The twelve stories in Teach the Free Man mark the impressive debut of Peter Nathaniel Malae. The subject of incarceration thematically links the stories, yet their range extends beyond the prison’s barbed wire and iron bars. Avoiding sensationalism, Malae exposes the heart and soul in those dark, seemingly inaccessible corridors of the human experience.
The stories, often raw and startlingly honest, are distinguished by the colloquial voices of California’s prison inmates, who, despite their physical and cultural isolation, confront dilemmas with which we can all identify: the choice to show courage against peer pressure; the search for individual rights within a bureaucracy; and the desperate desire for honor in the face of great sacrifice. These stories present polished and poetic examples of finding something redemptive in the least among us.
The book’s epigraph by W. H. Auden, from which the book takes its title, exemplifies the spirit of these dynamic stories:
In the deserts of the heart
Let the healing fountain start.
In the prison of his days
Teach the free man how to praise.
Queer stories about love, loneliness, the surreal, and the self
The stories in Tell Me feature queer men of various ages reckoning with loneliness, selfishness, and the struggle for self-discovery and identity. In “The Vanisher,” a young bisexual man struggling with his own desire to be seen receives a bandana that allows him to become invisible. In “Retreat,” a widower travels to an artists’ colony to seek an audience with his recently deceased husband. And in “We Are Rendered Silent,” people lose their ability to speak when a man they love dies. Through Baumann’s inventive employment of the strange and surreal, these stories set out to explore the bizarre and often confounding experience of navigating modern-day queerness. With his unique voice and magnificent imagination, Baumann fully immerses readers in the queer experience.
The stories collected in This Is Not the Tropics come from the geographic center of a divided nation, and its protagonists evoke a split personality—one half submerged in America’s own diehard mythology, the other half searching to escape tradition. Together they form a portrait of the Plains that is both quirky and poignant. While the themes in this collection are familiar—love and betrayal, loneliness and regret, the needs of the individual versus the needs of the community—the tales themselves are startling and new. Whether it is the story of an eccentric out-of-work accordion player; a woman ending a long marriage against the backdrop of a visit from her failing mother; a young girl who wishes to solve a mystery until real mystery enters her life; or all of the men in a small Nebraska town who annually compete in a hilariously earnest beauty pageant, these are tales that speak of the lives lived in the small towns, the prairie cities, and on the dirt roads off blue highways in the middle of nowhere and everywhere.
Picturesque little Bayfield on Lake Superior is Wisconsin’s smallest city by population but one of its most popular visitor destinations. This book captures those unique qualities that keep tourists coming back year after year and offers a historically reliable look at the community as it is today and how it came to be. Abundantly illustrated with both historical and contemporary images, This Superior Place showcases, as author Dennis McCann writes, “a community where the past was layered with good times and down times, where natural beauty was the one resource that could not be exhausted by the hand of man, and where history is ever present.”
Because Bayfield serves as “the gateway to the Apostle Islands,” the book also includes chapters on the Apostle Islands National Lakeshore, Madeline Island, and the nearby Red Cliff Ojibwe community. It also covers the significant eras in the city’s history: lumbering, quarrying, commercial fishing, and the advent of the orchards visitors see today. It is not a guidebook as such but more of a visual and written tour of the city and the major elements that came together to make it what it is. Colorful stories from the past, written in Dennis McCann’s casual, humorous style, give a sense of the unique characters and events that have shaped this charming city on the lake.
Ticket to Minto, Sohrab Homi Fracis's premier fiction collection, offers readers a passage to an unfamiliar destination-a world suspended between East and West, India and America, home and away.
With piercing insight, Fracis expertly reveals the underlying differences between immersion in India's culture-Hindu, Muslim, or Parsi-and life as an Indian in America. Alternating between East and West, the stories in Ticket to Minto serve as companion pieces, interrelated across continents in both theme and content. A middle-aged man's search for love in Bombay is contrasted with an Indian American family's hopes for the marriage of their westernized daughter. A university student rushes to save the life of a servant in his homeland only to find his own life threatened while attending graduate school in America.
Poignant and daring, Ticket to Minto underlines the harsh realization that the immigrant never truly arrives but is in constant limbo between two worlds. As one character relates, "There's a part of me that's American and a part that's Indian. I'm clear about that and comfortable with it, except that sometimes people want me to be just the one or the other."
A Lebanese housewife, a former horror-film maker, and a cantankerous Russian librarian are among the inhabitants of the offbeat world found in this impressive debut collection. Stacy Tintocalis’s stories take us from a defunct women’s shelter off a Missouri country road to the streets of low-income Hollywood, where her characters yearn for the love that is always just out of reach.
The title story explores the conflicted emotions an adolescent boy feels toward a father who obsessively returns to his childhood home. In “Too Bad about Howie,” a divorced poet finds comfort in stolen moments with his ex-wife’s dog. Despite their longing for connection, these characters are victims of their own foibles, trapped in terrifying moments of psychic violence that risk driving away the very people they love.
"A brilliant mixture of story, philosophy, humor and wisdom, this book reminds us that---if we are open to story, dreams, imagination, and myth---we can open doors within our soul."
—Jay O’Callahan, author, storyteller, and NPR commentator
A lifetime collection of stories, wise words, assembled musings and quotations about overcoming hurdles, elusive enlightenment, personal evolution, persistence in the face of discouragement, this pastiche is designed to encourage the downhearted, lift up the strivers, and add wings to the heels of spiritual seekers.
What do you wear that makes you feel powerful? How about the woman next to you at the bank? In line with you at the store? Think about your mother. What would she put on to reveal her power source to the world? These are the questions that inspired Tiffany Ludwig and Renee Piechocki to embark on an interview journey across the United States. Over a period of six years, they talked with more than 500 women and girls, ages four through ninety-two, who ranged from office workers to drag-kings, stay-at-home moms to attorneys, fashion industry executives to elected officials, students to cowgirls.
It is these women’s sensitive, funny, and always revealing thoughts that are at the heart of Trappings—a book that although it begins with a question about clothing is not about fashion at all. Here, clothing is simply a vehicle to access a larger dialogue about a diverse range of issues women face related to power and identity, including what expectations and limitations are placed upon them by their affiliation with a specific gender, culture, race, class, or profession. A complex spectrum of responses include discussions about the importance of clothing’s comfort and practicality, how clothing can facilitate women’s movement through class and social strata, how sex is used strategically in business and social settings, and how clothing can be used to empower women by connecting them with cultural or personal history.
Complimented by 148 color and black-and-white photographs, the visual and written portraits in this book reveal much more than the contents of women’s closets. Through the intimate lens of clothing, Ludwig and Piechocki expose the very personal ways that power is sought, experienced, and projected by women.
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