If you like the fiction of Henry James, the psychology of his brother William, and have a taste for Gothic mysteries you will enjoy The Dark Sister. The novel is a curious mixture of the Victorian repressiveness about sex, intricate stories within stories, and Jewish humor.

With a new afterword

Little Women has delighted and instructed readers for generations. For many, it is a favorite book first encountered in childhood or adolescence. Championed by Gertrude Stein, Simone de Beauvoir, Theodore Roosevelt, and J. K. Rowling, it is however much more than the “girls’ book” intended by Louisa May Alcott’s first publisher. In this richly annotated, illustrated edition, Daniel Shealy illuminates the novel’s deep engagement with issues such as social equality, reform movements, the Civil War, friendship, love, loss, and of course the passage into adulthood.

The editor provides running commentary on biographical contexts (Did Alcott, like Jo, have a “mood pillow”?), social and historical contexts (When may a lady properly decline a gentleman’s invitation to dance?), literary allusions (Who is Mrs. Malaprop?), and words likely to cause difficulty to modern readers (What is a velvet snood? A pickled lime?). With Shealy as a guide, we appreciate anew the confusions and difficulties that beset the March sisters as they overcome their burdens and journey toward maturity and adulthood: beautiful, domestic-minded Meg, doomed and forever childlike Beth, selfish Amy, and irrepressible Jo. This edition examines the novel’s central question: How does one grow up well?

Little Women: An Annotated Edition offers something for everyone. It will delight both new and returning readers, young and old, male and female alike, who will want to own and treasure this beautiful edition full of color illustrations and photographs.

Along with the plays of William Shakespeare and the works of Charles Dickens, Jane Austen’s novels are among the most beloved books of Western literature. Pride and Prejudice (1813) was in Austen’s lifetime her most popular novel, and it was the author’s personal favorite. Adapted many times to the screen and stage, and the inspiration for numerous imitations, it remains today her most widely read book. Now, in this beautifully illustrated and annotated edition, distinguished scholar Patricia Meyer Spacks instructs the reader in a larger appreciation of the novel’s enduring pleasures and provides analysis of Darcy, Elizabeth Bennet, Lady Catherine, and all the characters who inhabit the world of Pride and Prejudice.

This edition will be treasured by specialists and first-time readers, and especially by devoted Austen fans who think of themselves as Friends of Jane. In her Introduction, Spacks considers Austen’s life and career, the continuing appeal of Pride and Prejudice, and its power as a stimulus for fantasy (Maureen Dowd, writing in the New York Times, can hold forth at length on Obama as a Darcy-figure, knowing full well her readers will “understand that she wished to suggest glamour and sexiness”). Her Introduction also explores the value and art of literary annotation. In her running commentary on the novel, she provides notes on literary and historical contexts, allusions, and language likely to cause difficulty to modern readers. She offers interpretation and analysis, always with the wisdom, humor, and light touch of an experienced and sensitive teacher.

Roxy and Coco, sisters and glamorous harpies (mythical bird women), work to save the world by stopping child abuse, while also trying to evade capture. For readers of Neil Gaiman and Karen Russell.

“[A] wry and rambunctious fable….The book offers brief and staggered visions of family, in all its complex permutations. Here, flocks settle into wonderfully unlikely formations. It’s possible that the most dangerous thing for anyone, harpy or human, is the decision to fly alone.”
— Hilary Leichter, New York Times Book Review
 
Sisters Roxy and Coco are two glamorous harpies—mythical bird women—attempting to outrun extinction and fix the planet by preventing child abuse, one child at a time.
 
When Roxy is suddenly attracted to her human supervisor at a social work agency a hundred years too early, Coco is very suspicious. Luring Roxy with his scent, Tim is also on the payroll of a fake conservationist intent on her less-than-legal collection. Coco swoops in to vet Tim, but Interpol is hot on her trail for a series of curious homicides. (Surveillance has a very hard time convincing his boss of what he’s monitoring.) When the sisters find themselves trapped, Chris, a bipolar skateboarding truant, tries his best to rescue them but it’s Stewie, Coco’s colleague, who turns the story inside out. Roxy and Coco climaxes at a gala of egg fanciers who scramble to escape the harpies’ talons.
 
Action figure–worthy, for readers of Neil Gaiman and Karen Russell, this modern take on these fabled women touches on mental illness, racism, animal rights, and the rights of children.

Sense and Sensibility (1811) marked the auspicious debut of a novelist identified only as “A Lady.” Jane Austen’s name has since become as familiar as Shakespeare’s, and her tale of two sisters has lost none of its power to delight. Patricia Meyer Spacks guides readers to a deeper appreciation of the richness of Austen’s delineation of her heroines, Elinor and Marianne Dashwood, as they experience love, romance, and heartbreak. On display again in the editor’s running commentary are the wit and light touch that delighted readers of Spacks’s Pride and Prejudice: An Annotated Edition.

In her notes, Spacks elucidates language and allusions that have become obscure (What are Nabobs? When is rent day?), draws comparisons to Austen’s other work and to that of her precursors, and gives an idea of how other critics have seen the novel. In her introduction and annotations, she explores Austen’s sympathy with both Elinor and Marianne, the degree to which the sisters share “sense” and “sensibility,” and how they must learn from each other. Both manage to achieve security and a degree of happiness by the novel’s end. Austen’s romance, however, reveals darker overtones, and Spacks does not leave unexamined the issue of the social and psychological restrictions of women in Austen’s era.

As with other volumes in Harvard’s series of Austen novels, Sense and Sensibility: An Annotated Edition comes handsomely illustrated with numerous color reproductions that vividly recreate Austen’s world. This will be an especially welcome addition to the library of any Janeite.

The sibling relationship, as any parent with two or more children knows, is an extraordinarily intense one: young brothers and sisters love and hate, play and fight, tease and mock each other with a devastating lack of inhibition.

Why do some siblings get along harmoniously and affectionately, while others constantly squabble? To what extent are parents responsible for differences in siblings' personalities, and how can they ease the tensions?

In this timely and unusual glimpse into the world of the child, Judy Dunn argues that in fighting, bullying, or comforting, very young sisters and brothers possess a far deeper understanding of others than psychologists have supposed. She challenges the usual assumptions that birth order, age gap, and gender are the most crucial factors in explaining dramatic differences between siblings within a family, and suggests that siblings themselves have an important influence on each other's development. She shows that by studying children with their brothers and sisters, rather than in unfamiliar situations, we gain a new and illuminating picture of how growing up with siblings affects children's personalities, their intelligence, their ways of thinking and talking, and their perceptions of themselves, their families, and their friends.

Full of practical advice for coping with the daily trials of parenting two or more children, this warm and accessible book, based on new research, gives a fresh perception of a relationship which for many people lasts longer than any other in life.

Spanning two thousand years of Christian religious women's quest for spiritual and vocational fulfillment, Sisters in Arms is the first definitive history of Catholic nuns in the Western world. Unfolding century by century, this epic drama encompasses every period from the dawn of Christianity to the present.

History has until recently minimized the role of nuns over the centuries. In this volume, their rich lives, their work, and their importance to the Church are finally acknowledged. Jo Ann Kay McNamara introduces us to women scholars, mystics, artists, political activists, healers, and teachers--individuals whose religious vocation enabled them to pursue goals beyond traditional gender roles. They range from Thecla, the legendary companion of Paul, who baptized herself in preparation for facing the lions in the Roman arena, to Hildegard of Bingen, whose visions unlocked her extraordinary talents for music, medicine, and moral teaching in the twelfth century. They also include Sister Mary Theresa Kane, who stood before the pope--and an American television audience-in 1979 and urged him to consider the ordination of women.

By entering the convent, McNamara shows, nuns gained a community that allowed them to evolve spiritually, intellectually, and emotionally; but the convent was never a perfect refuge. Women's struggles continued against the male church hierarchy, the broader lay community, and the larger cultural and historical forces of change.

The history of nuns is an important part of the larger story of western women whose gender provoked resistance to their claims to autonomy and power. As we enter the third millennium, this groundbreaking work pays fitting tribute to the sisters who have labored with prayer and service for two thousand years, who have struggled to achieve greater recognition and authority, and who have forged opportunities for all women while holding true to the teachings of the Gospel.

More than any other profession women entered in the nineteenth century, law was the most rigidly engendered. Access to courts, bar associations, and law schools was controlled by men, while the very act of gaining admission to practice law demanded that women reinterpret the male-constructed jurisprudence that excluded them. This history of women lawyers--from the 1860s to the 1930s--defines the contours of women's integration into the modern legal profession.

Nineteenth-century women built a women lawyers' movement through which they fought to gain entrance to law schools and bar associations, joined the campaign for women suffrage, and sought to balance marriage and career. By the twentieth century, most institutional barriers crumbled and younger women entered the law confident that equal opportunity had replaced sexual discrimination. Their optimism was misplaced as many women lawyers continued to encounter discrimination, faced limited opportunities for professional advancement, and struggled to balance gender and professional identity.

Based on rich and diverse archival sources, this book is the landmark study of the history of women lawyers in America.

Although the Paris Commune of 1871 has been the subject of voluminous writing, especially on the place of the uprising in the development of socialist thought and practice, little was previously done on provincial communal movements.

First published in 1971, this book offers an exploration of the insurrection as part of the nationwide struggle for municipal and departmental liberties, bringing to the fore the Commune's relationship to the broader historical problem of the consolidation and future character of the Third Republic, especially in the provinces. Greenberg thus sees the event as part of a long developing effort to decentralize political power in France.

Teaching in Black and White: The Sisters of St. Joseph in the American South discusses the work of the Sisters of St. Joseph of (the city of) St. Augustine, who came to Florida from France in 1866 to teach newly freed blacks after the Civil War, and remain to this day. It also tells the story of the Sisters of St. Joseph of Georgia, who sprang from the motherhouse in St. Augustine. A significant part of the book is a comparison of the Sisters of St. Josephs’ work against that of their major rivals, missionaries from the Protestant American Missionary Association. Using letters the Sisters wrote back to their motherhouse in France, the book provides rare glimpses into the personal and professional (pun intended) lives of these women religious in St. Augustine and other parts of Florida and Georgia, from the mid-nineteenth century through the era of anti-Catholicism in the early twentieth century South. It carries the story through 1922, the end of the pioneer years of the Sisters of St. Josephs’ work in Florida, and the end of Sisters of St. Joseph of Georgia’s existence as a distinct order. Through the lenses of Catholicism, Florida and Southern history, gender, and race, the book addresses the Protestant concept of domesticity and how it was reinforced in Catholic terms by women who seemingly defied the ideal. It also relates the Sisters’ contributions in shaping life in the South during Reconstruction as they established elite academies and free schools, created orphanages, ministered to all during severe yellow fever epidemics, and fought the specter of anti-Catholicism as it crept across the rural regions of the country. To date, little has been written about Catholics in the South, much less the women religious who served there. This book helps to fill that gap. Teaching in Black and White provides rare glimpses into the personal and professional lives of women religious in Florida and Georgia, from the mid-nineteenth to early twentieth-century.

On the rainy morning of October 1, 2000, Pope John Paul II canonized Mother Katharine Drexel. Born into a wealthy Philadelphia family, Drexel bucked society and formed the Sisters of the Blessed Sacrament for Indians and Colored People. Her compelling personal story has excited many biographers who have highlighted her holiness and catalogued her good deeds. During her life, newspapers called her the “Millionaire Nun,” and much of the literature on Drexel and the Sisters of the Blessed Sacrament exalts Katharine Drexel’s disbursement of her vast fortune to benefit Black and Indigenous people. The often repeated stories of a riches to rags holy woman miss the true significance of what Mother Katharine and the Sisters of the Blessed Sacrament attempted. Drexel was not merely the ATM of Catholic Home Missions; rather, she challenged the hierarchy to reimagine its mission in the United States. In an era when the Church controlled the actions and censored the opinions of women religious, they had to listen to Mother Katharine. Most writing on Drexel and the SBS focus on Drexel’s spiritual journey, but Veiled Leadership traces the daily operations of her charitable empire and looks at how the Sisters implemented Drexel’s vision in the field. The SBS were not always welcomed in the communities they served, and they experienced conflict from both white supremacists and the people they wanted to aid. Veiled Leadership examines the lives of Mother Katharine and her congregation within the context of larger constructs of gender, race, religion, reform, and national identity. It explores what happens when a non-dominant culture tries to impose its views and morals on other non-dominant cultures. In other words, as outliers themselves—they were semi-cloistered Catholic women from primarily immigrant backgrounds in a culture that regarded their lifestyles as alien and unnatural—their attempts to Americanize and assimilate Black and Indigenous people, whose families had been in the country for generations longer than the nuns’ own, adds complexity to our understanding of cultural hegemony.