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National Bolshevism
Stalinist Mass Culture and the Formation of Modern Russian National Identity, 1931–1956
David Brandenberger
Harvard University Press, 2002

During the 1930s, Stalin and his entourage rehabilitated famous names from the Russian national past in a propaganda campaign designed to mobilize Soviet society for the coming war. Legendary heroes like Aleksandr Nevskii and epic events like the Battle of Borodino quickly eclipsed more conventional communist slogans revolving around class struggle and proletarian internationalism. In a provocative study, David Brandenberger traces this populist “national Bolshevism” into the 1950s, highlighting the catalytic effect that it had on Russian national identity formation.

Beginning with national Bolshevism’s origins within Stalin’s inner circle, Brandenberger next examines its projection into Soviet society through education and mass culture—from textbooks and belletristic literature to theater, opera, film, and the arts. Brandenberger then turns to the popular reception of this propaganda, uncovering glimpses of Stalin-era public opinion in letters, diaries, and secret police reports.

Controversial insofar as Soviet social identity is commonly associated with propaganda promoting class consciousness, this study argues that Stalinist ideology was actually more Russian nationalist than it was proletarian internationalist. National Bolshevism helps to explain not only why this genre of populism survived Stalin’s death in 1953, but why it continues to resonate among Russians today.

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National Communism in the Soviet Union, 1918-28
Baruch Gurevitz
University of Pittsburgh Press, 1980
The Jewish Communist Workers' Party, the Poale Zion, provides a unique perspective on the question of how Marxism and the early Soviet Union dealt with issues of nationalism. According to Bolshevik ideology, when anti-Semitism disappeared in the new Socialist society, Jews would assimilate. In reality, such assimilation would be a very long, slow process. The Poale Zion supported the socialist struggle against oppression and exploitation of classes and nations, but it called for the formation of an international organization that would recognize the right of Jews to emigrate freely to Palestine and work for the creation of a democratic republic where people could retain their national identities and have both autonomy and representation in the union. Gurevitz analyzes the Soviet Poale Zion as representative of Jewish communism as nationalism in its purest form, and he traces the complex contradictions between Jewish nationalism and the Communist ideal of assimilation in the early years of the Soviet Union.
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Natural Resources and the New Frontier
Constructing Modern China's Borderlands
Judd C. Kinzley
University of Chicago Press, 2018

China’s westernmost province of Xinjiang has experienced escalating cycles of violence, interethnic strife, and state repression since the 1990s. In their search for the roots of these growing tensions, scholars have tended to focus on ethnic clashes and political disputes. In Natural Resources and the New Frontier, historian Judd C. Kinzley takes a different approach—one that works from the ground up to explore the infrastructural and material foundation of state power in the region.
 
As Kinzley argues, Xinjiang’s role in producing various natural resources for regional powers has been an important but largely overlooked factor in fueling unrest. He carefully traces the buildup to this unstable situation over the course of the twentieth century by focusing on the shifting priorities of Chinese, Soviet, and provincial officials regarding the production of various resources, including gold, furs, and oil among others. Through his archival work, Kinzley offers a new way of viewing Xinjiang that will shape the conversation about this important region and offer a model for understanding the development of other frontier zones in China as well as across the global south.

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Nazi-Looted Jewish Archives in Moscow
A Guide to Jewish Historical and Cultural Collections in the Russian State Military Archive
Edited by David E. Fishman, Mark Kupovetsky, and Vladimir Kuzelenkov
University of Scranton Press, 2010
During their ascendency and subsequent occupation of much of Europe, the Nazis plundered the documents and cultural treasures of Jewish organizations as well as other groups and individuals they deemed to be enemies of the Reich. When the Nazis were crushed, many of these looted collections, as well as records of Nazi state agencies that persecuted and murdered Jews, were discovered by the Soviet Army, then transferred to Moscow and held for decades in closed, secret archives. This catalog and guide supplies the first comprehensive, collection-by-collection English-language description of this historical and cultural documentation, which the Nazis meant to be among the only vestiges of the millions of victims they annihilated.  Scholars and lay researchers will find this reference a unique and indispensable guide to the invaluable remains of a rich world brutally destroyed.
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Newton and Russia
The Early Influence, 1698-1796
Valentin Boss
Harvard University Press, 1972

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Night Patrol and Other Stories
Mikhail Kuraev
Duke University Press, 1994
"We live in a fantastic reality," Mikhail Kuraev writes. "Life itself, the turns of history, people’s fates are unlikely, amazing and fantastic." This is the strange reality, the fantastic world of Russia before glasnost, that comes to life in Kuraev’s remarkable short stories and novellas. Celebrated as one of the true innovators to emerge in recent years, Kuraev mines the rich literary tradition and the deep and not so distant past of his native Russia to produce tales that are both deeply moving and stylistically intriguing.
Though steeped in history, his stories pluck from obscurity the little people history ignores—and, in the Soviet Union of Stalin, often crushed. In the complex "Captain Dikshtein," a fictional account of an incident in the 1921 Kronstad, Kuraev evokes life within Soviet military culture and draws a vivid, difficult portrait of one particular life amid the ships and artillery. In "Night Patrol," a lowly member of the Soviet secret police narrates his evening rounds, interspersing the nightly arrests with reflections on his long career in the KGB. In "Petya on His Way to the Heavenly Kingdom," set in a construction site for a hydroelectric dam near Murmansk, a soldier’s murder of the village simpleton resonates through a small community committed to an enormous and enormously dubious technological project. Ranging over a broad landscape of historical foibles, Kuraev’s sympathetic wit and satiric brilliance have invited comparison to Gogol, but are finally unique. In this book, English-reading audiences will discover a new and challenging voice in a tradition that has given the world some of its greatest stories.
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Nikolai Evreinov & Others
»The Storming of the Winter Palace«
Edited by Inke Arns, Sylvia Sasse, and Igor Chubarov
Diaphanes, 2017
In 1920, on the third anniversary of the October Revolution, dramatist Nikolai Evreinov directed a cast of 10,000 actors, dancers, and circus performers—as well as a convoy of armored cars and tanks—in The Storming of the Winter Palace. The mass spectacle, presented in and around the real Winter Palace in Petrograd, was intended to recall the storming as the beginning of the October Revolution. But it was a deceptive reenactment because, in producing the events it sought to reenact, it created a new kind of theater, agit-drama, promulgating political propaganda and deliberately breaking down the distinction between performers and spectators.

Nikolaj Evreinov: “The Storming of the Winter Palace” tells the fascinating story of this production. Taking readers through the relevant history, the authors describe the role of The Storming of the Winter Palace in commemorating Soviet power. With a wealth of illustrations, they also show how photographs of Evreinov’s theatrical storming eventually became historical documents of the October Revolution themselves.
 
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The Nixon Memo
Political Respectability, Russia, and the Press
Marvin Kalb
University of Chicago Press, 1994
An absorbing example of political journalism, The Nixon Memo is a case study of Richard Nixon's relentless quest for political rehabilitation. At issue is the key role of this former president of the United States (best known for his involvement in the famous "watergate" scandal) in the post-cold war debate about aiding Russia in its uncertain revolution.

The story begins on March 10, 1992. Nixon had written a private memo critical of president George Bush's policy toward Russia. The memo leaked and exploded on the front page of The New York Times. Why would Nixon attack Bush, a fellow party member fighting for re-election? Why on an issue of foreign affairs, which was Bush's strength? The questions are as intriguing as the answers, and distinguished journalist and scholar Marvin Kalb offers a suspenseful, eye-opening account of how our conventional wisdom on United States foreign policy is shaped by the insider's game of press/politics.

This story of Nixon's Machiavellian efforts to pressure the White House, by way of the press, into helping Boris Yeltsin and Russia sheds new light on the inner workings of the world inside the government of the United States. Marvin Kalb read the documents behind the Nixon memo and interviewed scores of journalists, scholars, and officials in and from Washington and Moscow. Drawing on his years of experience as a diplomatic correspondent, he identifies and illuminates the intersection of press and politics in the fashioning of public policy.

"An absorbing and often compelling argument that Richard Nixon directed his own political rehabilitation on the world stage, using presidents, lesser politicians, and the press as his supporting cast. This is a first-class job of unraveling a complex and usually unseen tapestry."—Ted Koppel

"With Marvin Kalb's captivating account, Richard Nixon continues to fascinate us even in death."—Al Hunt
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No Love Without Poetry
The Memoirs of Marina Tsvetaeva's Daughter
Ariadna Efron
Northwestern University Press, 2009
Winner of the American Association of Teachers of Slavic and East European Languages 2011 Book Prize for Best Scholarly Translation in English

The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva’s life and work, told from the point of view of her daughter. This wrenching story about the difficulty of living with genius charts Efron’s relationship with her parents as they navigate art and exile.

Efron’s rapport with her mother, already intense, became strained under the hardships imposed by early twentieth century Russian political upheaval. Efron recounts the family’s travels from Moscow to Germany, to Czechoslovakia, and finally to France, where, against her mother’s advice, Efron decided to return to Russia. Diane Nemec Ignashev draws on Efron’s short stories and her mother’s notebooks to supplement the original memoirs. Haunting and poignant, No Love without Poetry completes extant historical records on Tsvetaeva—and showcases Efron as a literary force in her own right.
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NOTES OF A RED GUARD
Eduard M. Dune. Translated and Edited by Diane P. Koenker and S. A. Smith
University of Illinois Press, 1993
This compelling never-before-published
  account takes the reader into Red Guard and Red Army units, Moscow factories,
  workers' homes, and to the unfamiliar world of feudal Dagestan. Worker-revolutionary
  Eduard Dune was seventeen when the Russian revolution began. He joined the Bolshevik
  party and fought with the Moscow Red Guard during the October revolution. Notes
  of a Red Guard is his candid account of what happened through 1921. This
  uncensored account offers a rare glimpse of revolutionary Russia from the perspective
  of an educated, skilled worker who became a rank-and-file participant.
 
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Novel with Cocaine
M. Ageyev
Northwestern University Press, 1991
A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.
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