front cover of The War against Catholicism
The War against Catholicism
Liberalism and the Anti-Catholic Imagination in Nineteenth-Century Germany
Michael B. Gross
University of Michigan Press, 2005
"A lucid, innovative work of top-flight scholarship. Gross shows us the depths of anti-Catholicism in nineteenth-century Germany; he explains why the German Kulturkampf had such force and why prominent liberals imagined it as a turning point not only in Germany but in world history."
---Helmut Walser Smith, Vanderbilt University

"A marvelously original account of how the Kulturkampf emerged from the cultural, social, and gendered worlds of German liberalism. While not neglecting the 1870s, Gross's analysis directs historians' attention to the under-researched 1850s and 1860s-decades in which liberals' anti-Catholic arguments were formulated against a backdrop of religious revival, democratic innovation, national ambition, and the articulation of new roles for women in society, politics, and the church. The drama of these decades resonates in every chapter of Gross's fine study."
---James Retallack, University of Toronto

"Michael Gross has put the culture back into the Kulturkampf! Integrating social and political analysis with illuminating interpretations of visual and linguistic evidence, Gross explores the work of religious cleavage in defining German national identity. An emerging women's movement, liberal virtues, and Catholic difference come together to explain why, in a century of secularization, Germany's Catholics experienced a religious revival, and why its liberals responded with enmity and frustration. Vividly written and a pleasure to read, this groundbreaking study offers real surprises."
---Margaret Lavinia Anderson, University of California, Berkeley


An innovative study of the relationship between the two most significant, equally powerful, and irreconcilable movements in Germany, Catholicism and liberalism, in the decades following the 1848 Revolution.

After the defeat of liberalism in the Revolution of 1848, and in the face of the dramatic revival of popular Catholicism, German middle-class liberals used anti-Catholicism to orient themselves culturally in a new age. Michael B. Gross's study shows how anti-Catholicism and specifically the Kulturkampf, the campaign to break the power of the Catholic Church, were not simply attacks against the church nor were they merely an attempt to secure state autonomy. Gross shows that the liberal attack on Catholicism was actually a complex attempt to preserve moral, social, political, and sexual order during a period of dramatic pressures for change.

Gross argues that a culture of anti-Catholicism shaped the modern development of Germany including capitalist economics, industrial expansion, national unification, and gender roles. He demonstrates that images of priests, monks, nuns, and Catholics as medieval, backward, and sexually deviant asserted the liberal middle-class claim to social authority after the Revolution of 1848. He pays particular attention to the ways anti-Catholicism, Jesuitphobia, and antimonastic hysteria were laced with misogyny and expressed deeper fears of mass culture and democracy in the liberal imagination. In doing so, he identifies the moral, social, and cultural imperatives behind the Kulturkampf in the 1870s.

By offering a provocative reinterpretation of liberalism and its relationship to the German anti-Catholic movement, this work ultimately demonstrates that in Germany, liberalism itself contributed to a culture of intolerance that would prove to be a serious liability in the twentieth century. It will be of particular interest to students and scholars of culture, ideology, religion, and politics.
[more]

front cover of When Death Falls Apart
When Death Falls Apart
Making and Unmaking the Necromaterial Traditions of Contemporary Japan
Hannah Gould
University of Chicago Press, 2023
Through an ethnographic study inside Japan’s Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials.
 
Deep in the Fukuyama mountainside, “the grave of the graves” (o-haka no haka) houses acres of unwanted headstones—the material remains of Japan’s discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing.

In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and—as the population ages, families disperse, and fewer homes have space for large lacquer cabinets—eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of “demonstration corpse.” Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.
[more]

front cover of When Peace Is Not Enough
When Peace Is Not Enough
How the Israeli Peace Camp Thinks about Religion, Nationalism, and Justice
Atalia Omer
University of Chicago Press, 2013
The state of Israel is often spoken of as a haven for the Jewish people, a place rooted in the story of a nation dispersed, wandering the earth in search of their homeland. Born in adversity but purportedly nurtured by liberal ideals, Israel has never known peace, experiencing instead a state of constant war that has divided its population along the stark and seemingly unbreachable lines of dissent around the relationship between unrestricted citizenship and Jewish identity.
 
By focusing on the perceptions and histories of Israel’s most marginalized stakeholders—Palestinian Israelis, Arab Jews, and non-Israeli Jews—Atalia Omer cuts to the heart of the Israeli-Arab conflict, demonstrating how these voices provide urgently needed resources for conflict analysis and peacebuilding. Navigating a complex set of arguments about ethnicity, boundaries, and peace, and offering a different approach to the renegotiation and reimagination of national identity and citizenship, Omer pushes the conversation beyond the bounds of the single narrative and toward a new and dynamic concept of justice—one that offers the prospect of building a lasting peace.

[more]

front cover of Why God?
Why God?
Explaining Religious Phenomena
Rodney Stark
Templeton Press, 2017
Why is it that the majority of people, from all socio-economic, education, and ethnic backgrounds, ascribe to some sort of faith? What draws us to religion? What pushes us away? And what exactly is religion anyway?
Defining religion over the past century has, ironically, led to theories that exclude belief in God, proposing that all systems of thought concerning the meaning of life are religions. Of course, this makes it impossible to distinguish the village priest from the village atheist, or Communism from Catholicism.  Worse yet, it makes all religious behavior irrational, presuming that, for example, people knowingly pray to an empty sky.
Renowned sociologist of religion Rodney Stark offers a comprehensive, decisive, God-centered theory of religion in his book, Why God: Explaining Religious Phenomena. While his intent is not to insist that God exists, Stark limits religions to systems of thought based on belief in supernatural beings—to Gods.  With this God-focused theory, Stark explores the entire range of religious topics, including the rise of monotheism, the discovery of sin, causes of religious hostility and conflict, and the role of revelations. 
Each chapter of Why God? builds a comprehensive framework, starting with the foundations of human motivations and ending with an explanation of why most people are religious. Stark ultimately settles what religion is, what it does, and why it is a universal feature of human societies.
Why God? is a much needed guide for anyone who wants a thorough understanding of religion and our relationship to it, as well as a firm refutation to those who think religion can exist without the divine. 
 
[more]

front cover of Why I Am Not a Secularist
Why I Am Not a Secularist
William E. Connolly
University of Minnesota Press, 2000

front cover of The Work of Kings
The Work of Kings
H. L. Seneviratne
University of Chicago Press, 2000
The Work of Kings is a stunning new look at the turbulent modern history and sociology of the Sri Lankan Buddhist Monkhood and its effects upon contemporary society. Using never-before translated Sinhalese documents and extensive interviews with monks, Sri Lankan anthropologist H.L. Seneviratne unravels the inner workings of this New Buddhism and the ideology on which it is based.

Beginning with Anagarika Dharmapala's "rationalization" of Buddhism in the early twentieth century, which called for monks to take on a more activist role in the community, Seneviratne shows how the monks have gradually revised their role to include involvement in political and economic spheres. The altruistic, morally pure monks of Dharamapala's dreams have become, Seneviratne trenchantly argues, self-centered and arrogant, concealing self-aggrandizement behind a façade of "social service."

A compelling call for reform and a forceful analysis, The Work of Kings is essential to anthropologists, historians of religion, and those interested in colonialism, nationalism, and postcolonial politics.
[more]


Send via email Share on Facebook Share on Twitter