front cover of Africans to Spanish America
Africans to Spanish America
Expanding the Diaspora
Edited by Sherwin K. Bryant, Rachel Sarah O’Toole, & Ben Vinson III
University of Illinois Press, 2014
Africans to Spanish America expands the Diaspora framework that has shaped much of the recent scholarship on Africans in the Americas to include Mexico, Peru, Ecuador, and Cuba, exploring the connections and disjunctures between colonial Latin America and the African Diaspora in the Spanish empires. While a majority of the research on the colonial Diaspora focuses on the Caribbean and Brazil, analysis of the regions of Mexico and the Andes opens up new questions of community formation that incorporated Spanish legal strategies in secular and ecclesiastical institutions as well as articulations of multiple African identities. Editors Sherwin K. Bryant, Rachel Sarah O'Toole, and Ben Vinson III arrange the volume around three themes: identity construction in the Americas; the struggle by enslaved and free people to present themselves as civilized, Christian, and resistant to slavery; and issues of cultural exclusion and inclusion. Across these broad themes, contributors offer probing and detailed studies of the place and roles of people of African descent in the complex realities of colonial Spanish America.

Contributors are Joan C. Bristol, Nancy E. van Deusen, Leo J. Garofalo, Herbert S. Klein, Charles Beatty-Medina, Karen Y. Morrison, Rachel Sarah O'Toole, Frank "Trey" Proctor III, and Michele Reid-Vazquez.

[more]

front cover of Beyond the Page
Beyond the Page
Poetry and Performance in Spanish America
Jill S. Kuhnheim
University of Arizona Press, 2014
Poetry began as a spoken art and remains one to this day, but readers tend to view the poem on the page as an impenetrable artifact. This book examines the performance of poetry to show how far beyond the page it can travel. Exploring a range of performances from early twentieth-century recitations to twenty-first-century film, CDs, and Internet renditions, Beyond the Page offers analytic tools to chart poetry beyond printed texts.

Jill S. Kuhnheim, looking at poetry and performance in Spanish America over time, has organized the book to begin with the early twentieth century and arrive at the present day. She includes noteworthy poets and artists such as José Martí, Luis Palés Matos, Eusebia Cosme, Nicomedes Santa Cruz, Pablo Neruda, César Vallejo, and Nicolás Guillén, as well as very recent artists whose performance work is not as well known. Offering fresh historical material and analysis, the author illuminates the relationship between popular and elite cultural activity in Spanish America and reshapes our awareness of the cultural work poetry has done in the past and may do in the future, particularly given the wide array of technological possibilities. The author takes a broad view of American cultural production and creates a dialogue with events and criticism from the United States as well as from Spanish American traditions.

Oral and written elements in poetry are complementary, says Kuhnheim, not in opposition, and they may reach different audiences. As poetry enjoys a revival with modern media, performance is part of the new platform it spans, widening the kind of audience and expanding potential meanings.

Beyond the Page will appeal to readers with an interest in poetry and performance, and in how poetry circulates beyond the page. With an international perspective and dynamic synthesis, the book offers an innovative methodology and theoretical model for humanists beyond the immediate field, reaching out to readers interested in the intersection between poetry and identity or the juncture of popular-elite and oral-written cultures.
[more]

front cover of The Dissenting Voice
The Dissenting Voice
The New Essay of Spanish America, 1960-1985
By Martin S. Stabb
University of Texas Press, 1995

Political, social, and aesthetic change marked Latin American society in the years between 1960 and 1985. In this book, Martin Stabb explores how these changes made their way into the essayistic writings of twenty-six Spanish American intellectuals.

Stabb posits that dissent—against ideology, against simplistic notions of technological progress, against urban values, and even against the direct linear expository style of the essay itself—characterizes the work of these contemporary essayists. He draws his examples from major canonical figures, including Paz, Vargas Llosa, Fuentes, and Cortázar, and from lesser-known writers who merit a wider readership, such as Monterroso, Zaid, Edwards, and Ibargüengoitia. This exploration overturns many conventional assumptions about Latin American intellectuals and also highlights some of the other achievements of authors famous primarily for novels or short stories.

[more]

front cover of A Great Fear
A Great Fear
Luís de Onís and the Shadow War against Napoleon in Spanish America, 1808–1812
Timothy Hawkins
University of Alabama Press, 2019
An exploration of the Spanish colonial reaction to the threat of Napoleonic subversion

A Great Fear: Luís de Onís and the Shadow War against Napoleon in Spanish America, 1808–1812 explores why Spanish Americans did not take the opportunity to seize independence in this critical period when Spain was overrun by French armies and, arguably, in its weakest state. In the first years after his appointment as Spanish ambassador to the United States, Luís de Onís claimed the heavy responsibility of defending Spanish America from the wave of French spies, subversives, and soldiers whom he believed Napoleon was sending across the Atlantic to undermine the empire.

As a leading representative of Spain’s loyalist government in the Americas, Onís played a central role in identifying, framing, and developing what soon became a coordinated response from the colonial bureaucracy to this perceived threat. This crusade had important short-term consequences for the empire. Since it paralleled the emergence of embryonic independence movements against Spanish rule, colonial officials immediately conflated these dangers and attributed anti-Spanish sentiment to foreign conspiracies.

Little direct evidence of Napoleon’s efforts at subversion in Spanish America exists. However, on the basis of prodigious research, Hawkins asserts that the fear of French intervention mattered far more than the reality. Reinforced by detailed warnings from Ambassador Onís, who found the United States to be the staging ground for many of the French emissaries, colonial officials and their subjects became convinced that Napoleon posed a real threat. The official reaction to the threat of French intervention increasingly led Spanish authorities to view their subjects with suspicion, as potential enemies rather than allies in the struggle to preserve the empire. In the long term, this climate of fear eroded the legitimacy of the Spanish Crown among Spanish Americans, a process that contributed to the unraveling of the empire by the 1820s.

This study draws on documents and official records from both sides of the Hispanic Atlantic, with extensive research conducted in Spain, Guatemala, Argentina, and the United States. Overall, it is a provocative interpretation of the repercussions of Napoleonic intrigue and espionage in the New World and a stellar examination of late Spanish colonialism in the Americas.
[more]

logo for University of London Press
Independence and Revolution in Spanish America
Perspectives and Problems
Edited by Eduardo Posada-Carbo and Anthony McFarlane
University of London Press, 1999
The essays in this volume re-examine, from a number of different angles the process of Independence in Spanish America. The focus is to a large extent on the consequences of the wars of Independence for the newly established republics. However the first section deals with a critical review of the historiography the ‘revolutionary’ nature of Independence and the comparative elements of Independence in the Americas. The remainder of the book examines the development of the wars and the impact that Independence had on political instability culture citizenship and the formation of new nations. In addition to general chapters there are individual chapters devoted to New Granada Venezuela Mexico Chile and Argentina.
[more]

front cover of Latin American Law
Latin American Law
A History of Private Law and Institutions in Spanish America
By M. C. Mirow
University of Texas Press, 2004

Private law touches every aspect of people's daily lives—landholding, inheritance, private property, marriage and family relations, contracts, employment, and business dealings—and the court records and legal documents produced under private law are a rich source of information for anyone researching social, political, economic, or environmental history. But to utilize these records fully, researchers need a fundamental understanding of how private law and legal institutions functioned in the place and time period under study.

This book offers the first comprehensive introduction in either English or Spanish to private law in Spanish Latin America from the colonial period to the present. M. C. Mirow organizes the book into three substantial sections that describe private law and legal institutions in the colonial period, the independence era and nineteenth century, and the twentieth century. Each section begins with an introduction to the nature and function of private law during the period and discusses such topics as legal education and lawyers, legal sources, courts, land, inheritance, commercial law, family law, and personal status. Each section also presents themes of special interest during its respective time period, including slavery, Indian status, codification, land reform, and development and globalization.

[more]

front cover of Looking North
Looking North
Writings from Spanish America on the US, 1800 to the Present
Edited by John J. Hassett and Braulio Muñoz
University of Arizona Press, 2012

Given recent changes in politics and demographics, Latin America and the United States are becoming increasingly important to one another. Recognition of the two regions' differences and similarities may facilitate a more fruitful relationship, with increased respect and understanding. 

It is with this in mind that editors John J. Hassett and Braulio Muñoz present a collection of writings that provides a look into the ways in which Spanish America has viewed its northern neighbor over the past two centuries. Gathered here are pieces by well-known figures from the worlds of Spanish American politics, history, philosophy, creative writing, and culture—names like Mario Vargas Llosa, Gabriel Garcia Marquez and Pablo Neruda.

Divided into three sections, Looking North begins by underscoring the cultural and political differences between the two Americas. It opens with a speech by Simón Bolívar to the Venezuelan Congress in 1819 and closes with an essay by Mario Vargas Llosa from 2006 on the controversial wall being constructed between the United States and Mexico. The second section explores the experiences of Spanish American travelers in the US, beginning with an account of former Argentine president Domingo Sarmiento's fascination with the United States during his travels in 1847 and ending with a 2008 essay by Vargas Llosa on the city of New York. The final section encompasses creative writing and commentaries by some of Spanish America's most gifted poets and novelists. It opens with Rubén Darío's "To Roosevelt" from 1905 and ends with Christine Granados's humorous and profound short story "Inner View," first published in 2006.

Touching on history, sociology, politics, and religion, the writings assembled here will be of interest to humanists, social scientists, and anyone intrigued by the ever-growing connection between the United Sates and Spanish America at all levels.
 


[more]

front cover of Pirate Novels
Pirate Novels
Fictions of Nation Building in Spanish America
Nina Gerassi-Navarro
Duke University Press, 1999
In Pirate Novels Nina Gerassi-Navarro examines an overlooked genre to reveal how history and fiction blend to address important isuses of nation building in nineteenth-century Spanish America. In the figure of the pirate, bold and heroic to some, cruel and criminal to others, she reveals an almost ideal character that came to embody the spirit of emerging nationhood and the violence associated with the struggle to attain it.
Beginning with an overview of the history of piracy, Gerassi-Navarro traces the historical icon of the pirate through colonial-era chronicles before exploring a group of nineteenth-century Mexican, Colombian, and Argentine novels. She argues that the authors of these novels, in their reconstructions of the past, were less interested in accurate representations than in using their narratives to discuss the future of their own countries. In reading these pirate narratives as metaphors for the process of nation building in Spanish America, Gerassi-Navarro exposes the conflicting strains of a complex culture attempting to shape that future. She shows how these pirate stories reflect the on-going debates that marked the consolidation of nationhood, as well as the extent to which the narratives of national identity in Spanish America are structured in relation to European cultures, and the ways in which questions of race and gender were addressed.
Providing new readings of the cultural and political paradigms that marked the literary production of nineteenth-century Spanish America, Pirate Novels uniquely expands the range of texts usually examined in the study of nation-building. It will interest literary scholars generally as well as those engaged in Latin American, colonial, and postcolonial studies.
[more]

front cover of Reclaiming the Author
Reclaiming the Author
Figures and Fictions from Spanish America
Lucille Kerr
Duke University Press, 1992
The recent fiction of Spanish America has been widely acclaimed for its experimental and revolutionary qualities. In Reclaiming the Author, Lucille Kerr studies the sources of power of this newly emergent literature in her detailed examination of the critical concept of "the author." Kerr considers how Spanish American narratives raise questions about authorial identity and activity through the different figures of the author they propose. These author-figures, she maintains, both complement and contradict notions of authority that exist outside of the world of fiction.
By focusing on works by well-known Spanish American authors—Cortazar, Donoso, Fuentes, Poniatowska, Puig, and Vargas Llosa—Kerr shows how the Spanish Americans have formed a radical poetics of the author. Her readings demonstrate how exemplary Spanish American texts, such as Rayuela, Terra nostra, and El hablador, call into question the author as a unitary or uniform, and therefore unproblematical, figure. Individually and together, Kerr's readings reclaim "the author" as a complex critical concept encompassing diverse, conflicting, even competitive roles.
[more]

front cover of The Return of the Native
The Return of the Native
Indians and Myth-Making in Spanish America, 1810–1930
Rebecca Earle
Duke University Press, 2007
Why does Argentina’s national anthem describe its citizens as sons of the Inca? Why did patriots in nineteenth-century Chile name a battleship after the Aztec emperor Montezuma? Answers to both questions lie in the tangled knot of ideas that constituted the creole imagination in nineteenth-century Spanish America. Rebecca Earle examines the place of preconquest peoples such as the Aztecs and the Incas within the sense of identity—both personal and national—expressed by Spanish American elites in the first century after independence, a time of intense focus on nation-building.

Starting with the anti-Spanish wars of independence in the early nineteenth century, Earle charts the changing importance elite nationalists ascribed to the pre-Columbian past through an analysis of a wide range of sources, including historical writings, poems and novels, postage stamps, constitutions, and public sculpture. This eclectic archive illuminates the nationalist vision of creole elites throughout Spanish America, who in different ways sought to construct meaningful national myths and histories. Traces of these efforts are scattered across nineteenth-century culture; Earle maps the significance of those traces. She also underlines the similarities in the development of nineteenth-century elite nationalism across Spanish America. By offering a comparative study focused on Mexico, Guatemala, Colombia, Peru, Chile, and Ecuador, The Return of the Native illustrates both the common features of elite nation-building and some of the significant variations. The book ends with a consideration of the pro-indigenous indigenista movements that developed in various parts of Spanish America in the early twentieth century.

[more]


Send via email Share on Facebook Share on Twitter