In The Battle of the Sexes in French Cinema, 1930–1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940–44). The authors contend that the films produced from the 1930s until 1956—when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"—are important, both as historical texts and as sources of entertainment.

Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole.

The poems in Samuel Hazo’s Sexes: The Marriage Dialogues are concerned with how husbands and wives confront each other at life’s various intersections—sometimes casually, sometimes profoundly. It is at these points that the most interesting differences in gender reveal themselves. From the first poem (“Banterers”) to the last (“Ballad of the Old Lovers”) Hazo’s attuned ear picks up quotidian conversational exchanges, but the words are never window dressing. They hint at inevitable insights and misunderstandings born out of conjugal love. Each poem is a vignette of the moving and surprising moments that are married life.

In 1788, following the death of charismatic founder Mother Ann Lee, the celibate religious group known as the Shakers set out to institutionalize equality of the sexes in their theology, government, and daily practice. In this book, Glendyne Wergland evaluates how well they succeeded in that mission by examining the experiences of women within Shaker communities over more than a century.

Drawing on an extensive archive of primary documents, Wergland discusses topics ranging from girlhood, health, and dress to why women joined the Shakers and how they were viewed by those outside their community. She analyzes the division of labor between men and women, showing that there was considerable cooperation and reciprocity in carrying out most tasks-from food production to laundering to gathering firewood-even as gendered conflicts remained.

In her conclusion, Wergland draws together all of these threads to show that Shaker communities achieved a remarkable degree of gender equality at a time when women elsewhere still suffered under the legal and social strictures of the traditional patriarchal order. In so doing, she argues, the experience of Shaker women served as a model for promoting women's rights in American political culture.