A bold and original analysis of how the complexity of legal struggles over transgender rights is shaped not only by politics but by a deeper cultural anxiety about the meaning of sex itself.
Beyond Recognition: Transgender Antidiscrimination Law, Rhetoric, and Ethical Responsibility is a timely analysis that challenges the idea of transgender antidiscrimination law as a simple matter of inclusion or exclusion. Far from treating the law as a straightforward recognition project, Laura Jane Collins employs a rhetorically responsive approach that reveals how legal systems both reflect and shape our deepest uncertainties about sex, identity, and justice.
Through close readings of Title VII case law, state-level legislation such as California’s Fair Employment and Housing Act, and legislative debates surrounding bathroom access and trans rights, Collins exposes the deep-seated anxieties driving contemporary legal debates. While courts, policymakers, and advocates struggle to construct legal protections, the very act of defining sex within the law exposes law’s limitations.
Rather than condemning the law’s failures or romanticizing its liberatory potential, Collins calls for a more self-reflective, ethically engaged response. She argues that our demand for legal clarity often conceals a broader discomfort with ambiguity—and that the law’s so-called shortcomings may in fact reflect our own refusal to confront the complexity of sex as a category and system of power.
A vital contribution to scholarship in law and rhetoric, gender studies, and critical legal theory, Beyond Recognition invites a deeper reckoning with both legal frameworks and personal responsibility. It offers a compelling perspective on the evolving landscape of transgender rights and the cultural anxieties that continue to shape it.
Sara L. McKinnon exposes racialized rhetorics of violence in politics and charts the development of gender as a category in American asylum law. Starting with the late 1980s, when gender-based requests first emerged in case law, McKinnon analyzes gender- and sexuality-related cases against the backdrop of national and transnational politics. Her focus falls on cases as diverse as Guatemalan and Salvadoran women sexually abused during the Dirty Wars and transgender asylum seekers from around the world fleeing brutally violent situations. She reviews the claims, evidence, testimony, and message strategies that unfolded in these legal arguments and decisions, and illuminates how legal decisions turned gender into a political construct vulnerable to American national and global interests. She also explores myriad related aspects of the process, including how subjects are racialized and the effects of that racialization, and the consequences of policies that position gender as a signifier for women via normative assumptions about sex and heterosexuality.
Wide-ranging and rich with human detail, Gendered Asylum uses feminist, immigration, and legal studies to engage one of the hotly debated issues of our time.
Public toilets provide a unique opportunity for interrogating how conventional assumptions about the body, sexuality, privacy, and technology are formed in public spaces and inscribed through design across cultures. This collection of original essays from international scholars is the first to explore the cultural meanings, histories, and ideologies of public toilets as gendered spaces.
Ladies and Gents consists of two sets of essays. The first, "Potty Politics: Toilets, Gender and Identity," establishes the importance of accessible, secure public toilets to the creation of inclusive cities, work, and learning environments. The second set of essays, "Toilet Art: Design and Cultural Representations," discusses public toilets as spaces of representation and representational spaces, with reference to architectural design, humor, film, theater, art, and popular culture. Compelling visual materials and original artwork are included throughout, depicting subjects as varied as female urinals, art installations sited in public restrooms, and the toilet in contemporary art.
Taken together, these seventeen essays demonstrate that public toilets are often sites where gendered bodies compete for resources and recognition—and the stakes are high.
Contributors include: Nathan Abrams, Jami L. Anderson, Johan Andersson, Kathryn H. Anthony, Kathy Battista, Andrew Brown-May, Ben Campkin, Meghan Dufresne, Peg Fraser, Deborah Gans, Clara Greed, Robin Lydenberg, Claudia Mitchell, Alison Moore, Frances Pheasant-Kelly, Bushra Rehman, Alex Schweder, Naomi Stead, and the editors.
The writers studied here (an eclectic group of scientists, anthropologists, and novelists, including Estanislao Zeballos, Lucio and Eduarda Mansilla, Ramón Lista, and Florence Dixie) reflect on Indigenous sexual practices, analyze the advisability and effects of interracial sex, and use the language of desire to narrate encounters with Indigenous peoples as they try to scientifically pinpoint Argentina's racial identity and future potential.
Kerr's reach extends into history of science, literary studies, and history of anthropology, illuminating a scholarly time and place in which the lines betwixt were much blurrier, if they existed at all.
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