In bunkhouses or rodeo arenas, on the trail or around the campfire, cowboys have been creating and reciting poetry since the 1870s. In this comprehensive overview, folklorists, scholars, and cowboy poets join forces to explore the 125-year history and development of cowboy poetry and to celebrate those who sustain it.
 
Centered around six areas of focus, from historical background to biographical profiles to creative process, Cowboy Poets and Cowboy Poetry approaches the tradition of occupational folk poetry from a variety of perspectives. Contributors trace its history as an extension of the Homeric tradition of storytelling in verse and discuss such topics as the way a text evolves in retelling, how it becomes linked to a tune, and how poetic content fuses with form to generate narrative tension and humor.
 
Personal and telling portraits of cowboy poets and reciters--including D. J. O'Malley, Henry Herbert Knibbs, and a number of contemporary cowboy poets--illuminate the creative process through which individual poets work within a long community tradition, while comparative studies examine poetry by women, Mexican-American vaqueros, loggers, Argentine gauchos, and Australian bush poets.
 
Cowboy Poets and Cowboy Poetry offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals. Throughout, the collection shows that cowboy poetry interweaves two thematic strands: a fierce defense of an endangered way of life and a dynamic celebration of organic wholeness, camaraderie, and individualism.
 

Over thirty scholars examine the development of folklore studies through the lens of over one hundred years of significant activity in a state that has provided grist for the mills of many prominent folklorists. In the past the Folklore Society of Utah has examined the work of such scholars in biographical and other essays published in its newsletters. This book incorporates those essays and goes well beyond them to include many other topices, offering a thorough history of folklore studies and a guide to resources for those pursuing research in Utah now and in the future.

The essays survey the development and contributions of folklore studies in Utah from 1892 to 2004 but also represent developments in both academic and public-sector folklore throughout the United States. Following a thorough historical introduction, part I profiles the first folklorists working in the state, including Hector Lee, Thomas Cheney, Austin and Alta Fife, Wayland Hand, and Lester Hubbard. Part II looks at the careers of prominent Utah folklorists Jan Harold Brunvand, Barre Toelken, and William B. Wilson, as well as the works of the next, current generation of folklorists. Part III covers studies in major folklore genres, with essays on the study of material culture, vernacular architecture, and Mormon, ethnic, Native American, and Latino folklore. Part IV examines public folklore programs including organizations, conferences, and tourism. Back matter describes academic programs at Utah institutions of higher education, summarizes the holdings of the various folklore archives in the state, and provides a complete cross-indexed bibliography of articles, books, and recordings of Utah folklore.

The first and only anthology of key writings about Glacier National Park, this comprehensive collection ranges from Native American myths to early exploration narratives to contemporary journeys, from investigations of the park’s geology and biology to hair-raising encounters with wild animals, fires, and mountain peaks.
 
Soon after the park was established in 1910, visitors began to arrive, often with pen in hand. They included such well-known authors as mystery writer Mary Roberts Rinehart, historian Agnes C. Laut, fiction writer Dorothy Johnson, humorist Irvin S. Cobb, poet Vachel Lindsay, and artist Maynard Dixon—all featured in the book. Readers will encounter colorful characters who lived in and around the park in its early days, including railroad magnate and conservationist Louis Hill, renegade ranger and poacher Joe Cosley, bootlegger Josephine Doody, and old-time cowboy guide Jim Whilt. Blackfeet and Kalispel myths, politically charged descriptions by early explorers such as John Muir and George Bird Grinnell, and full-color reproductions of the illustrated letters of cowboy artist and Glacier resident Charles M. Russell are also included. 

Copublished with the Glacier National Park Conservancy.
The Glacier National Park Conservancy preserves the Park for generations to come. Learn more about our work at www.glacier.org

Part of the National Park Reader series, edited by Lance Newman and David Stanley