front cover of Anguish, Anger, and Folkways in Soviet Russia
Anguish, Anger, and Folkways in Soviet Russia
Gábor Rittersporn
University of Pittsburgh Press, 2014
Anguish, Anger, and Folkways in Soviet Russia offers original perspectives on the politics of everyday life in the Soviet Union by closely examining the coping mechanisms individuals and leaders alike developed as they grappled with the political, social, and intellectual challenges the system presented before and after World War II. As Gábor T. Rittersporn shows, the “little tactics” people employed in their daily lives not only helped them endure the rigors of life during the Stalin and post-Stalin periods but also strongly influenced the system’s development into the Gorbachev and post-Soviet eras.

For Rittersporn, citizens’ conscious and unreflected actions at all levels of society defined a distinct Soviet universe.  Terror, faith, disillusionment, evasion, folk customs, revolt, and confusion about regime goals and the individual’s relation to them were all integral to the development of that universe and the culture it engendered.  Through a meticulous reading of primary documents and materials uncovered in numerous archives located in Russia and Germany, Rittersporn identifies three related responses—anguish, anger, and folkways—to the pressures people in all walks of life encountered, and shows how these responses in turn altered the way the system operated.   

Rittersporn finds that the leadership generated widespread anguish by its inability to understand and correct the reasons for the system’s persistent political and economic dysfunctions.  Rather than locate the sources of these problems in their own presuppositions and administrative methods, leaders attributed them to omnipresent conspiracy and wrecking, which they tried to extirpate through terror.

He shows how the unrelenting pursuit of enemies exacerbated systemic failures and contributed to administrative breakdowns and social dissatisfaction. Anger resulted as the populace reacted to the notable gap between the promise of a self-governing egalitarian society and the actual experience of daily existence under the heavy hand of the party-state. Those who had interiorized systemic values demanded a return to what they took for the original Bolshevik project, while others sought an outlet for their frustrations in destructive or self-destructive behavior.

In reaction to the system's pressure, citizens instinctively developed strategies of noncompliance and accommodation. A detailed examination of these folkways enables Rittersporn to identify and describe the mechanisms and spaces intuitively created by officials and ordinary citizens to evade the regime's dictates or to find a modus vivendi with them.  Citizens and officials alike employed folkways to facilitate work, avoid tasks, advance careers, augment their incomes, display loyalty, enjoy life’s pleasures, and simply to survive. Through his research, Rittersporn uncovers a fascinating world consisting of peasant stratagems and subterfuges, underground financial institutions, falsified Supreme Court documents, and associations devoted to peculiar sexual practices.

As Rittersporn shows, popular and elite responses and tactics deepened the regime’s ineffectiveness and set its modernization project off down unintended paths. Trapped in a web of behavioral patterns and social representations that eluded the understanding of both conservatives and reformers, the Soviet system entered a cycle of self-defeat where leaders and led exercised less and less control over the course of events. In the end, a new system emerged that neither the establishment nor the rest of society could foresee.
[more]

front cover of Bolshevik Visions
Bolshevik Visions
First Phase of the Cultural Revolution in Soviet Russia, Part 1
William G. Rosenberg, Editor
University of Michigan Press, 1990
The first volume of a collection of writings by early Soviet critics and theorists
[more]

logo for Harvard University Press
The Family in Soviet Russia
H. Kent Geiger
Harvard University Press
Drawing on Soviet accounts, published and unpublished Western materials, numerous interviews, and personal observations, H. Kent Geiger presents a study of the family in the USSR from the Revolution to the present. His analysis is pursued from several vantage points: the family unit as an idea and ideal, the family as a social institution in the context of a totalitarian society, and the family in terms of individual members' opportunities and problems. This vivid portrait of Soviet life at the grass roots level touches upon dimensions of Soviet society, such as marital difficulties and class differences, which have previously been virtually unknown.
[more]

front cover of Gogol's Afterlife
Gogol's Afterlife
The Evolution of a Classic in Imperial and Soviet Russia
Caryl Emerson
Northwestern University Press, 2002
Gogol's claim to the title of national literary classic is incontestable. An exemplar of popular audiences no less than for the intelligentsia, Gogol was pressed into service under the tsarist and Soviet regimes for causes both aesthetic and political, official and unofficial. In Gogol's Afterlife, Stephen Moeller-Sally explores how he achieved this peculiar brand of cultural authority and later maintained it, despite dramatic shifts in the organization of Russian literature and society.

Part I charts the historical and cultural currents that shaped Gogol's reputation, devoting particular attention to the models of authorship Gogol himself devised in response to his changing audience and developing authorial mission. Part II takes a panoramic view of the social milieu in which Gogol's status evolved. Finally, Part III examines the place of the classics in Soviet culture, with a focus on Gogol's role in the cultural revolution and his peculiar relationship with state power under Stalinism.
[more]

front cover of The Impossible Triangle
The Impossible Triangle
Mexico, Soviet Russia, and the United States in the 1920s
Daniela Spenser
Duke University Press, 1999
During the 1920s, Mexico was caught in a diplomatic struggle between the ideologies of two strong states. In The Impossible Triangle Daniela Spenser explores the tangled relationship between Russia and Mexico in the years following their own dramatic revolutions, as well as the role played by the United States during this turbulent period. Bringing together Mexican, Soviet, and North American (as well as British) perspectives, Spenser shows how the convergence of each country’s domestic and foreign policies precluded them from a harmonious triangular relationship.
Based on documents from the archives of several nations—including reports by former Mexican diplomats in Moscow that have never before been studied—the book analyzes the Mexican government’s motivation for establishing relations with the Soviet Union in the face of continued imperialist pressure and harsh opposition from the United States. After explaining how Mexico established diplomatic ties with the Soviet Union in 1924 in an attempt to broaden the spectrum of its alliances after several years of uneven relations with the United States, Spenser reveals the troubled nature of the relationship that ensued. Soviet policy toward Mexico was characterized by a series of profound contradictions, varying from neglect to strong involvement in Mexican politics and the belief that Mexico could become a center of world revolution. Working to resolve and explain these contradictions, Spenser explores how, despite U.S. objections to Mexico’s relations with the Soviet Union, Mexico continued its association with the Soviets until the United States adopted the Good Neighbor Policy and softened its stance toward Mexico’s revolutionary program after 1927.
With a foreword by Friedrich Katz and illustrated by illuminating photographs, The Impossible Triangle contributes to an understanding of the international dimension of the Mexican revolution. It will interest students and scholars of history, revolutionary theory, political science, diplomacy, and international relations.


[more]

logo for Harvard University Press
Lenin Lives!
The Lenin Cult in Soviet Russia
Nina Tumarkin
Harvard University Press, 1983

logo for Harvard University Press
Lenin Lives!
The Lenin Cult in Soviet Russia, Enlarged Edition
Nina Tumarkin
Harvard University Press, 1997
Was the deification of Lenin a show of spontaneous affection—or a planned political operation designed to solidify the revolution with the masses? This book provides a startling answer. Exploring the cult’s mystical, historical, and political aspects, Tumarkin demonstrates the galvanizing power of ritual in the establishment of the post-revolutionary regime. In a new Preface and Postscript, she brings the story up to date, considering the fall of the Soviet Union and Russia’s new democracy.
[more]

front cover of Models Of Nature
Models Of Nature
Ecology, Conservation, and Cultural Revolution in Soviet Russia
Douglas R. Weiner
University of Pittsburgh Press, 2000
Models of Nature studies the early and turbulent years of the Soviet conservation movement from the October Revolution to the mid-1930s—Lenin’s rule to the rise of Stalin. This new edition includes an afterword by the author that reflects upon the study's impact and discusses advances in the field since the book was first published.
[more]

logo for Harvard University Press
Public Opinion in Soviet Russia
A Study in Mass Persuasion
Alex Inkeles
Harvard University Press

front cover of Readings in Russian Civilization Volume III
Readings in Russian Civilization Volume III
Soviet Russia, 1917-1963
Edited by Thomas Riha
University of Chicago Press, 1969
"This new and enlarged version of Readings in Russian Civilization is the result of fairly extensive revisions. There are now 72 instead of 64 items; 20 of the selections are new. The first volume has undergone the least change with 3 new items, of which 2 appear in English for the first time. In the second volume there are 6 new items; all of them appear in English for the first time. The third volume has undergone the greatest revision, with 11 new items, of which 6 are newly translated from the Russian. It is the editor's hope that items left out in the new edition will not be sorely missed, and that the new selections will turn out to be useful and illuminating. The aim, throughout, has been to cover areas of knowledge and periods which had been neglected in the first edition, and to include topics which are important in the study of the Russian past and present.

"The bibliographical headnotes have been enlarged, with the result that there are now approximately twice as many entries as in the old edition. New citations include not only works which have appeared since 1963, but also older books and articles which have come to the editor's attention."—From the Editor's Preface

". . . a judicious combination of seminal works and more recent commentaries that achieves the editor's purpose of stimulating curiosity and developing a point of view."—C. Bickford O'Brien, The Russian Review

"These three volumes cover quite well the main periods of Russian civilization. The choice of the articles and other material is made by a competent and unbiased scholar."—Ivan A. Lopatin, Professor of Asian and Slavic Studies, University of Southern California
[more]

logo for Harvard University Press
Social Change in Soviet Russia
Alex Inkeles
Harvard University Press

This collection of essays represents the results of more than twenty years of research by one of this country's foremost experts on Soviet sociology and psychology. Although Alex Inkeles covers a wide range of subjects, he has one primary purpose: to identify the main elements of the process of modernization in the Soviet social system. While he thus provides a broad description of Soviet institutions and the ways in which they function, his chief concern is to find the principles common to social change in all aspects of Soviet society and to determine if these principles underlie the same process in other countries, both those with and without a revolutionary tradition.

The author has divided his book into seven main sections: “Change and Continuity in Soviet Russia,” “The Psychology of Soviet Politics,” “Social Stratification,” “The Family, Church, and Ethnic Group,” “Mass Communications and Public Opinion,” “International Propaganda and Counterpropaganda,” and “Comparative Perspectives on the Future.”

[more]

front cover of Swans of the Kremlin
Swans of the Kremlin
Ballet and Power in Soviet Russia
Christina Ezrahi
University of Pittsburgh Press, 2012
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi’s groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art.

Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia’s two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet’s worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period.

Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.

[more]


Send via email Share on Facebook Share on Twitter