This is the first printed edition of the sixteenth-century autograph manuscript by the Castilian Sancho Cota, secretary to Eleanor, sister of the Spanish Emperor Charles V, and later Queen of Portugal and France. The language of the original, typical of Toledan speech in the early sixteenth century, is preserved without change. An informative introduction by Keniston discusses the language and the work, and provides the reader with a brief biography of the author.
Though not a great work of literature, Sancho Cota's combination of diary, prose, and verse presents an account of the ideas and customs of the courts of Flanders, Spain, and France at the time. Included is his interesting summary of the major events of Western Europe during the period from 1506 to 1538, written partly from his eyewitness observation, and partly from official dispatches to which his position gave him access.
The lyrical and allegorical verses contained in the Memorias are the only example we have of the literary activity of the Castilians who were in Flanders during the early years of the young Prince Charles. To the gentlemen and prelates who read his poems Cota brought the revelation that far-off Spain was not wholly barbarous, but had a tradition of classical learning and literary composition.
Juana de la Cruz (1481–1534) is a unique figure in the history of the Catholic Church, thanks to her public visionary experiences during which she lost consciousness, while a deep voice, identifying itself as Christ, issued from her, narrating the feasts and pageants taking place in heaven. Juana’s so called “sermons,” collected in a manuscript called Libro del Conorte, form a fascinating window into Castilian religiosity in the early sixteenth century. There is much to reap from these sermons concerning Spanish Renaissance culture, theology, mysticism, gender roles, and interreligious interactions.
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