front cover of Egypt beyond Representation
Egypt beyond Representation
Materials and Materiality of Aegyptiaca Romana
Sander Müskens
Leiden University Press, 2017
Egypt beyond Representation develops and applies a new approach to study Aegyptiaca Romana from a bottom-up, Roman perspective. Current approaches to these objects are often still plagued by top-down projections of modern definitions and understandings of Egypt and Egyptian material culture onto the Roman world. This book instead argues that these artifacts should be studied in their own right, without reducing them to fixed Egyptian meanings. This study shows that, while “Egyptianness” may have been among Roman associations, these objects were able to do much more than merely representing notions of Egypt.
 
[more]

front cover of A Maya Universe in Stone
A Maya Universe in Stone
Stephen Houston
J. Paul Getty Trust, The, 2021
The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala.

In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced.

Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
[more]

front cover of Speaking with the Ancestors
Speaking with the Ancestors
Mississippian Stone Statuary of the Tennessee-Cumberland Region
Kevin E. Smith and James V. Miller
University of Alabama Press, 2008

When European explorers began their initial forays into southeastern North America in the 16th and 17th centuries they encountered what they called temples and shrines of native peoples, often decorated with idols in human form made of wood, pottery, or stone.  The idols were fascinating to write about, but having no value to explorers searching for gold or land, there are no records of these idols being transported to the Old World, and mention of them seems to cease about the 1700s.  However, with the settling of the fledgling United States in the 1800s, farming colonists began to unearth stone images in human form from land formerly inhabited by the native peoples. With little access to the records of the 16th and 17th centuries, debate and speculation abounded by the public and scholars alike concerning their origin and meaning.

During the last twenty years the authors have researched over 88 possible examples of southeastern Mississippian stone statuary, dating as far back as 1,000 years ago, and discovered along the river valleys of the interior Southeast. Independently and in conjunction, they have measured, analyzed, photographed, and traced the known history of the 42 that appear in this volume. Compiling the data from both early documents and public and private collections, the authors remind us that the statuary should not be viewed in isolation, but rather as regional expressions of a much broader body of art, ritual, and belief.

[more]

logo for West Virginia University Press
THEORIZING ANGLO-SAXON STONE SCULPTURE
CATHERINE E. KARKOV
West Virginia University Press, 2003

Theorizing Anglo-Saxon Stone Sculpture significantly advances the complex study of Anglo-Saxon carved monuments, such as the Ruthwell Cross, by adopting more explicit theoretical approaches to the subject. Scholars included here are explicit in describing how their approaches complement (or, more often, contradict) the work of others. This book comes as a shot across the bow of these vessels. Contributors include the best scholars on this subject matter in England, Ireland, and America.

[more]


Send via email Share on Facebook Share on Twitter