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The Country of Streams and Grottoes
Expansion, Settlement, and the Civilizing of the Sichuan Frontier in Song Times
Richard von Glahn
Harvard University Press, 1987

Until the Song dynasty, the mountains and rocky gorges of Sichuan were inhabited primarily by forest peoples. Increased settlement by Han Chinese farmers from the rice-growing plains altered the landscape, changed the balance of power among tribes, and adapted Han custom to new conditions. This book describes how the remote Luzhou area of Sichuan became fully integrated into Chinese civilization.

First colonized under private auspices, the region was early dominated by tribal chiefs and local Han magnates with personal armies; but eventually state intervention increased as the military was called in to protect profitable salt wells, Han farming, and the trade routes over which timber, minerals, aromatics, and horses were carried to central markets. Richard von Glahn describes how administrative structures emerged in towns and villages. He argues that policy decisions by the central government and economic imperatives from core regions instigated and determined local development. The book thus provides detailed knowledge of a particular place and has implications for the theoretical study of frontiers.

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front cover of Streams and Rivers of Minnesota
Streams and Rivers of Minnesota
Thomas Waters
University of Minnesota Press, 1980

front cover of Vision in Motion
Vision in Motion
Streams of Sensation and Configurations of Time
Edited by Michael F. Zimmermann
Diaphanes, 2015
Vision is not just a simple recognition of what passes through our field of sight, the reflection and observation of light and shape. Even before Freud posited dreams as a way of “seeing” even as we sleep, the writings of philosophers, artists, and scientists from Goethe to Cézanne have argued that to understand vision as a mere mirroring of the outside world is to overlook a more important cognitive act of seeing that is dependent on time.
           
Bringing together a renowned international group of contributors, Vision in Motion explores one of the most vexing problems in the study of vision and cognition: To make sense of the sensations we experience when we see something, we must configure many moments into a synchronous image. This volume offers a critical reexamination of seeing that restores a concept of “vision in motion” that avoids reducing the sensations we experience to narrative chronological sequencing. The contributors draw on Hume, Bergson, and Deleuze, among others, to establish a nuanced idea of how we perceive.
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