In 1920, on the third anniversary of the October Revolution, dramatist Nikolai Evreinov directed a cast of 10,000 actors, dancers, and circus performers—as well as a convoy of armored cars and tanks—in The Storming of the Winter Palace. The mass spectacle, presented in and around the real Winter Palace in Petrograd, was intended to recall the storming as the beginning of the October Revolution. But it was a deceptive reenactment because, in producing the events it sought to reenact, it created a new kind of theater, agit-drama, promulgating political propaganda and deliberately breaking down the distinction between performers and spectators.

Nikolaj Evreinov: “The Storming of the Winter Palace” tells the fascinating story of this production. Taking readers through the relevant history, the authors describe the role of The Storming of the Winter Palace in commemorating Soviet power. With a wealth of illustrations, they also show how photographs of Evreinov’s theatrical storming eventually became historical documents of the October Revolution themselves.
 

Following the defeat of Maj. Gen. William S. Rosecrans’s Army of the Cumberland at the Battle of Chickamauga, Gen. Braxton Bragg and the Army of Tennessee followed the retreating Federal army to Chattanooga and partially surrounded Rosecrans and his men by occupying Lookout Mountain, Chattanooga Valley, and Missionary Ridge. The Battle of Chattanooga would prove the final defeat of the Confederacy in East Tennessee and open the door to Sherman’s Atlanta Campaign.

In this newly revised second edition of his classic guidebook, Matt Spruill revisits his standard-setting tours of the Chattanooga National Military Park, providing updates and new directions after twenty years of park improvements. He recounts the story of the November 1863 battle of Chattanooga using official reports and observations by commanding officers in their own words. The book is organized in a format still used by the military on staff rides, allowing the reader to understand how the battle was fought and why leaders made the decisions they did.

Unlike other books on the battle of Chattanooga, this work guides the reader through the battlefield, allowing both visitor and armchair traveler alike to see the battle through the eyes of its participants. Numerous tour “stops” take the reader through the battles for Chattanooga, Wauhatchie, Lookout Mountain, Orchard Knob, Missionary Ridge, and Ringgold Gap. With easy-to-follow instructions, extensive and updated tactical maps, eyewitness accounts, and editorial analyses, the reader is transported to the center of the action. With this second edition, Storming the Heights will continue to be the go-to guide for Civil War enthusiasts interested in touring this sacred ground.

The term “cyberpunk” entered the literary landscape in 1984 to describe William Gibson’s pathbreaking novel Neuromancer. Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in Storming the Reality Studio, marshalling the resources of a fragmentary culture to create a startling new form. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally related to the aims and innovations of the literary avant-garde.

By bringing together original fiction by well-known contemporary writers (William Burroughs, Thomas Pynchon, Don DeLillo, Kathy Acker, J. G. Ballard, Samuel R. Delany), critical commentary by some of the major theorists of postmodern art and culture (Jacques Derrida, Fredric Jameson, Timothy Leary, Jean-François Lyotard), and work by major practitioners of cyberpunk (William Gibson, Rudy Rucker, John Shirley, Pat Cadigan, Bruce Sterling), Storming the Reality Studio reveals a fascinating ongoing dialog in contemporary culture.

What emerges most strikingly from the colloquy is a shared preoccupation with the force of technology in shaping modern life. It is precisely this concern, according to McCaffery, that has put science fiction, typically the province of technological art, at the forefront of creative explorations of our unique age.
A rich opporunity for reading across genres, this anthology offers a new perspective on the evolution of postmodern culture and ultimately shows how deeply technological developments have influenced our vision and our art.

Selected Fiction contributors: Kathy Acker, J. G. Ballard, William S. Burroughs, Pat Cadigan, Samuel R. Delany, Don DeLillo, William Gibson, Harold Jaffe, Richard Kadrey, Marc Laidlaw, Mark Leyner, Joseph McElroy, Misha, Ted Mooney, Thomas Pynchon, Rudy Rucker, Lucius Shepard, Lewis Shiner, John Shirley, Bruce Sterling, William Vollman

Selected Non-Fiction contributors: Jean Baudrillard, Jacques Derrida, Joan Gordon, Veronica Hollinger, Fredric Jameson, Arthur Kroker and David Cook, Timothy Leary, Jean-François Lyotard, Larry McCaffery, Brian McHale, Dave Porush, Bruce Sterling, Darko Suvin, Takayuki Tatsumi