front cover of Getting Over the Color Green
Getting Over the Color Green
Contemporary Environmental Literature of the Southwest
Scott Slovic
University of Arizona Press, 2001
Desert vistas are often deemed vacant, inhospitable wastelands. Don't suggest that to Joy Harjo, Pat Mora, or other contemporary southwestern writers. In these arid stretches, often devoid of green, today's southwestern writers see pyrotechnic colors and Gothic shapes that excite and often overwhelm the imagination. And they capture this excitement in words that fix these desert images in the minds of readers who may too often look at the world through green-colored glasses. This anthology of contemporary nature writing from the Greater Southwest brings together a host of writers including peers of Edward Abbey such as Charles Bowden and Ann Zwinger and representatives of a new generation of writers such as Rick Bass and Terry Tempest Williams. The book is an eclectic blend of nonfiction and fiction, field notes and poetry, through which artists of diverse backgrounds both celebrate and illuminate the unique vitality and complexity of southwestern literature— proving that green is only one of many colors on their palette. The selections included here range all across the southwestern landscape and explore adventures in the wild, topics in natural history, living close to the land, and efforts at conservation and restoration. They clearly demonstrate that there is grace and beauty in this often-maligned part of the world— both in the human traditions that have developed in the region and in the natural features of the desert itself.
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front cover of Going Away to Think
Going Away to Think
Engagement, Retreat, and Ecocritical Responsibility
Scott Slovic
University of Nevada Press, 2008
Scott Slovic has spent his life as a teacher, writer, environmental activist, and leader in the field of ecocritical literary studies. In Going Away to Think, he reflects on the twin motivations of his life—the commitment to do some good in the world and the impulse to enjoy life and participate fully in its most intense moments—and he examines the tension created by his efforts to balance these two poles of his responsibility. These essays reveal the complex inner life of one of this generation’s most important environmental critics and literary activists. They range from profound discussions of the role and responsibilities of scholarship to deeply personal ruminations on the impact of family crises and the influence of his wide-ranging travels.
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front cover of Numbers and Nerves
Numbers and Nerves
Information, Emotion, and Meaning in a World of Data
Scott Slovic
Oregon State University Press, 2015
We live in the age of Big Data, awash in a sea of ever-expanding information—a constant deluge of facts, statistics, models, and projections. The human mind is quickly desensitized by information presented in the form of numbers, and yet many important social and environmental phenomena, ranging from genocide to global climate change, require quantitative description.

The essays and interviews in Numbers and Nerves explore the quandary of our cognitive responses to quantitative information, while also offering compelling strategies for overcoming insensitivity to the meaning of such information. With contributions by journalists, literary critics, psychologists, naturalists, activists, and others, this book represents a unique convergence of psychological research, discourse analysis, and visual and narrative communication.

At a time of unprecedented access to information, our society is frequently stymied in its efforts to react to the world’s massive problems. Many of these problems are systemic, deeply rooted in seemingly intransigent cultural patterns and lifestyles. In order to sense the significance of these issues and begin to confront them, we must first understand the psychological tendencies that enable and restrict our processing of numerical information.

Numbers and Nerves explores a wide range of psychological phenomena and communication strategies—fast and slow thinking, psychic numbing, pseudoinefficacy, the prominence effect, the asymmetry of trust, contextualized anecdotes, multifaceted mosaics of prose, and experimental digital compositions, among others—and places these in real-world contexts. In the past two decades, cognitive science has increasingly come to understand that we, as a species, think best when we allow numbers and nerves, abstract information and experiential discourse, to work together. This book provides a roadmap to guide that collaboration. It will be invaluable to scholars, educators, professional communicators, and anyone who struggles to grasp the meaning behind the numbers.
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front cover of Unnatural Ecopoetics
Unnatural Ecopoetics
Unlikely Spaces in Contemporary Poetry
Sarah Nolan
University of Nevada Press, 2017
What constitutes an environment in American literature is an issue that has undergone much debate across environmental humanities in the last decade. In the field, some have argued that environments are markedly natural or wild sites while others contend literary spaces can be both wild and urban, or even cultural. Yet, few of the works produced to date have addressed the pronounced influence the author of a text has on a literary environment. Despite exciting work on materiality and culture in conceptions of environments, critics have not yet fully examined the contributions of poetry’s language, form, and self-awareness in rethinking what constitutes an environment.
 
By approaching environments in a new way, Nolan closes this gap and recognizes how contemporary poets employ self-reflexive commentary and formal experimentation in order to create new natural/cultural environments on the page. She proposes a radical new direction for ecopoetics and deploys it in relation to four major American poets. Working from literal to textual spaces through the contemporary poetry of A.R. Ammons’s Garbage, Lyn Hejinian’s My Life, Susan Howe’s The Midnight, and Kenneth Goldsmith’s Seven American Deaths and Disasters, the book presents applications of unnatural ecopoetics in poetic environments, ones that do not engage with traditional ideas of nature and would otherwise remain outside the scope of ecocritical and ecopoetic studies.
 
Nolan proposes a new practical approach for reading poetic language. Ecocriticism is a very fluid and evolving discipline, and Nolan’s pioneering new book pushes the boundaries of second-wave ecopoetics—the fundamental issue being what is nature/natural, and how does poetic language, particularly self-conscious contemporary poetic agency, contribute to and complicate that question.   
 
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front cover of What's Nature Worth
What's Nature Worth
Terre Satterfield
University of Utah Press, 2004
Based on either written or oral interviews with a dozen prominent environmental writers, What’s Nature Worth? explores how the art of storytelling might bring new perspectives and insights to economic and policy discussions regarding the "value" of nature and the environment. The diverse points of view explored, and the writers’ insistence on careful interpretation, demonstrate that environmental values are complex, rich, and deeply felt—far more so than mainstream economic methodology would have us believe. There is general consensus among the contributors that the narrative form allows for an exploration of the richness of what it means to "value" nature without being preachy or didactic. Following interviews with the twelve authors, examples of their work demonstrate how indirect expressions of value, in the words of Allison Hawthorne Deming, have an "emotional hue" that can replenish the energy depleted by the coldness of cost-benefit arguments.
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front cover of Wild Nevada
Wild Nevada
Testimonies On Behalf Of The Desert
Roberta Moore
University of Nevada Press, 2005
For many people beyond Nevada’s borders, the state is no more than the nation’s desert dumping ground for dangerous waste. Others know it only for its hedonistic centers of gambling and entertainment. This scandal belies the extraordinary beauty and wonder of the state’s wilderness areas and the precious natural, aesthetic, and cultural resources to be found there.
In Wild Nevada, editors Roberta Moore and Scott Slovic have assembled twenty-nine writers who know and love the Nevada wilderness to testify on its behalf. Contributors include literary artists and scholars, environmental and community activists, leading politicians, ranchers, scientists, and park rangers. Some essays offer observations on the political and philosophical discussions of wilderness that heat up the halls of academia and Congress; others recount moving personal encounters with wild places within Nevada; and still others comment on the ambiguities of preserving wild places through wilderness designation. But despite the eclectic backgrounds of the writers and their varied perspectives on public policy, they are all united in their devotion to the ecological and aesthetic values of Nevada’s threatened wilderness areas. Foreword by Michael Frome.
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