front cover of The Foul and the Fragrant
The Foul and the Fragrant
Odor and the French Social Imagination
Alain Corbin
Harvard University Press, 1986
In a book whose insight and originality have already had a dazzling impact in France, Alain Corbin has put the sense of smell on the historical map. He conjures up the dominion that the combined forces of smells - from the seductress's civet to the ubiquitous excremental odors of city cesspools - exercised over the lives (and deaths) of the French in the eighteenth and nineteenth centuries.

Table of Contents:

Introduction

Part One: The Perceptual Revolution or the Sense of Smell on Trial

1. Air and the Threat of the Putrid
2. The Extremes of Olfactory Vigilance
3. Social Emanations
4. Redefining the Intolerable
5. The New Calculus of Olfactory Pleasure

Part Two: Purifying Public Space

6. The Tactics of Deodorization
7. Odors and the Physiology of the Social Order
8. Policy and Pollution

Part Three: Smells, Symbols, and Social Representations

9. The Stench of the Poor
10. Domestic Atmospheres
11. The Perfumes of Intimacy
12. The Intoxicating Flask
13. "Laughter in a Bead of Sweat"
14. The Odors of Paris

Conclusion
Notes
Index



Reviews of this book:
[This book] is not only serious, but interesting and important; one of those studies that profoundly alters our understanding of both social life and history.
--Joan W. Scott, New York Times Book Review

Reviews of this book:
At once encyclopedic and impressionistic, The Foul and the Fragrant is...a masterful exposition of odors and the perception of odors from 1750 to the "Pasteurian revolution" of the late nineteenth century...It is an important and, at times, fascinating voyage...Exploring with imagination and audacity the changing role of smell in the anxieties and antagonisms of the modern world, Corbin reminds us that social history, too long sanitized and too often abstract, must make room for the senses.
--Michael Burns, Los Angeles Times Book Review

Reviews of this book:
The story has never been told more brilliantly, nor with such verve and perceptiveness. That alone would make Corbin's book worth reading, but one may read it as well for a deeper understanding of the roots of modern urban anxieties about the unwholesome...Corbin's book is a tour de force.
--Simon Schama, New Republic
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front cover of Money Has No Smell
Money Has No Smell
The Africanization of New York City
Paul Stoller
University of Chicago Press, 2002
In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of West African merchants in urban America. In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s.

Blending fascinating ethnographic description with incisive social analysis, Stoller shows how these savvy West African entrepreneurs have built cohesive and effective multinational trading networks, in part through selling a simulated Africa to African Americans. These and other networks set up by the traders, along with their faith as devout Muslims, help them cope with the formidable state regulations and personal challenges they face in America. As Stoller demonstrates, the stories of these West African traders illustrate and illuminate ongoing debates about globalization, the informal economy, and the changing nature of American communities.
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front cover of Past Scents
Past Scents
Historical Perspectives on Smell
Jonathan Reinarz
University of Illinois Press, 2014

In this comprehensive and engaging volume, medical historian Jonathan Reinarz offers a historiography of smell from ancient to modern times. Synthesizing existing scholarship in the field, he shows how people have relied on their olfactory sense to understand and engage with both their immediate environments and wider corporal and spiritual worlds.

This broad survey demonstrates how each community or commodity possesses, or has been thought to possess, its own peculiar scent. Through the meanings associated with smells, osmologies develop--what cultural anthropologists have termed the systems that utilize smells to classify people and objects in ways that define their relations to each other and their relative values within a particular culture. European Christians, for instance, relied on their noses to differentiate Christians from heathens, whites from people of color, women from men, virgins from harlots, artisans from aristocracy, and pollution from perfume.

This reliance on smell was not limited to the global North. Around the world, Reinarz shows, people used scents to signify individual and group identity in a morally constructed universe where the good smelled pleasant and their opposites reeked.

With chapters including "Heavenly Scents," "Fragrant Lucre," and "Odorous Others," Reinarz's timely survey is a useful and entertaining look at the history of one of our most important but least-understood senses.

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Smell and History
A Reader
Mark M. Smith
West Virginia University Press, 2019

Smell and History collects many of the most important recent essays on the history of scent, aromas, perfumes, and ways of smelling. With an introduction by Mark M. Smith—one of the leading social and cultural historians at work today and the preeminent champion in the United States of the emerging field of sensory history—the volume introduces to undergraduate and graduate students as well as to historians of all fields the richness, relevance, and insightfulness of the olfactory to historical study.

Ranging from antiquity to the present, these ten essays, most of them published since 2003, consider how olfaction and scent have shaped the history of medicine, gender, race-making, class formation, religion, urbanization, colonialism, capitalism, and industrialization; how habits and practices of smelling informed ideas about the Enlightenment, modernity, and memory; how smell shaped perceptions of progress and civilization; and how people throughout history have used smell as a way to organize categories and inform worldviews.

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The Smell of Blood
Goffredo Parise
Northwestern University Press, 2003
A compelling tale of a husband's obsession with his wife's disastrous affair

"A smell very similar to that of slaughterhouses at dawn, but infinitely sweeter and slightly nauseating, or rather, to be more precise, exhilarating."

The smell of blood is really the smell of life. The psychiatrist narrating the story has the power to detect it. His young mistress hungers for it. And his middle-aged wife Silvia has just begun to emanate it--overpoweringly.

Silvia has begun an affair with a violent young idler and neofascist who despises and exploits women. At first her husband reacts with good humor--he has long been unfaithful himself. But jealousy soon colors his curiosity, and his obsession with the details of Silvia's relationship leads to fantasies that become self-fulfilling prophecies. At times coolly analytical, at others driven to know more, the narrator watches as Silvia's actions become more and more self-destructive. When she becomes a slave to her lover's wishes the smell of blood grows stronger, and the odor of life becomes an omen of death.

Goffredo Parise wrote The Smell of Blood in 1979 after suffering a heart attack. Once finished he sealed the manuscript in lead and wax and did not look at it again until a few days before his death in 1986. It was published posthumously in 1997 in Italy.
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The Smell of Books
A Cultural-Historical Study of Olfactory Perception in Literature
Hans J. Rindisbacher
University of Michigan Press, 1993
The Smell of Books investigates the ways in which the olfactory sense has manifested itself in Italian, German, French, Russian, and English literature of the past 150 years. Against a broad interdiscriplinary backdrop that includes linguistics, psychology, aesthetics, and sociology, Hans J. Rindisbacher takes a new approach to literary history – one centered on the sense of smell.
 
Rindisbacher examines the works of the German Expressionists and of Baudelaire, Huxley, Rimbaud, Wilde, and Turgenev, as well as Holocaust memoirs and contemporary German books such as Patrick Suskind’s Das Parfum and Christa Wolf’s Storfall. He demonstrates that the sense of smell, which has heretofore occupied a position at the bottom of the sensory hierarchy, plays a consequential role in romantic, modern, and contemporary European and Russian literature.
 
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