front cover of Shelf Life
Shelf Life
Essays, Memoirs, and an Interview
Thom Gunn
University of Michigan Press, 1993
Born and raised in Britain, Thom Gunn has lived in the United States since 1954. He is well known as a poet and is increasingly gaining recognition as a literary critic. Gunn’s main concern in Shelf Life is with twentieth-century American poets, both the famous and the obscure; he also discusses other matters, including the Elizabethans, Christopher Isherwood as man and stylist, and Gunn’s own poetry, which he touches on indirectly in the first two sections of the book and directly in the last.
 
Gunn’s criticism communicates his own enthusiasm for poetry. He tries to show his readers how to get a first foothold into the work of some of his favorite poets, whether Wyatt or Whitman, Mina Loy or Robert Creeley.
 
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front cover of Shelf Life
Shelf Life
Literary Essays and Reviews
William H. Pritchard
University of Massachusetts Press, 2009
In this collection of essays and reviews, William H. Pritchard focuses on the work of English and American writers, most of them from the twentieth century. At a time when English studies in the academy seems increasingly impelled by historical and political concerns, Pritchard's aim is to reinstate the aesthetic as the major motive for literary study. Indeed "study" may be the wrong word for it, as the poet Philip Larkin made forcefully evident when he once snapped at an interviewer, "Oh, for Christ's sake one doesn't study poets. You read them and think, that's marvelous, how is it done, could I do it?"

Pritchard is convinced that his job as a critic is to talk back to the imagination he has been engaged by. The four sections of this volume look at writers as diverse as the critic Samuel Johnson, the novelist Raymond Chandler, and the poet James Merrill, and at the abrasive epistolary behavior of Evelyn Waugh and Kingsley Amis. Perhaps the book's most original section is its final one, in which Pritchard writes about music-about playing the piano, singing hymns, listening to jazz-and about the teaching life as it appears in literature and in his own classroom. He concludes with appreciative essays on two of his own fondly remembered teachers.

Shelf Life
is mannerly and elegant, but venturesome, even bold in its explorations of the artistic performance-of that passionate preference Robert Frost found to be the root of all human expression.
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