While taking a graduate course in Appalachian literature at the University of Tennessee, Stacy Sivinski was surprised to discover that much of the folklore she had heard while  growing up in Schuyler, Virginia, was rarely represented in popular published collections. In particular, they lacked the strong female heroines she had come to know, and most anthologies were full of Jack Tales—stories that focus on the adventures of the character from “Jack and the Beanstalk.” Feminist critics have long discussed the gender inequalities and stereotypes that fairy tales often promote. With Fairy Tales of Appalachia, Sivinski asks whether such conclusions are inevitable and invites a fresh analysis of these regional tales with a contemporary sense of wonder.

These tales, carefully and thoughtfully transcribed by Sivinski, have been passed down through Appalachia’s oral histories over decades and even centuries. This wonderful selection was mainly drawn from the Archives of Appalachia at East Tennessee State University and special collections at Berea College. Drawing on the work of other regional archivists and folklorists, Sivinski grapples with issues of gender balance in Appalachian storytelling. The problem, Sivinski posits, does not rest with the fairy tale genre itself but in the canonization process, in which
women’s contributions have been diminished as oral traditions become transcribed.

Appalachian women have historically demonstrated resilience, wit, and adaptability, and it is time that more collections of regional folklore reorient themselves to make this fact more apparent. Stories are living, breathing narratives, meant not just to be read but to be read aloud. This timely selection of unique stories, along with beautiful, evocative illustrations, makes Fairy Tales of Appalachia an intriguing addition to the much-contested “fairy tale canon.”
 

Each of the twelve chapters represents a rung on the ladder of dynamic narrative development.  Beginning with the most basic plot outline, Ellis leads readers through exercises and discussions of elements that build a story into a memorable reading or listening experience.  The chapters include many topics of interest to all writers, regardless of medium, but some will speak most potently to those writing either fiction or personal narrative. Chapters include Characterization, Point of View, Emotion, Context, Imagery, and Connection [with the reader].  Herself a leading professional storyteller, Ellis also includes a chapter especially for those who plan to craft stories for oral performance.