For over 10,000 years, earth ovens (semi-subterranean, layered arrangements of heated rocks, packing material, and food stuffs capped by earth) have played important economic and social roles for Indigenous peoples living across the arid landscapes of western North America. From hunter-gatherers to formative horticulturalists, sedentary farmers, and contemporary Indigenous groups, earth ovens have been used to convert inedible plants into digestible food, fiber, and beverages.
 
The remains of earth ovens range from tight, circular clusters of burned rocks, generally labeled “hearths” by archaeologists, to the massive accumulations of fire-cracked rock referred to as earth oven facilities, roasting pits, or burned rock middens. Remnants of these oven forms are common across the arid and semi-arid landscapes that stretch from Texas to California and south into Mexico. Despite the ubiquity of earth ovens from late Paleoindian times until today, and their broad spatial and cultural distribution, these features remain an under-studied aspect of Indigenous lifeways.

This edited volume explores the longevity and diversity of earth oven baking and examines the subsistence strategies, technological paradigms, and social contexts within which earth ovens functioned. It is the first study to cover such a broad geographic area, reflecting an array of promising research that highlights ongoing efforts to understand the archaeological record of earth ovens.

Discovering Singaporean identity through cooking and cuisine

While eating is a universal experience, for Singaporeans it carries strong national connotations. The popular Singaporean-English phrase "Die die must try" is not so much hyperbole as it is a reflection of the lengths that Singaporeans will go to find great dishes.

In Eating Her Curries and Kway: A Cultural History of Food in Singapore, Nicole Tarulevicz argues that in a society that has undergone substantial change in a relatively short amount of time, food serves Singaporeans as a poignant connection to the past. Eating has provided a unifying practice for a diverse society, a metaphor for multiracialism and recognizable national symbols for a fledgling state. Covering the period from British settlement in 1819 to the present and focusing on the post–1965 postcolonial era, Tarulevicz tells the story of Singapore through the production and consumption of food.

Analyzing a variety of sources that range from cookbooks to architectural and city plans, Tarulevicz offer a thematic history of this unusual country, which was colonized by the British and operated as a port within Malaya. Connecting food culture to the larger history of Singapore, she discusses various topics including domesticity and home economics, housing and architecture, advertising, and the regulation of food-related manners and public behavior such as hawking, littering, and chewing gum. Moving away from the predominantly political and economic focus of other histories of Singapore, Eating Her Curries and Kway provides an important alternative reading of Singaporean society.

Inhabiting the rainforest of the southwest Maracaibo Basin, split by the border between Colombia and Venezuela, the Barí have survived centuries of incursions. Anthropologist Roberto Lizarralde began studying the Barí in 1960, when he made the first modern peaceful contact with this previously unreceptive people; he was joined by anthropologist Stephen Beckerman in 1970. The Ecology of the Barí showcases the findings of their singular long-term study.

Detailing the Barí’s relations with natural and social environments, this work presents quantitative subsistence data unmatched elsewhere in anthropological publications. The authors’ lengthy longitudinal fieldwork provided the rare opportunity to study a tribal people before, during, and after their aboriginal patterns of subsistence and reproduction were eroded by the modern world. Of particular interest is the book’s exploration of partible paternity—the widespread belief in lowland South America that a child can have more than one biological father. The study illustrates its quantitative findings with an in-depth biographical sketch of the remarkable life of an individual Barí woman and a history of Barí relations with outsiders, as well as a description of the rainforest environment that has informed all aspects of Barí history for the past five hundred years. Focusing on subsistence, defense, and reproduction, the chapters beautifully capture the Barí’s traditional culture and the loss represented by its substantial transformation over the past half-century.

Since the late 1970s, a new folk hero has risen to prominence in the U.S.-Mexico border region and beyond—the narcotrafficker. Celebrated in the narcocorrido, a current form of the traditional border song known as the corrido, narcotraffickers are often portrayed as larger-than-life "social bandits" who rise from poor or marginalized backgrounds to positions of power and wealth by operating outside the law and by living a life of excess, challenging authority (whether U.S. or Mexican), and flouting all risks, including death. This image, rooted in Mexican history, has been transformed and commodified by the music industry and by the drug trafficking industry itself into a potent and highly marketable product that has a broad appeal, particularly among those experiencing poverty and power disparities. At the same time, the transformation from folk hero to marketable product raises serious questions about characterizations of narcocorridos as "narratives of resistance."

This multilayered ethnography takes a wide-ranging look at the persona of the narcotrafficker and how it has been shaped by Mexican border culture, socioeconomic and power disparities, and the transnational music industry. Mark Edberg begins by analyzing how the narcocorrido emerged from and relates to the traditional corrido and its folk hero. Then, drawing upon interviews and participant-observation with corrido listening audiences in the border zone, as well as musicians and industry producers of narcocorridos, he elucidates how the persona of the narcotrafficker has been created, commodified, and enacted, and why this character resonates so strongly with people who are excluded from traditional power structures. Finally, he takes a look at the concept of the cultural persona itself and its role as both cultural representation and model for practice.

A crack shot, expert skinner and tanner, seamstress, sculptor, and later writer—a list that only hints at her intelligence and abilities—Ella Elgar Bird Dumont was one of those remarkable women who helped tame the Texas frontier. First married at sixteen to a Texas Ranger, she followed her husband to Comanche Indian country in King County, where they lived in a tepee while participating in the final slaughter of the buffalo. Living off the land until the frontier was opened for ranching, Ella and Tom Bird typified the Old West ideals of self-sufficiency and generosity, with a hesitancy to complain about the hard life in the late 1800s.

Yet, in one important way, Ella Dumont was unsuited for life on the frontier. Endowed with an instinctive desire and ability to carve and sculpt, she was largely prevented from pursuing her talents by the responsibilities of marriage and frontier life and later, widowhood with two small children. Even though her second marriage, to Auguste Dumont, made life more comfortable, the realities of her existence still prevented the fulfillment of her artistic longings.

Ella Bird Dumont’s memoir is rich with details of the frontier era in Texas, when Indian depredations were still a danger for isolated settlers, where animals ranged close enough to provide dinner and a new pair of gloves, and where sheer existence depended on skill, luck, and the kindness of strangers. The vividness and poignancy of her life, coupled with the wealth of historical material in the editor’s exhaustive notes, make this Texas pioneer’s autobiography a very special book.

Passionate and enlightening, Energy Never Dies uses the power of storytelling to show how optimism and courage fuel the dreams of Black Chicago.

A niece of Jane Austen and a novelist herself, Catherine Hubback was fifty-two years old when she left England for America. She travelled to California on the Transcontinental Railroad and settled in Oakland, on the eastern shore of San Francisco Bay. Her son Edward shared her household and commuted by ferryboat to a wheat brokerage in the City.

In letters to her eldest son John and his wife Mary in Liverpool, Catherine conveys her delight – and her exasperation – at her new environment. She portrays her neighbours with a novelist's wry wit and brings her English sensibility to bear on gardening with unfamiliar plants and maintaining a proper wardrobe in a dry climate. She writes vividly of her adventures as she moves about a landscape recognizable to present-day residents, at a time when boats rather than bridges spanned the bay, and hot springs were the main attraction in the Napa Valley. In an atmosphere of financial unrest, she writes freely of her anxieties, while supplementing Edward's declining income by making lace and teaching the craft to other women. She recalls her 'prosperous days' in England, but finds pleasure in small things and assuredly takes her place in a society marked by great disparities in wealth.

In addition to transcriptions of the letters, this highly readable edition offers pertinent information on many of the people and places mentioned, explanatory notes, and striking illustrations. The introduction places the letters in context and tells the story of Catherine Hubback, whose life evolved in ways unprecedented in the Austen family.

Much has been written about the world’s first democracy, but no book so far has been dedicated solely to the study of enmity in ancient Athens. Enmity and Feuding in Classical Athens is a long-overdue analysis of the competitive power dynamics of Athenian honor and the potential problems these feuds created for democracies.

The citizens of Athens believed that harming one’s enemy was an acceptable practice and even the duty of every honorable citizen. They sought public wins over their rivals, making enmity a critical element in struggles for honor and standing, while simultaneously recognizing the threat that personal enmity posed to the community. Andrew Alwine works to understand how Athenians addressed this threat by looking at the extant work of Attic orators. Their speeches served as the intersection between private vengeance and public sanction of illegal behavior, allowing citizens to engage in feuds within established parameters. This mediation helped support Athenian democracy and provided the social underpinning to allow it to function in conjunction with Greek notions of personal honor.

Alwine provides a framework for understanding key issues in the history of democracy, such as the relationship between private and public realms, the development of equality and the rule of law, and the establishment of individual political rights. Serving also as a nuanced introduction to the works of the Attic orators, Enmity and Feuding in Classical Athens is an indispensable addition to scholarship on Athens.

A unique study of an Andean community’s water rituals and the extraordinary document describing how they should be performed

In the dry season in the Andes, water from springs, lakes, reservoirs, and melting glaciers feeds irrigation canals that have sustained communities for thousands of years. Managing and maintaining these water infrastructures is essential, and in 1921, in the village of San Pedro de Casta, Peru, local authorities recorded their ritual canal-cleaning duties in a Spanish-language document called the Entablo. It is only the second book (along with the Huarochirí Manuscript) ever seen by scholars in which an Andean community explains its customs and ritual laws in its own words.

Sarah Bennison offers a critical introduction to the Entablo, a Spanish transcription of the document, and an English translation. Among its other revelations, the Entablo delves into the use of khipu boards, devices that meld the traditional knotted strings known as khipus with a written alphabet. Only in the Entablo do we learn that there were multiple khipu boards associated with a single canal-cleaning ritual, or that there were separate khipu records for men and women. The Entablo manuscript furnishes unparalleled insights into Andean rituals, religion, and community history at a historical moment when rural highland communities were changing rapidly.

Entangled Objects threatens to dislodge the cornerstone of Western anthropology by rendering permanently problematic the idea of reciprocity. All traffic, and commerce, whether economic or intellectual, between Western anthropologists and the rest of the world, is predicated upon the possibility of establishing reciprocal relations between the West and the indigenous peoples it has colonized for centuries.

Drawing on his work on contemporary postcolonial Pacific societies, Nicholas Thomas takes up three issues central to modern anthropology: the cultural and political dynamics of colonial encounters, the nature of Western and non-Western transactions (such as the gift and the commodity), and the significance of material objects in social life. Along the way, he raises doubts about any simple “us/them” dichotomy between Westerners and Pacific Islanders, challenging the preoccupation of anthropology with cultural difference by stressing the shared history of colonial entanglement.

Thomas integrates general issues into a historical discussion of the uses Pacific Islanders and Europeans have made of each other’s material artifacts. He explores how nineteenth- and twentieth-century islanders, and visitors from the time of the Cook voyages up to the present day, have fashioned identities for themselves and each other by appropriating and exchanging goods. Previous writers have explored museums and the tribal art market, but this is the first book to concentrate on the distinct interests of European collectors and the islanders. In its comparative scope, its combination of historical and ethnographic scholarship, and its subversive approach to anthropological theory and traditional understandings of colonial relationships, Entangled Objects is a unique and challenging book. It will be tremendously interesting to all those working in the fields of cultural studies, from history to literature.

Viewing turn-of-the-century African American history through the lens of cinema, Envisioning Freedom examines the forgotten history of early black film exhibition during the era of mass migration and Jim Crow. By embracing the new medium of moving pictures at the turn of the twentieth century, black Americans forged a collective—if fraught—culture of freedom.

In Cara Caddoo’s perspective-changing study, African Americans emerge as pioneers of cinema from the 1890s to the 1920s. Across the South and Midwest, moving pictures presented in churches, lodges, and schools raised money and created shared social experiences for black urban communities. As migrants moved northward, bound for Chicago and New York, cinema moved with them. Along these routes, ministers and reformers, preaching messages of racial uplift, used moving pictures as an enticement to attract followers.

But as it gained popularity, black cinema also became controversial. Facing a losing competition with movie houses, once-supportive ministers denounced the evils of the “colored theater.” Onscreen images sparked arguments over black identity and the meaning of freedom. In 1910, when boxing champion Jack Johnson became the world’s first black movie star, representation in film vaulted to the center of black concerns about racial progress. Black leaders demanded self-representation and an end to cinematic mischaracterizations which, they charged, violated the civil rights of African Americans. In 1915, these ideas both led to the creation of an industry that produced “race films” by and for black audiences and sparked the first mass black protest movement of the twentieth century.

A highly communicative approach to Intermediate Russian grounded in everyday culture and authentic texts

Etazhi uses the communicative approach to advance student’s Russian proficiency from the Novice High / Intermediate Low level of the ACTFL scale to an Intermediate Mid / Intermediate High level. Designed for one academic year of instruction, Etazhi engages students with highly relevant topics to internalize new vocabulary, expand their grammatical reach, and deepen their cultural understanding of Russian speakers.

Chapters on Russian daily life, travel, dating and marriage, clothing, cuisine, health and medicine, education, holiday traditions, and careers are infused with humor and help students acquire the vocabulary and cultural nuance needed to discuss Russian literature, culture, and the arts. Hundreds of authentic texts, photographs, and illustrations gathered from across the Russian Federation–including authentic material written by real people about their experiences in Russia–show the diversity of Russian speakers, culture, and society. Each of the six chapters contains approximately fifty exercises that help students practice the four basic language skills–listening, speaking, reading, and writing.

This textbook improves vocabulary and grammar while promoting deeper cultural competency, preparing students to study abroad, and providing a firm foundation for advanced courses.

Special features include:

• Audio transcripts to aid in comprehension checks (available for free on the Press's website)
• A grammar reference with charts and tables, including case and verb charts
• An extensive Russian-English glossary
• Over 120 authentic photographs and hand-drawn images by a Russian artist
• A sample of presentation materials and a sample exam for chapter one to aid instructors (available for free on the Press's website)

“What I done and what I been accused of covers everything, you put ’em both together.” Wyatt Moore of Caddo Lake exaggerates, but perhaps not very much. During his long life at Caddo Lake, Moore was at various times a boat operator, commercial fisherman, boat builder, farmer, fishing and hunting camp operator, guide, commercial hunter, trapper, raftsman, moonshiner, oil field worker, water well driller, and mechanical jack-of-all-trades. Still, he always found time for his lifelong study of the natural and human history of Caddo Lake. Here, in words as fresh and forceful as the day they were uttered, is his tale.

Moore, who was given the gift of a unique story to tell and great power to tell it, was the historical interpreter of his strange homeland of Caddo Lake. Twenty-three miles long, some forty thousand acres at high water, stretching across two Texas counties and one Louisiana parish, Caddo Lake’s fresh waters merge into a labyrinthine swamp punctuated by inlets, holes, and geological oddities like Goat Island, Whistleberry Slough, Whangdoodle Pass, and the Devil’s Elbow. Here among these lost reminders of steamboats and old bateau men is Moore’s world.

Born in 1901 at Karnack, Texas, Moore grew up in a time when kids wore button shoes and in a place where pigs and chickens roamed the backyard. He drank his first whiskey at age eight, gigged fish, trapped, and hunted for pearls as a boy, and grew up to an easy assurance on the lake that comes only to those long accustomed to its ways. A walking library of the history of Caddo Lake, Moore delved into almost every nook and corner of it, and wherever he went, whatever he did, he sought to learn more about his subect. Sought out by writers and journalists—among them James Michener and Bill Moyers—because of his laconic wit and remarkable command of the region’s story, Moore became known as a resource as precious as the lake itself. Moore’s story is eloquently introduced by Thad Sitton in an opening essay that chronicles the history of Caddo Lake. Striking photographs of Moore at home and at work on the lake beautifully amplify his life story, and an exuberant word-and-picture essay of Moore expertly building the traditional boat of the region, a bateau, reinforces the vivid image we have of this remarkable man.

Seibal is a major ruin of the southern Maya lowlands, its vast ceremonial center covering several high hills on the banks of the Pasión River in the Guatemalan Department of Petén. In five volumes published over a 15-year period, the archaeological team headed by Gordon R. Willey presents a comprehensive review of their fieldwork from 1964 to 1968 and the results of many years of subsequent data analysis.

The volumes also report on explorations in the peripheral settlements outside of the Seibal center and provide a regional view of the evolution of lowland Maya culture from the Middle and Late Preclassic through the Late Classic periods.

Tales of risk and danger, suffering, disease, horror, and death. Tales, also, of courage and dignity, hard work, and human endurance in the face of hostile nature and the frequent brutality of men. And tales flavored with piquant touches of humor and bemused irony.

These are the stories of the Uruguayan writer Horacio Quiroga, here presented in an important compilation of thirteen of his most compelling tales, sensitively selected and translated by J. David Danielson. Author of some two hundred pieces of fiction, often compared to the works of Kipling, Jack London, and Edgar Allan Poe, Quiroga set many of his stories in the territory of Misiones in northeastern Argentina, the subtropical jungle region where he spent much of his life.

Included here are stories from Los desterrados (1926) often said to be his best book, as well as others from Cuentos de amor de locura y de muerte (1917), Anaconda (1921), and El Desierto (1924). The publication of this selection marks the first appearance in English of all but two of the thirteen stories.

Quiroga here presents a wide range of characters: parents and children, servant girls and prostitutes, landowners and lumber barons, foremen and laborers, natives and immigrants, in stories pervaded by a vision of life that is elemental, incisive, and essentially tragic. The Exiles and Other Stories shows the versatility and skill that have made him a classic Spanish American writer. It complements and illumines The Decapitated Chicken and Other Stories, selected and translated by Margaret Sayers Peden, also published by the University of Texas Press.