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Alarms & Epitaphs
The Art of Eric Ambler
Peter Wolfe
University of Wisconsin Press, 1993
Eric Ambler's novelistic career falls into two halves. In the first half belong the works he published between 1935–1940. These include the highly acclaimed Epitaph for a Spy (1938) and The Mask of Dimitrios (1939), both of which were made into successful films in 1944. The intrigue books of this period unfold in interwar Europe, a bitten-up, anxious place reeling between the extremes of fascism and Soviet communism. To reflect changes in the postwar world, Ambler set his later books in third-world countries where first-world financing collides with unstable, often revolutionary, politics—all within the shadow of large multinational corporations. These powerful firms with connections in high places take the same liberties as big governments have always done in works like Dr. Frigo (1974), the only Ambler book set in Latin America, and the best-selling The Care of Time (1981).
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Corridors of Deceit
The World of John le Carré
Peter Wolfe
University of Wisconsin Press, 1987
John le Carré is viewed by many critics as one of the best spy and espionage novel writers. His most famous works are The Spy Who Came in from the Cold; Tinker, Tailor, Soldier, Spy; and The Little Drummer Girl.
    Peter Wolfe has produced an informative study of le Carré’s works, showing how le Carré’s five years in the Service (British Intelligence) helped him become a keen observer, social historian, and expert in bureaucratic politics. He has supplanted the technological flair marking much of today's spy fiction with moral complexity and psychological depth. He shows us what spies are like, how they feel about spying, and how spying affects their minds and hearts.
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Fiction, Crime, and Empire
CLUES TO MODERNITY AND POSTMODERNISM
Jon Thompson
University of Illinois Press, 1993

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Quest for Kim
In Search of Kipling's Great Game
Peter Hopkirk
University of Michigan Press, 1999
This book is for all those who love Kim, the masterpiece of Indian life in which Kipling immortalized the Great Game, the centuries-old power struggle between Russia and Great Britain in the depths of Central Asia. Fascinated since childhood by this strange tale of an orphan boy's recruitment into the Indian secret service, Peter Hopkirk here explores the many mysteries surrounding Kipling's great novel.
"This is a fascinating, brilliantly written book, as interesting in its description of the author's journeys as it is in its investigation of the reality that lies behind 'the finest novel in the English language with an Indian theme,'" as Kim has been described by Nirad Chaudhuri." --T. J. Binyon, Times Literary Supplement
"In an original combination of autobiography, travel writing, and literary detective work, Hopkirk manages accessibly to tell the story of Kim and his own obsession with it. Hopkirk illustrates how creatively and thoroughly the reading of a work of fiction can shape a whole life's experience." -- John R. Bradley, Independent on Sunday
". . . a reminder of just how absorbing was the world Kipling knew, and how fabulous was his transformation of it into literature." --Richard Bernstein, New York Times
Peter Hopkirk has traveled widely over many years in the regions where his books are set--Central Asia, Russia, China, India, Pakistan, and the Middle East. His nearly twenty years with The Times included work as an Asian affairs specialist. His previous books include The Great Game, Foreign Devils on the Silk Road, Trespassers on the Roof of the World, Setting the East Ablaze, and Our Secret Service East of Constantinople. His works have been translated into twelve languages.
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The Secret War
Treason, Espionage, and Modern Fiction
Eva Horn
Northwestern University Press, 2013

The Secret War marks a new direction in the cultural history and theory of intelligence gathering and state secrecy in the twentieth and early twenty-first centuries. While historical truth remains hidden from the public, Eva Horn finds in political fiction, which serves as both an indicator and a tool, a means to analyze political secrets. Starting with a general theory of treason and military intelligence as a specific type of political knowledge, the book charts the history of intelligence gathering from 1900 to 9/11. The Secret War analyzes literary and cinematic depictions of espionage from Rudyard Kipling and T. E. Lawrence to John Le Carré and Steven Spielberg. Horn considers these fictional accounts against the historical development of Western secret services from their inception in World War I to their struggle against current terrorist networks. The Secret War shows the crucial part fictions play in shaping conflicts, constructing “the enemy,” and deciding political strategies.

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Special Branch
The British Spy Novel, 1890-1980
Smith
University of Wisconsin Press, 1981

The author has chosen seventeen of the most important or representative British spy novelists to write about. He presents some basic literary analysis and criticism, trying both to place them in historical perspective and to describe and analyze the content and form of their fiction.

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Spies and Holy Wars
The Middle East in 20th-Century Crime Fiction
By Reeva Spector Simon
University of Texas Press, 2010

Illuminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad—an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism.

Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends, and popular culture at large—giving voice to the previously unexamined truths that emerge from these provocative page-turners.

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The Spy Story
John G. Cawelti and Bruce A. Rosenberg
University of Chicago Press, 1987
Why has the spy story become such a popular form of entertainment in our time? In this fascinating account of the genre's evolution, John G. Cawelti and Bruce A. Rosenberg explore the social, political, and artistic sources of the spy story's wide appeal. They show how, in a time of bewildering political and corporate organization, the spy story has become increasingly relevant, the secret agent hero expressing the feelings of divided and ambiguous loyalties with which many individuals face the modern world.

In addition to a general history of the genre, Cawelti and Rosenberg present in-depth analyses of the work of certain writers who have given the spy story its shape, among them John Buchan, Eric Ambler, Graham Greene, Ian Fleming, and John le Carré. The Spy Story also includes an extensive appendix, featuring a literary and historical bibliography of espionage and clandestinity, a list of the best spy novels and films, a catalog of major spy writers and their heroes, and a selection of novels on espionage themes written by major twentieth-century authors and public figures.

Written in a lively style that reflects the authors' enthusiasm for this intriguing form, The Spy Story will be read with pleasure by devotees of the genre as well as students of popular culture.

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