front cover of mPalermu, Dancers, and Other Plays
mPalermu, Dancers, and Other Plays
Emma Dante
Swan Isle Press, 2019
Emma Dante’s passionate and brutal plays stem from a need to confront important familial and societal realities in contemporary southern Italy. Her twenty-first century tales challenge stereotypes of the country and stage acts of resistance against the social, political, and economic conditions of Sicily. The seven works in this anthology paint a complex image of the peninsula through stories of disenfranchisement, misogyny, deep-set bigotry, and religious hypocrisy that reveal economic disparities between the north and south of the country, oppressive gender relations, and deep rooted mafioso-like attitudes. Dante’s lyrical and visceral storytelling oscillates between the humorous and the tragic aspects of everyday life, undertaking an irreverent subversion of the status quo with its extreme physicality and unsettling imagery.

This exquisite first English translation of Emma Dante’s work enables English-speaking readers, theatre scholars, and directors alike to encounter character-driven “civic theatre” with its portraits of individuals existing at the fringes of Italy. Ultimately, it allows us to “listen” to those who are not given a voice anywhere else.
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front cover of Theatre History Studies 2019, Vol. 38
Theatre History Studies 2019, Vol. 38
Edited by Sara Freeman
University of Alabama Press, 2019
Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference
 
THEATRE HISTORY STUDIES, VOLUME 38
 
PART I: Studies in Theatre History
 
ELIZABETH COEN
Hanswurst’s Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna


BRIDGET MCFARLAND
“This Affair of a Theatre”: The Boston Theatre Controversy and the Americanization of the Stage
 
RYAN TVEDT
From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces
 
DANIELLA VINITSKI MOONEY
So Long Ago I Can’t Remember: GAle GAtes et al. and the 1990s Immersive Theatre
 
Part II: The Site-Based Theatre Audience Experience: Dramaturgy and Ethics
                —EDITED BY PENELOPE COLE AND RAND HARMON
 
PENELOPE COLE
Site-Based Theatre: The Beginning
 
PENELOPE COLE
Becoming the Mob: Mike Brookes and Mike Pearson’s Coriolan/us
 
SEAN BARTLEY
A Walk in the Park: David Levine’s Private Moment and Ethical Participation in Site-Based Performance
 
DAVID BISAHA
“I Want You to Feel Uncomfortable”: Adapting Participation in A 24-Decade History of Popular Music at San Francisco’s Curran Theatre
 
COLLEEN RUA
Navigating Neverland and Wonderland: Audience as Spect-Character
 
GUILLERMO AVILES-RODRIGUEZ, PENELOPE COLE, RAND HARMON, AND ERIN B. MEE
Ethics and Site-Based Theatre: A Curated Discussion
 
PART III: The Robert A. Schanke Award-Winning Essay from the 1038 Mid-America Theatre Conference
 
MICHELLE GRANSHAW
Inventing the Tramp: The Early Tramp Comic on the Variety Stage
 
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