With the recent surge in terrorist acts and military confrontations, as well as ever-strengthening fundamentalist ideologies, the Christian–Muslim divide is perhaps more visible than ever—but it is not new. Alan G. Jamieson explores here the long and bloody history of the Christian–Muslim conflict, revealing in his concise yet comprehensive study how deeply this ancient divide is interwoven with crucial events in world history. 
Faith and Sword opens with the tumultuous first centuries of the conflict, examining the religious precepts that framed clashes between Christians and Muslims and that ultimately fueled the legendary Crusades. Traversing the full breadth of the Arab lands and Christendom, Jamieson chronicles the turbulent saga from the Arab conquests of the seventh century to the rise of the powerful Ottoman Empire and its fall at the end of World War I. He then explores the complex dynamics that emerged later in the twentieth century, as Christendom was transformed into the secular West and Islamic nations overthrew European colonialism to establish governments straddling modernity and religiosity. 
From the 1979 Iranian revolution to the Lebanon hostage crisis to—in this new expanded edition—the recent wars in Syria, Iraq, and Afghanistan, Faith and Sword reveals the essence of this enduring struggle and its consequences.
 

As David Matless argues in this book—updated in this accessible, pocket edition—landscape has been central to definitions of Englishness for centuries. It is the aspect of English life where visions of the past, present, and future have met in debates over questions of national identity, disputes over history and modernity, and ideals of citizenship and the body. Extensively illustrated, Landscape and Englishness explores just how important the aesthetics of Britain’s cities and countryside have been to its people.

Matless examines a wide range of material, including topographical guides, health manuals, paintings, poetry, architectural polemics, photography, nature guides, and novels. Taking readers to the interwar period, he explores how England negotiated the modern and traditional, the urban and rural, the progressive and preservationist, in its decisions over how to develop the countryside, re-plan cities, and support various cultures of leisure and citizenship. Tracing the role of landscape to Englishness from then up until the present day, he shows how familiar notions of heritage in landscape are products of the immediate post-war era, and he unveils how the present always resonates with the past. 

The eccentric, manic, and often moving collaborative explorations of London’s hidden streets, cemeteries, parks, canals, pubs, and personalities by photographer Marc Atkins and writer Iain Sinclair were first recorded in Sinclair’s highly acclaimed 1997 book Lights Out for the Territory, praised in the Guardian as “one of the most remarkable books ever written on London.” Liquid City is a splendid follow-up—presented here in an updated format and with a new introduction and additional images—documenting Atkins and Sinclair’s further peregrinations through the city’s eastern and south-eastern quadrants, famous as London’s grittier but culturally rich quarters.  

An array of famous and lesser-known writers, booksellers, and film-makers slip in and out of Sinclair’s annotations, as do memories and remnants of the East End’s criminal mobs and physical landmarks as diverse as the Thames barrier and Karl Marx’s grave in Archway cemetery. All of it is documented in Atkins’s striking, atmospheric photographs and Sinclair’s impressionistic prose that marries psychology with geography. Cued by the title, readers will follow the Thames as it flows silently through the photographic and textual narrative, traversing a city that is always fluid, full at once of continuities and surprises.