front cover of In The Shadow Of The Strip
In The Shadow Of The Strip
Las Vegas Stories
Richard Logsdon
University of Nevada Press, 2003
Las Vegas holds a unique place in the popular imagination and in the work of any number of contemporary writers of fiction. The fourteen stories in this anthology explore the multifarious personalities of America’s “Sin City” through the experiences of the dreamers and gamblers, the losers and the lost, who inhabit Las Vegas and confront its myriad attractions and disappointments.
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front cover of Played Out on the Strip
Played Out on the Strip
The Rise and Fall of Las Vegas Casino Bands
Janis L. McKay
University of Nevada Press, 2016

From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this major shift in the music industry through extensive interviews with former musicians. In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.

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Reno, Las Vegas, and the Strip
A Tale of Three Cities
Eugene P. Moehring
University of Nevada Press, 2024
Eugene P. Moehring analyzes the development of Reno and Las Vegas since 1945 with special emphasis on the years after 1970. Major factors that shaped the development of both cities were the growth of corporate gaming and megaresorts and increased personal leisure and affluence. Moehring provides an engaging, informative, and readable history of the divergent paths that Reno and Las Vegas took over the past forty years. Reno, the nation’s gambling mecca in the 1950s, led the way, developing the successful tourist economy that Las Vegas later embraced. Through the 1970s the two cities resembled each other greatly, but Las Vegas grew to achieve global significance, while Reno slowly declined, searching for new industries to power its future. Moehring shows that the development of the Las Vegas Strip was crucial to southern Nevada’s success. The casinos, hotels, and entertainments of the Strip, and the workers they supported, formed a new urban center ringed by offices, residences, shopping, and a major university. In effect, it became a third metropolis, governed by county commissioners, larger than Reno and Las Vegas combined.

Moehring brings the story of the three cities to the present day, examining lessons learned from the Great Recession and the efforts under way in all three metropolises to diversify their economies. Moehring makes an important contribution with the only current study of Nevada’s cities, focusing on urban development issues rather than social history or the gaming industry. As the service economy continues to grow, not only in Nevada but throughout the United States, Moehring’s work has many implications for urban studies and particularly the study of urban development in other metropolitan areas.
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Strip
Poems
Jessica Abughattas
University of Arkansas Press, 2020
Winner of the 2020 Etel Adnan Poetry Prize, Jessica Abughattas’s Strip is a captivating debut about desire and dispossession and that tireless poetic metaphor—the body. Audacious and clear-eyed, plainspoken and brassy, Abughattas’s poems are songs that break free from confinement as they span the globe from Hollywood to Palestine.

“The mystery that Abughattas composes is always moving toward an impossible freeing of the self from its numerous frames. Yet frame by frame . . . she suspends our disbelief, catalogs those potentialities in an America always ready to shoot, direct, and produce the film of itself. Strip is ‘in love with possibility,’ ‘in praise of here I am, here I’ve been,’ USA style. Strip celebrates the body—its rise and fall, ebb and flow, in a carnival of parties—restlessly, shamelessly, searching for a way out…. Even as Abughattas claims that ‘I can’t believe sometimes I have a body,’ her poems teem with an awareness of the body’s unavoidable centrality in our lives—in how we view our lives, and how others view them; in how they progress, and how they end; in how they become meaningful, and how they are stripped of meaning. And no stripping escapes memory. Whether in terms of dispossession or sexuality, admiration or pity, Abughattas renders her treatment of the body with candor and poignancy. . . . The most startling moments in Abughattas’s poems, however, depend not on shocking or intimate details—but on the ‘I’ pulling away from the self, abandoning the ego, and gazing outward. She tries to see something else, to escape the body’s restraints.”
—Fady Joudah and Hayan Charara, from the Preface
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