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Bread upon the Waters
The St. Petersburg Grain Trade and the Russian Economy, 1703-1811
Robert E. Jones
University of Pittsburgh Press, 2013
In eighteenth-century Russia, as elsewhere in Europe, bread was a dietary staple—truly grain was the staff of economic, social, and political life. Early on Tsar Peter the Great founded St. Petersburg to export goods from Russia’s vast but remote interior and by doing so to drive Russia’s growth and prosperity. But the new city also had to be fed with grain brought over great distances from those same interior provinces. In this compelling account, Robert E. Jones chronicles how the unparalleled effort put into the building of a wide infrastructure to support the provisioning of the newly created but physically isolated city of St. Petersburg profoundly affected all of Russia’s economic life and, ultimately, the historical trajectory of the Russian Empire as a whole.

Jones details the planning, engineering, and construction of extensive canal systems that efficiently connected the new capital city to grain and other resources as far away as the Urals, the Volga, and Ukraine. He then offers fresh insights to the state’s careful promotion and management of the grain trade during the long eighteenth century. He shows how the government established public granaries to combat shortages, created credit instruments to encourage risk taking by grain merchants, and encouraged the development of capital markets and private enterprise. The result was the emergence of an increasingly important cash economy along with a reliable system of provisioning the fifth largest city in Europe, with the political benefit that St. Petersburg never suffered the food riots common elsewhere in Europe.

Thanks to this well-regulated but distinctly free-market trade arrangement, the grain-fueled economy became a wellspring for national economic growth, while also providing a substantial infrastructural foundation for a modernizing Russian state.  In many ways, this account reveals the foresight of both Peter I and Catherine II and their determination to steer imperial Russia’s national economy away from statist solutions and onto a path remarkably similar to that taken by Western European countries but distinctly different than that of either their Muscovite predecessors or Soviet successors.

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Citizen Countess
Sofia Panina and the Fate of Revolutionary Russia
Adele Lindenmeyr
University of Wisconsin Press, 2019
Countess Sofia Panina lived a remarkable life. Born into an aristocratic family in imperial Russia, she found her true calling in improving the lives of urban workers. Her passion for social service and reputation as the "Red Countess" led her to political prominence after the fall of the Romanovs. She became the first woman to hold a cabinet position and the first political prisoner tried by the Bolsheviks. The upheavals of the 1917 Revolution forced her to flee her beloved country, but instead of living a quiet life in exile she devoted the rest of her long life to humanitarian efforts on behalf of fellow refugees.

Based on Adele Lindenmeyr's detailed research in dozens of archival collections, Citizen Countess establishes Sofia Panina as an astute eyewitness to and passionate participant in the historical events that shaped her life. Her experiences shed light on the evolution of the European nobility, women's emancipation and political influence of the time, and the fate of Russian liberalism.
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Crime and Punishment in the Russian Revolution
Mob Justice and Police in Petrograd
Tsuyoshi Hasegawa
Harvard University Press, 2017

Russians from all walks of life poured into the streets of the imperial capital after the February Revolution of 1917, joyously celebrating the end of Tsar Nicholas II’s monarchy. One year later, with Lenin’s Bolsheviks now in power, Petrograd’s deserted streets presented a very different scene. No celebrations marked the Revolution’s anniversary. Amid widespread civil strife and lawlessness, a fearful citizenry stayed out of sight.

In Crime and Punishment in the Russian Revolution, Tsuyoshi Hasegawa offers a new perspective on Russia’s revolutionary year through the lens of violent crime and its devastating effect on ordinary people. When the Provisional Government assumed power after Nicholas II’s abdication, it set about instituting liberal reforms, including eliminating the tsar’s regular police. But dissolving this much-hated yet efficient police force and replacing it with a new municipal police led rapidly to the breakdown of order and services. Amid the chaos, crime flourished. Gangs of criminals, deserters, and hooligans brazenly roamed the streets. Mass prison escapes became common. And vigilantism spread widely as ordinary citizens felt compelled to take the law into their own hands, often meting out mob justice on suspected wrongdoers.

The Bolsheviks swept into power in the October Revolution but had no practical plans to reestablish order. As crime continued to escalate and violent alcohol riots almost drowned the revolutionary regime, they redefined it as “counterrevolutionary activity,” to be dealt with by the secret police, whose harshly repressive, extralegal means of enforcement helped pave the way for a Communist dictatorship.

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Petersburg
Crucible of Cultural Revolution
Katerina Clark
Harvard University Press, 1995

One of the most creative periods of Russian culture and the most energized period of the Revolution coincided in the fateful years 1913–1931. During this time both the Party and the intellectuals of Petersburg strove to transform backward Russia into a nation so advanced it would shine like a beacon for the rest of the world. Yet the end result was the Stalinist culture of the 1930s with its infamous purges.

In this new book, Katerina Clark does not attempt to account for such a devolution by looking at the broad political arena. Rather, she follows the quest of intellectuals through these years to embody the Revolution, a focus that casts new light on the formation of Stalinism. This revisionist work takes issue with many existing cultural histories by resisting the temptation to structure its narrative as a saga of the oppressive regime versus the benighted intellectuals. In contrast, Clark focuses on the complex negotiations between the extraordinary environment of a revolution, the utopian striving of both politicians and intellectuals, the local culture system, and that broader environment, the arena of contemporary European and American culture. In doing so, the author provides a case study in the ecology of cultural revolution, viewed through the prism of Petersburg, which on the eve of the Revolution was one of the cultural capitals of Europe. Petersburg today is in the national imagination of modern Russia, a symbol of Westernization and radical change.

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Petersburg
The Physiology of a City
Thomas Gaiton Marullo
Northwestern University Press, 2009
This landmark collection of short works forms a vivid documentary of life in midnineteenth-century St. Petersburg. Editor Nikolai Nekrasov was the most influential literary entrepreneur of the day, and he assembled works ranging from ethnography to fiction to literary criticism, all written by leading authors and thinkers of the time. The book he edited represents many important strands in Russian culture and history, including the development of Russian prose and the rise of the intelligentsia. A vital political document as well, Petersburg is a record of—and served as a spur to—the changes in Russian society that culminated in the 1917 revolution. This first-ever English edition brings its storied and studied illumination to a new audience, providing a key to understanding the place that St. Petersburg holds in Russia’s identity.
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Petersburg/Petersburg
Novel and City, 1900–1921
Olga Matich
University of Wisconsin Press, 2010

Since its founding three hundred years ago, the city of Saint Petersburg has captured the imaginations of the most celebrated Russian writers, whose characters map the city by navigating its streets from the aristocratic center to the gritty outskirts. While Tsar Peter the Great planned the streetscapes of Russia’s northern capital as a contrast to the muddy and crooked streets of Moscow, Andrei Bely’s novel Petersburg (1916), a cornerstone of Russian modernism and the culmination of the “Petersburg myth” in Russian culture, takes issue with the city’s premeditated and supposedly rational character in the early twentieth century.
    “Petersburg”/Petersburg studies the book and the city against and through each other. It begins with new readings of the novel—as a detective story inspired by bomb-throwing terrorists, as a representation of the aversive emotion of disgust, and as a painterly avant-garde text—stressing the novel’s phantasmagoric and apocalyptic vision of the city. Taking a cue from Petersburg’s narrator, the rest of this volume (and the companion Web site, stpetersburg.berkeley.edu/) explores the city from vantage points that have not been considered before—from its streetcars and iconic art-nouveau office buildings to the slaughterhouse on the city fringes. From poetry and terrorist memoirs, photographs and artwork, maps and guidebooks of that period, the city emerges as a living organism, a dreamworld in flux, and a junction of modernity and modernism.

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Petrograd, 1917
Witnesses to the Russian Revolution
John Pinfold
Bodleian Library Publishing, 2017
The 1917 Bolshevik Revolution irrevocably changed the course of history, with consequences still being felt a century later. This book offers a dramatic depiction of the chaotic events of the revolution, drawn from selected firsthand accounts.

Assembling extracts from letters, journals, diaries, and memoirs from a remarkably diverse cast of both Russians and foreign nationals who were there when the revolution broke, Petrograd, 1917 is a strikingly close-up account of these world-shaking events. Each entry is supplemented with a short introductory note that sets it in context, and the book is rounded out with more than seventy illustrations, including photographs of the Romanovs and the violence in the streets as well as propaganda posters, postcards to loved ones, and more. In these pages, the drama and terror of those days comes to life once more, a century on.
 
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Remembering Leningrad
The Story of a Generation
Mary McAuley
University of Wisconsin Press, 2019
Englishwoman Mary McAuley first arrived in Leningrad in the early 1960s, eager to study labor relations for her thesis. Staying at a hostel, she met a number of Soviet students, many born under the rule of Joseph Stalin. Over the half-century that followed, McAuley traced their varying paths and the changing face of the former imperial capital.
Remembering Leningrad captures the story of a beautiful city and lifelong friendships. We follow McAuley as she walks through the streets downtown and examines politics in the 1960s, describes the hazards of furnishing an apartment in the 1990s, and learns about the challenges her friends have faced during these turbulent years. By weaving history and anecdotes to create a picture of Russia’s cultural center, McAuley underscores the impact of time and place on the Russian intelligentsia who lived through the transition from Soviet to post-Soviet life. The result is a remarkable group portrait of a generation.
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The War Within
Diaries from the Siege of Leningrad
Alexis Peri
Harvard University Press, 2017

Winner of the Pushkin House Russian Book Prize
Winner of the University of Southern California Book Prize
Honorable Mention, Reginald Zelnik Book Prize


“Fascinating and perceptive.”
—Antony Beevor, New York Review of Books

“Stand aside, Homer. I doubt whether even the author of the Iliad could have matched Alexis Peri’s account of the 872-day siege which Leningrad endured.”
—Jonathan Mirsky, The Spectator

“Powerful and illuminating…A fascinating, insightful, and nuanced work.”
—Anna Reid, Times Literary Supplement

“Much has been written about Leningrad’s heroic resistance. But the remarkable aspect of [Peri’s] book is that she tells a very different story: recounting the internal struggles of ordinary people desperately trying to survive and make sense of their fate.”
—John Thornhill, Financial Times

“A sensitive, at times almost poetic examination of their emotions and disordered mental states. It both contrasts with and complements the equally accurate official Soviet portrait of a stalwart population standing firm in the face of evil and in defense of Soviet ideals.”
—Robert Legvold, Foreign Affairs

In September 1941, two and a half months after the Nazis invaded the Soviet Union, the German Wehrmacht encircled Leningrad. Cut off from the rest of Russia, the city remained blockaded for 872 days, at a cost of almost a million lives. It was one of the longest and deadliest sieges in modern history.

The War Within chronicles the Leningrad blockade from the perspective of those who endured it. Drawing on unpublished diaries, Alexis Peri tells the tragic story of how young and old struggled to make sense of a world collapsing around them. When the blockade was lifted in 1944, Kremlin officials censored publications describing the ordeal and arrested many of Leningrad’s wartime leaders. Some were executed. Diaries—now dangerous to their authors—were concealed, shelved in archives, and forgotten. The War Within recovers these lost accounts, shedding light on one of World War II’s darkest episodes while paying tribute the resilience of the human spirit.

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The Writer in Petrograd and the House of Arts
Martha Weitzel Hickey
Northwestern University Press, 2009
Founded by Maksim Gorky and Kornei Chukovsky in 1919 and disbanded in 1922, the Petrograd House of Arts occupied a crucial moment in Russia's cultural history. By chronicling the rise and fall of this literary landmark, this book conveys in greater depth and detail than ever before a significant but little studied period in Soviet literature.
Poised between Russian culture's past and her Soviet future, between pre- and post-Revolutionary generations, this once lavish private home on the Nevsky Prospekt housed as many as fifty-six poets, novelists, critics, and artists at one time, during a period of great social and political turbulence. And as such, Hickey contends, the House of Arts served as a crucible for a literature in transition. Hickey shows how the House of Arts, though virtually ignored by Soviet-era cultural historians, played a critical role in shaping the lively literature of the next decade, a literature often straddling the border between fiction and non-fiction. Considering prose writers such as Yevgeny Zamyatin, Olga Forsh, the Serapion Brothers group, Viktor Shklovsky, Boris Eikhenbaum, as well as poets including Alexander Blok, Nikolay Gumilev, Anna Radlova, Osip Mandelstam, and Vladislav Khodasevich, she traces the comings and goings at the House of Arts: the meetings and readings and lectures and, most of all, the powerful influence of these interactions on those who briefly lived and worked there. In her work, the Petrograd House of Arts appears for the first time in all its complexity and importance, as a focal point for the social and cultural ferment of the day, and a turning point in the direction of Russian literature and criticism.
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Writing the Siege of Leningrad
Womens Diaries Memoirs and Documentary Prose
Cynthia Simmons
University of Pittsburgh Press, 2005

Silver Winner, ForeWord Magazine Book of the Year, History

From September 1941 until January 1944, Leningrad suffered under one of the worst sieges in the history of warfare. At least one million civilians died, many during the terribly cold first winter. Bearing the brunt of this hardship—and keeping the city alive through their daily toil and sacrifice—were the women of Leningrad. Yet their perspective on life during the siege has been little examined.

Cynthia Simmons and Nina Perlina have searched archival holdings for letters and diaries written during the siege, conducted interviews with survivors, and collected poetry, fiction, and retrospective memoirs written by the blokadnitsy (women survivors) to present a truer picture of the city under siege. In simple, direct, even heartbreaking language, these documents tell of lost husbands, mothers, children; meager rations often supplemented with sawdust and other inedible additives; crime, cruelty, and even cannibalism. They also relate unexpected acts of kindness and generosity; attempts to maintain cultural life through musical and dramatic performances; and provide insight into a group of ordinary women reaching beyond differences in socioeconomic class, ethnicity, and profession in order to survive in extraordinary times.

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