front cover of Instruments of the True Measure
Instruments of the True Measure
Poems
Laura Da'
University of Arizona Press, 2018
Instruments of the True Measure charts the coordinates and intersections of land, history, and culture. Lyrical passages map the parallel lives of ancestral figures and connect dispossessions of the past to lived experiences of the present. Shawnee history informs the collection, and Da’s fascination with uncovering and recovering brings the reader deeper into the narrative of Shawnee homeland. Images of forced removal and frontier violence reveal the wrenching loss and reconfiguration of the Shawnee as a people. The body and history become lands that are measured and plotted with precise instruments.

Surveying and geography underpin the collection, but even as Da’ investigates these signifiers of measurement, she pushes the reader to interrogate their function within the stark atrocities of American history. Da’ laments this harsh dichotomy, observing that America’s mathematical point of beginning is located in the heart of her tribe’s homeland: “I do not have the Shawnee words to describe this place; the notation that is available to me is 40°38´32.61´´ N 80°31´9.76´´ W.”
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front cover of The Shawnees and Their Neighbors, 1795-1870
The Shawnees and Their Neighbors, 1795-1870
Stephen Warren
University of Illinois Press, 2004
Stephen Warren traces the transformation in Shawnee sociopolitical organization over seventy years as it changed from village-centric, multi-tribe kin groups to an institutionalized national government led by wealthy men with only marginal kin ties to the people they claimed to represent. The Shawnees and Their Neighbors, 1795-1870 lays bare the myths and histories produced by Shawnee interpreters and their vested interests in modernizing the tribes.

Until recently, historians have assumed that Central Algonquians derive from politically unified tribes, but by analyzing the crucial role that individuals, institutions, and policies played in shaping modern tribal governments, Warren reveals a messier, more complicated history of migration and conflict. Ultimately, Warren establishes that the form of the modern Shawnee "tribe" was coerced in accordance with the U.S. government's desire for an entity with whom to do business, rather than as a natural development of traditional Shawnee ways.

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"Tecumseh" and Other Stories of the Ohio River Valley by Julia L. Dumont
Of The Ohio River Valley
Sandra Parker
University of Wisconsin Press, 2000
Julia Louisa Corry Dumont (1794–1857) was born in Marietta, Ohio. Heralded in her own day as the “first lady” of the Ohio River Valley, she wrote about the lives of ordinary pioneers and settlers when the area was still known as the West. Her early romantic style was typical of the era, depicting river boatmen and Native Americans like Tecumseh. Her stories represent village life and women’s plight as victims, as in her masterpiece Aunt Hetty.
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