Sacred Scripture.

The purpose of this book is to explore what a liturgical approach to the Bible looks like and what hermeneutical implications this might have: How does the liturgy celebrate, understand, and communicate Scripture? The starting point is Pope Benedict's affirmation that “a faith-filled understanding of sacred Scripture must always refer back to the liturgy” (Verbum Domini 52). The first part of the book (based on SC 24) provides significant examples to demonstrate: The liturgical order of readings intertextually combines Old Testament and New Testament readings using manifold hermeneutical principles, specifically how the psalms show the wide range of interpretations the liturgy employs. Prayers are biblically inspired and help to appropriate Scripture personally. The hymns convey Scripture in a poetic way. Signs and actions such as foot-washing or the Ephphetha rite enact Scripture. The study considers the Mass, the sacraments and the Liturgy of the Hours. In the second part, Benini systematically focuses on the various dimensions of liturgical hermeneutics of the Bible, which emerge from the first part. The study reflects the approaches the liturgy offers to Scripture and its liturgical reception. It explores theological aspects such as the unity of the two Testaments in Christ’s paschal mystery or the anamnesis as a central category in both Scripture and liturgy. The liturgy does not understand Scripture primarily as a document of the past, but celebrates it as a current and living “Word of the Lord,” as a medium of encounter with God: Scripture is sacramental. Liturgical Hermeneutics of Sacred Scripture seeks to contribute not only to the comparison of the Roman, Ambrosian, and Byzantine Rite regarding the Word of God, but most of all to the overall “liturgical approach” to Scripture. As such, it promotes an interdisciplinary dialogue of liturgical and biblical studies.

“The Making of the Bible is invaluable for anyone interested in Scripture and in the intertwined histories of Judaism and Christianity.”
—John Barton, author of A History of the Bible: The Book and Its Faiths

The authoritative new account of the Bible’s origins, illuminating the 1,600-year tradition that shaped the Christian and Jewish holy books as millions know them today.

The Bible as we know it today is best understood as a process, one that begins in the tenth century BCE. In this revelatory account, a world-renowned scholar of Hebrew scripture joins a foremost authority on the New Testament to write a new biography of the Book of Books, reconstructing Jewish and Christian scriptural histories, as well as the underappreciated contest between them, from which the Bible arose.

Recent scholarship has overturned popular assumptions about Israel’s past, suggesting, for instance, that the five books of the Torah were written not by Moses but during the reign of Josiah centuries later. The sources of the Gospels are also under scrutiny. Konrad Schmid and Jens Schröter reveal the long, transformative journeys of these and other texts en route to inclusion in the holy books. The New Testament, the authors show, did not develop in the wake of an Old Testament set in stone. Rather the two evolved in parallel, in conversation with each other, ensuring a continuing mutual influence of Jewish and Christian traditions. Indeed, Schmid and Schröter argue that Judaism might not have survived had it not been reshaped in competition with early Christianity.

A remarkable synthesis of the latest Old and New Testament scholarship, The Making of the Bible is the most comprehensive history yet told of the world’s best-known literature, revealing its buried lessons and secrets.

“A landmark…If you have time to read only one book on the Bible this year, make sure that it is this one.”—Katherine J. Dell, Church Times

“Excellent…With a sure touch, the authors lead the reader through the geopolitical context of the Hebrew Bible and the setting and background of the New Testament, finding something to say about practically every book’s origins and development.”—John Barton, The Tablet

“A remarkable deep dive into foundational books whose origins are often taken for granted.”—Publishers Weekly

In this revelatory account of the making of the foundational text of western civilization, a world-renowned scholar of the Hebrew scriptures joins a noted authority on the New Testament to reconstruct Jewish and Christian scriptural histories and reveal the underappreciated contest between them.

The New Testament, they show, did not develop in the wake of an Old Testament set in stone. The two evolved in parallel, often in conversation with each other, ensuring a continuing mutual influence of Jewish and Christian traditions. A remarkable synthesis of the latest Old and New Testament scholarship, The Making of the Bible is the most comprehensive history yet of the long, transformative journeys of these texts on route to inclusion in the holy books, revealing their buried lessons and secrets.

Maximos the Confessor (ca. 580-662) is now widely recognized as one of the greatest theological thinkers, not simply in the entire canon of Greek patristic literature, but in the Christian tradition as a whole. A peripatetic monk and prolific writer, his penetrating theological vision found expression in an unparalleled synthesis of biblical exegesis, ascetic spirituality, patristic theology, and Greek philosophy, which is as remarkable for its conceptual sophistication as for its labyrinthine style of composition. On Difficulties in Sacred Scripture, presented here for the first time in a complete English translation (including the 465 scholia), contains Maximos’s virtuosic theological interpretations of sixty-five difficult passages from the Old and New Testaments. Because of its great length, along with its linguistic and conceptual difficulty, the work as a whole has been largely neglected. Yet alongside the Ambigua to John, On Difficulties in Sacred Scripture: The Responses to Thalassios deserves to be ranked as the Confessor’s greatest work and one of the most important patristic treatises on the interpretation of Scripture, combining the interconnected traditions of monastic devotion to the Bible, the biblical exegesis of Origen, the sophisticated symbolic theology of Dionysius the Areopagite, and the rich spiritual anthropology of Greek Christian asceticism inspired by the Cappadocian Fathers.

The Word of Truth, Sealed by the Spirit is a collection of seven essays pertaining to the topic of biblical inspiration and truth. Two chapters provide a critical analysis of the Pontifical Biblical Commission’s 2014 document The Inspiration and Truth of Sacred Scripture and reflect upon its relevance and outcome. Five chapters respond to a particular aspect of this document by investigating a hermeneutical or exegetical question in order to advance the dialogue on the questions of biblical inspiration and truth. This book is intended not only for Catholic seminary and university professors and students but also Protestant scholars and students, as well as catechized lay people of all Christian denominations. Luis Sánchez-Navarro, DCJM, writes on the importance of understanding the relationship between revelation, biblical inspiration, and truth for both biblical interpretation and for Christian living. Michael Magee provides a critical analysis of the PBC document by situating it within the recent history of the Church’s attempts to clarify the theology of biblical inspiration and truth. Matthew C. Genung studies Exodus 19 in its context, showing that the Bible itself indicates that its nature as emended Scripture pertains to its inspired character. Anthony Pagliarini writes about the Book of Ezekiel as inspired Scripture given the non-fulfillment of Ezekiel’s prophetic vision of the restored Temple. Aaron Pidel, SJ, analyzes Joseph Ratzinger’s writings on hermeneutics and biblical theology, to propose a reliable methodology for determining the historicity of conflicting biblical reports. Marcin Kowalski, analyzing 1 Corinthians 11:2–16, addresses the question of the inspired character of a text at variance with changing gender roles in society. Kelly Anderson evaluates biblical texts depicting an inner-trinitarian dialogue in order to shed light on the relationship of inspired Scripture to the eternal dialogue of God.