Apparently, slumber parties in the mid-South 1970s were plied with a strange ritual. At midnight attendees would gather before a mirror and chant “I don’t believe in the Bell Witch” three times to see if the legendary spook would appear alongside their own reflections—a practice that echoes the “Bloody Mary” pattern following the execution of Mary Queen of Scots centuries ago. But that small circuit of preteen gatherings was neither the beginning nor the end of the Bell Witch’s travels. Indeed, the legend of the haint who terrorized the Bell family of Adams, Tennessee, is one of the best-known pieces of folklore in American storytelling—featured around the globe in popular-culture references as varied as a 1930s radio skit and a 1980s song from a Danish heavy metal band. Legend has it that “Old Kate” was investigated even by the likes of future president Andrew Jackson, who was reported to have said, “I would rather fight the British ten times over than to ever face the Bell Witch again.”

While dozens of books and articles have thoroughly analyzed this intriguing tale, this book breaks new ground by exploring the oral traditions associated with the poltergeist and demonstrating her regional, national, and even international sweep. Author Rick Gregory details the ways the narrative mirrors other legends with similar themes and examines the modern proliferation of the story via contemporary digital media. The Bell Witch in Myth and Memory ultimately explores what people believe and why they believe what they cannot explicitly prove—and, more particularly, why for two hundred years so many have sworn by the reality of the Bell Witch. In this highly engaging study, Rick Gregory not only sheds light on Tennessee’s vibrant oral history tradition but also provides insight into the enduring, worldwide phenomenon that is folklore.

Five men and a woman, all African Americans, huddle in the rattling darkness of a boxcar headed north, away from a brutal South, seeking freedom and opportunity. They are joined by a white intruder whose own quest puts them all in great danger. Like Chaucer's pilgrims in The Canterbury Tales, each of these travelers has a story to tell, and these stories—of humor and humiliation, of prostitution and pride, of love and murder—unfold in the course of the journey. They reveal the lives and secrets of the tellers and give this transient community self-respect and solidarity as it hurtles toward arrest or worse.
 The Big Boxcar, written from a totally black perspective by a white author, bears witness to the structural racism of a social order that sets ordinary people of different colors against each other to the disadvantage of all. Alan Wald's introduction documents Maund's life of activism and his uncompromising commitment to social emancipation.
 

 The attraction of scary stories begins very early in childhood, but the fortitude to be truly scared comes later. So where are the scary stories for young children? Educators and storytellers, Ford and Norfolk deliver a silly and gently spooky collection of jumps, laughs, interactive moments, and mostly happy endings to satisfy the curious-for-creepy Pre-K through Grade 4 set. Their weirdly funny and gently scary collection of adapted folktales, original stories, and verses will delight those who enjoy being surprised more than being scared. 

This book is for: 

Parents, grandparents, and other mentors who work with children developmentally aged 4 to 9 

Educators, librarians and others serving young listeners, who like silly and creepy stories, but may not like very scary material 

Audiences ages 4-9, who like creepy but not-too-scary stories. 

Twelve pen-and-ink drawings based on folktale motifs complement the fanciful tone of the book.

“With openhearted generosity, Kristin shares not only the story of her amazing journey but complete lesson plans and valuable tips on inter-cultural work. She deepens our understanding of the culture and legends of Belize all the while imparting courage and a can-do philosophy that could truly change the world. Read and be inspired!”

—Diane Edgecomb, author of A Fire in My Heart: Kurdish Tales