front cover of Hinge
Hinge
Molly Spencer
Southern Illinois University Press, 2020

Finding joy and beauty in the face of suffering 


Readers enter “a stunted world,” where landmarks—a river, a house, a woman’s own body—have become unrecognizable in a place as distorted and dangerous as any of the old tales poet Molly Spencer remasters in this elegant, mournful collection. In myth and memory, through familiar stories reimagined, she constructs poetry for anyone who has ever stumbled, unwillingly, into a wilderness. In these alluring poems, myth becomes part of the arsenal used to confront the flaws and failures of our fallible bodies. Shadowing the trajectory of an elegy, this poetry collection of lament, remembrance, and solace wrestles with how we come to terms with suffering while still finding joy, meaning, and beauty.
 
Spencer alternates between the clinical and the domestic, disorientation and reorientation, awe and awareness. With the onset of a painful chronic illness, the body and mental geography turn hostile and alien. In loss and grief, in physical and psychological landscapes, Spencer searches the relationship between a woman’s body and her house—places where she is both master and captive—and hunts for the meaning of suffering. Finally, with begrudging acceptance, we have a hypothesis for all seasons: there is suffering, there is mercy; they are not separate but are for and of one another.
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front cover of If the House
If the House
Molly Spencer
University of Wisconsin Press, 2019
In these poems, well-known spaces both reassure and imperil, and language both anchors and disorients. Molly Spencer's speakers navigate the landscape of human experience, building upon the cycles of a household throughout the seasons of the year. Ordinary places and things—a kitchen table, a memory, a beloved's thigh—are viewed as if through the lens of a shifting, unsettling kaleidoscope. This incisive collection suggests that the imagined comfort we find in familiarity and routine belies the unease that lingers beneath.
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