Culture-to-culture encounters between "natives" and "aliens" have gone on for centuries in the American Southwest—among American Indian tribes, between American Indians and Euro-Americans, and even, according to some, between humans and extraterrestrials at Roswell, New Mexico. Drawing on a wide range of cultural productions including novels, films, paintings, comic strips, and historical studies, this groundbreaking book explores the Southwest as both a real and a culturally constructed site of migration and encounter, in which the very identities of "alien" and "native" shift with each act of travel.

Eric Anderson pursues his inquiry through an unprecedented range of cultural texts. These include the Roswell spacecraft myths, Leslie Marmon Silko's Almanac of the Dead, Wendy Rose's poetry, the outlaw narratives of Billy the Kid, Apache autobiographies by Geronimo and Jason Betzinez, paintings by Georgia O'Keeffe, New West history by Patricia Nelson Limerick, Frank Norris' McTeague, Mary Austin's The Land of Little Rain, Sarah Winnemucca's Life Among the Piutes, Willa Cather's The Professor's House, George Herriman's modernist comic strip Krazy Kat, and A. A. Carr's Navajo-vampire novel Eye Killers.

During more than a thousand years before Europeans arrived in 1540, the native peoples of what is now the southwestern United States and northern Mexico developed an architecture of rich diversity and beauty. Vestiges of thousands of these dwellings and villages still remain, in locations ranging from Colorado in the north to Chihuahua in the south and from Nevada in the west to eastern New Mexico.

This study presents the most comprehensive architectural survey of the region currently available. Organized in five chronological sections that include 132 professionally rendered site drawings, the book examines architectural evolution from humble pit houses to sophisticated, multistory pueblos. The sections explore concurrent Mogollon, Hohokam, and Anasazi developments, as well as those in the Salado, Sinagua, Virgin River, Kayenta, and other areas, and compare their architecture to contemporary developments in parts of eastern North America and Mesoamerica. The book concludes with a discussion of changes in Native American architecture in response to European influences.

Ancient Southwestern Mortuary Practices chronicles the modal patterns, diversity, and change of ancient mortuary practices from across the US Southwest and northwest Mexico over four thousand years of Prehispanic occupation. The volume summarizes new methodological approaches and theoretical issues concerning the meaning and importance of burial practices to different peoples at different times throughout the ancient Greater Southwest.

Chapters focus on normative mortuary patterns, the range of variability of mortuary patterns, how the contexts of burials reflect temporal shifts in ideology, and the ways in which mortuary rituals, behaviors, and funerary treatments fulfill specific societal needs and reflect societal beliefs. Contributors analyze extensive datasets—archived and accessible on the Digital Archaeological Record (tDAR)—from various subregions, structurally standardized and integrated with respect to biological and cultural data.

Ancient Southwestern Mortuary Practices, together with the full datasets preserved in tDAR, is a rich resource for comparative research on mortuary ritual for indigenous descendant groups, cultural resource managers, and archaeologists and bioarchaeologists in the Greater Southwest and other regions.
 
Contributors: Nancy J. Akins, Jessica I. Cerezo-Román, Mona C. Charles, Patricia A. Gilman, Lynne Goldstein, Alison K. Livesay, Dawn Mulhern, Ann Stodder, M. Scott Thompson, Sharon Wester, Catrina Banks Whitley