front cover of Victory Banner Over the Reichstag
Victory Banner Over the Reichstag
Film, Document and Ritual in Russia's Contested Memory of World War II
Jeremy Hicks
University of Pittsburgh Press, 2020
In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.
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Voices from the Gulag
Aleksandr Solzhenitsyn
Northwestern University Press, 2010

After the publication in 1962 of One Day in the Life of Ivan Denisovich, Aleksandr Solzhenitsyn began receiving, and would continue to receive throughout his life, testimonies from fellow survivors of the gulag. Originally selected by Solzhenitsyn, the memoirs in this volume are an important addition to the literature of the Soviet gulag. Written by men from a wide variety of occupations and social classes, the writing in Voices from the Gulag lends a voice to the many ordinary people—including a circus performer, a teenage boy, and a Red Army soldier—whom a brutal system attempted to erase from memory.

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Voting for Hitler and Stalin
Elections under 20th Century Dictatorships
Edited by Ralph Jessen and Hedwig Richter
Campus Verlag, 2011
Dictatorships throughout the twentieth century—including Mussolini’s Italy, the Third Reich, the Soviet Union, Poland, and East Germany—held elections. But were they more than rituals of participation without the slightest effect on the distribution of power? Why did political regimes radically opposed to liberal democracy feel the need to imitate their enemies? Offering significant insights into absolutist state governance, Voting for Hitler and Stalin thoroughly investigates the remarkable, paradoxical phenomenon of dictatorial elections, revealing the many ways they transcended mere propaganda.
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