front cover of The Nakedness of the Fathers
The Nakedness of the Fathers
Biblical Visions and Revisions
Ostriker, Alicia Suskin
Rutgers University Press, 1997
Like much twentieth-century feminist writing today, this book crosses the boundaries of genre. Biblical interpretation combines with fantasy, autobiography, and poetry. Politics joins with eroticism. Irreverence coexists with a yearning for the sacred. Scholarship contends with heresy. Most excitingly, the author continues and extends the tradition of arguing with God that commences in the Bible itself and continues now, as it has for centuries, to animate Jewish writing. The difference here is that the voice that debates with God is a woman's.

In her introduction, "Entering the Tents, " Ostriker defines the need to struggle against a tradition in which women have been silenced and disempowered - and to recover the female power buried beneath the surface of the biblical texts. In "The Garden, " she reinterprets the mythically complex stories of Creation. Then she considers the stories of "The Fathers, " from Abraham and Isaac to Moses, David, and Solomon - and their wives, mothers, and sisters. In "The Return of the Mothers, " she begins with a radical new interpretation of the book of Esther, includes a meditation on the silenced wife of Job and the idea of justice, and concludes with a fable on the death of God and a prayer to the Shekhinah, the feminine aspect of God. Ostriker refuses to dismiss the Bible as meaningless to women. Instead, in this angry, eloquent, visionary book, she attempts to recover what is genuinely sacred in these sacred texts.
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Narrating Trauma
Victorian Novels and Modern Stress Disorders
Gretchen Braun
The Ohio State University Press, 2022
Neurasthenia, rail shock, hysteria. In Narrating Trauma, Gretchen Braun traces the nineteenth-century prehistory of those mental and physical responses that we now classify as post-traumatic stress and explores their influence on the Victorian novel. Engaging dialogues between both present-day and nineteenth-century mental science and literature, Braun examines novels that show the development of the mental dysfunction known as nervous disorder, positing that it was understood not as a failure of reason but instead as an organically based, crippling disjunction between the individual mind and its social context—with sufferers inhabiting spaces between sanity and madness.

Spanning from the early Victorian period to the fin de siècle and encompassing realist, Gothic, sentimental, and sensation fiction, Narrating Trauma studies trauma across works of fiction by Charlotte Brontë, Emily Jolly, Wilkie Collins, George Eliot, Charles Dickens, and Thomas Hardy. In doing so, Braun brings both nineteenth-century science and current theories of trauma to bear on the narrative patterns that develop around mentally disordered women and men feminized by nervous disorder, creating a framework for novelistic critique of modern lifestyles, stressors, and institutions.
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Narrative in the Anthropocene
Erin James
The Ohio State University Press, 2022
In Narrative in the Anthropocene, Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s Mansfield Park, Maria Popova’s collective biography Figuring, Richard McGuire’s graphic novel Here, Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.
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Natural Missouri
Working with the Land
Napier Shelton
University of Missouri Press, 2005
In Natural Missouri: Working with the Land, Napier Shelton offers a tour of notable natural sites in Missouri through the eyes of the people who work with them. Over a period of three years, he roamed all over the state, visiting such different places as Wilson’s Creek National Battlefield, Pomme de Terre Lake, Mark Twain National Forest, the Ozark National Scenic Riverways, Roaring River State Park, Prairie State Park, Ted Shanks Conservation Area, and Mingo National Wildlife Refuge. Along the way he interviewed professional resource managers and naturalists, biologists, interpreters, conservation agents, engineers, farmers, hunters, fishermen, writers, and many others in an effort to gain a perspective that only people who work with the land—for business or for pleasure—can have.
Shelton describes a range of land-management philosophies and techniques, from largely hands-off, as in state parks, to largely hands-on, as in farming. He also addresses the questions that surround some of the more controversial practices, such as the use of fire for land management and the introduction of nonnative species.
With his relaxed writing style, Shelton invites the reader along on his journeys to experience the places and people as he did. Natural Missouri captures the essence of Missouri and gives readers a greater appreciation for the natural resources of the state and the people who work so hard to manage and protect them.
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Nature Fantasies
Decolonization and Biopolitics in Latin America
Gabriel Horowitz
Bucknell University Press, 2024

In this original study, Gabriel Horowitz examines the work of select nineteenth- and twentieth-century Latin American writers through the lens of contemporary theoretical debates about nature, postcoloniality, and national identity. In the work of José Martí, Gertrudis Gómez de Avellaneda, Jorge Luis Borges, Augusto Roa Bastos, Cesar Aira, and others, he traces historical constructions of nature in regional intellectual traditions and texts as they inform political culture on the broader global stage. By investigating national literary discourses from Cuba, Argentina, and Paraguay, he identifies a common narrative thread that imagines the utopian wilderness of the New World as a symbolic site of independence from Spain. In these texts, Horowitz argues, an expressed desire to return to the nation’s foundational nature contributed to a movement away from political and social engagement and toward a “biopolitical state,” in which nature, traditionally seen as pre-political, conversely becomes its center.

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Nature's Panorama
Thoreau on the Seasons
Ronald A. Bosco
University of Massachusetts Press, 2005
How many a man has dated a new era in his life from the reading of a book, wrote Henry David Thoreau in Walden. Today that book continues to provoke, inspire, and change lives all over the world, and each rereading is fresh and challenging. Yet as Thoreau's countless admirers know, there is more to the man than Walden. An engineer, poet, teacher, naturalist, lecturer, and political activist, he truly had multiple lives to lead, and each one speaks forcefully to us today.

Sponsored by the Thoreau Society, the brief, handsomely presented books in this series offer the thoughts of a great writer on a variety of topics, some that we readily associate with him, some that may be surprising. Each volume includes selections from his familiar published works as well as from less well known lectures, letters, and journal entries. The books include original engravings by renowned illustrator and book artist Barry Moser.
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Negro Mountain
C. S. Giscombe
University of Chicago Press, 2023
A cross-genre poetry collection that troubles the idea of poetic voice while considering history, biology, the shamanistic, and the shapes of racial memory.
 
In the final section of Negro Mountain, C. S. Giscombe writes, “Negro Mountain—the summit of which is the highest point in Pennsylvania—is a default, a way among others to think about the Commonwealth.” Named for an “incident” in which a Black man was killed while fighting on the side of white enslavers against Indigenous peoples in the eighteenth century, this mountain has a shadow presence throughout this collection; it appears, often indirectly, in accounts of visions, reimaginings of geography, testimonies about the “natural” world, and speculations and observations about race, sexuality, and monstrosity. These poems address location, but Giscombe—who worked for ten years in central Pennsylvania—understands location to be a practice, the continual “action of situating.”
 
The book weaves through the ranges of thinking that poetic voice itself might trouble. Addressing a gallery of figures, Giscombe probes their impurities and ambivalences as a way of examining what languages “count” or “don’t count” as poetry. Here, he finds that the idea of poetry is visionary, but also investigatory and exploratory.
 
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Neon Nevada
Expanded Edition
Sheila Swan
University of Nevada Press, 2023

Nevada’s iconic artform comes to life.

Sheila Swan and Peter Laufer take readers on a journey, not only along the Las Vegas Strip, but down quiet, two-lane rural roads punctuated occasionally by a neon sign—those glistening beacons that represent civilization in our vast Great Basin. The photographers’ stunning work captures the argon violets, krypton purples, helium golds, and xenon blues that glow amidst the nighttime desert sky. 

The book makes clear that neon is not just a medium for casino advertising. The colorful images of cowboys and cowgirls, animals, desert landscapes, and countless other creative designs all illuminate an aspect of Americana—the neon sign—that helps define Nevada and its businesses, from bars and casinos to hardware stores, restaurants, motels, and theaters that line the streets of the Silver State’s cities and towns, and those rural areas that are barely a blip on the map. With a compelling blend of striking full-color photographs and fascinating historical commentary, the book celebrates an artform that wholly embraces the state’s unique personality. 

First published in 1994, this newly updated and expanded edition of Neon Nevada explores the resurgence of this artform during the last decade, which has resulted in an appreciation of Nevada neon that is not likely to fade. Swan and Laufer’s project, this survey of neon, casts the new edition as a defining source for neon scholars and attracts neon aficionados to what can only be defined as a medium as distinctive and interesting as Nevada itself.

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Nest of Matches
Amie Whittemore
Autumn House Press, 2024
Poems that bask in the beauty of nature, queerness, and love while exploring how dichotomies form identity.
 
Amie Whittemore’s Nest of Matches is a lavish declaration of the beauty of the natural world, queer identity, and of the imagination set free. Whittemore’s third collection explores the complexities of love—romantic, familial, and love for place—and wonders at cycles of life, finding that: “Every habit / even love—strangest / of them all—offers exhaustion / and renewal.” Moving seamlessly from meditations on the moon’s phases to explorations of dream spaces to searches for meaning through patterns of love and loss, Whittemore’s work embodies the mysteries of dichotomies—grief and joy, consciousness and unconsciousness, habit and spontaneity—and how they coexist to create our identities. Throughout the collection, Whittemore reveals how interior nature manifests into exterior habits and how physical landscapes shape the psyche.
 
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Networks of Improvement
Literature, Bodies, and Machines in the Industrial Revolution
Jon Mee
University of Chicago Press, 2023
A new literary-cultural history of the Industrial Revolution in Britain from the late eighteenth to the mid-nineteenth centuries.

Working against the stubbornly persistent image of “dark satanic mills,” in many ways so characteristic of literary Romanticism, Jon Mee provides a fresh, revisionary account of the Industrial Revolution as a story of unintended consequences. In Networks of Improvement, Mee reads a wide range of texts—economic, medical, and more conventionally “literary”—with a focus on their circulation through networks and institutions. Mee shows how a project of enlightened liberal reform articulated in Britain’s emerging manufacturing towns led to unexpectedly coercive forms of machine productivity, a pattern that might be seen repeating in the digital technologies of our own time. Instead of treating the Industrial Revolution as Romanticism’s “other,” Mee shows how writing, practices, and institutions emanating from these industrial towns developed a new kind of knowledge economy, one where local literary and philosophical societies served as important transmission hubs for the circulation of knowledge.
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New Brunswick, New Jersey
The Decline and Revitalization of Urban America
Listokin, David
Rutgers University Press, 2016
While many older American cities struggle to remain vibrant, New Brunswick has transformed itself, adapting to new forms of commerce and a changing population, and enjoying a renaissance that has led many experts to cite this New Jersey city as a model for urban redevelopment. Featuring more than 100 remarkable photographs and many maps, New Brunswick, New Jersey explores the history of the city since the seventeenth century, with an emphasis on the dramatic changes of the past few decades.
 
Using oral histories, archival materials, census data, and surveys, authors David Listokin, Dorothea Berkhout, and James W. Hughes illuminate the decision-making and planning process that led to New Brunswick’s dramatic revitalization, describing the major redevelopment projects that demonstrate the city’s success in capitalizing on funding opportunities. These projects include the momentous decision of Johnson & Johnson to build its world headquarters in the city, the growth of a theater district, the expansion of Rutgers University into the downtown area, and the destruction and rebuilding of public housing. But while the authors highlight the positive effects of the transformation, they also explore the often heated controversies about demolishing older neighborhoods and ask whether new building benefits residents. Shining a light on both the successes and failures in downtown revitalization, they underscore the lessons to be learned for national urban policy, highlighting the value of partnerships, unwavering commitment, and local leadership. 
 
Today, New Brunswick’s skyline has been dramatically altered by new office buildings, residential towers, medical complexes, and popular cultural centers. This engaging volume explores the challenges facing urban America, while also providing a specific case study of a city’s quest to raise its economic fortunes and retool its economy to changing needs.
 
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New Deal Photographs of West Virginia, 1934-1943
Betty Rivard
West Virginia University Press, 2012
Upon entering the White House in 1933, President Franklin D. Roosevelt faced an ailing economy in the throes of the Great Depression and rushed to transform the country through recovery programs and legislative reform. By 1934, he began to send professional photographers to the state of West Virginia to document living conditions and the effects of his New Deal programs. The photographs from the Farm Security Administration Project not only introduced “America to Americans,” exposing a continued need for government intervention, but also captured powerful images of life in rural and small town America.
New Deal Photographs of West Virginia, 1934-1943 presents images of the state’s northern and southern coalfields, the subsistence homestead projects of Arthurdale, Eleanor, and Tygart Valley, and various communities from Charleston to Clarksburg and Parkersburg to Elkins. With over one hundred and fifty images by ten FSA photographers, including Walker Evans, Marion Post Wolcott, Arthur Rothstein, and Ben Shahn, this collection is a remarkable proclamation of hardship, hope, endurance, and, above all, community. These photographs provide a glimpse into the everyday lives of West Virginians during the Great Depression and beyond.
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The New Woman
Literary Modernism, Queer Theory, and the Trans Feminine Allegory
Emma Heaney
Northwestern University Press, 2017
The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the use of the trans feminine as an allegorical figure, from the practice's origins in nineteenth-century sexology through writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.
 
The book is the first to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative. It then demonstrates that this medical figure became an archetype for the "sexual anarchy" of the Modernist period in works by  Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet.
 
Thus illuminating the trans feminine's Modernist provenance, the book examines foundational works of Queer Theory that resuscitated the trans feminine allegory at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans experience to a late twentieth-century collapse of sexual differences by revealing the Modernist roots of that very formulation.
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New World Courtships
Transatlantic Alternatives to Companionate Marriage
Melissa M. Adams-Campbell
Dartmouth College Press, 2015
Feminist literary critics have long recognized that the novel’s marriage plot can shape the lives of women readers; however, they have largely traced the effects of this influence through a monolithic understanding of marriage. New World Courtships is the first scholarly study to recover a geographically diverse array of eighteenth- and nineteenth-century novels that actively compare marriage practices from the Atlantic world. These texts trouble Enlightenment claims that companionate marriage leads to women’s progress by comparing alternative systems for arranging marriage and sexual relations in the Americas. Attending to representations of marital diversity in early transatlantic novels disrupts nation-based accounts of the rise of the novel and its relation to “the” marriage plot. It also illuminates how and why cultural differences in marriage mattered in the Atlantic world—and shows how these differences might help us to reimagine marital diversity today. This book will appeal to scholars of literature, women’s studies, and early American history.
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Niobes
Antiquity, Modernity, Critical Theory
Edited by Mario Telò and Andrew Benjamin
The Ohio State University Press, 2024

A marginalized but persistent figure of Greek tragedy, Niobe, whose many children were killed by Apollo and Artemis, embodies yet problematizes the philosophically charged dialectics between life and death, mourning and melancholy, animation and inanimation, silence and logos. The essays in Niobes present her as a set of complex figurations, an elusive mythical character but also an overdetermined figure who has long exerted a profound influence on various modes of modern thought, especially in the domains of aesthetics, ethics, psychoanalysis, and politics. As a symbol of both exclusion and resistance, Niobe calls for critical attention at a time of global crisis.

Reconstructing the dialogues of Phillis Wheatley, G. W. F. Hegel, Walter Benjamin, Aby Warburg, and others with Niobe as she appears in Aeschylus, Sophocles, Ovid, and the visual arts, a collective of major thinkers—classicists, art historians, and critical theorists—reflect on the space that she can occupy in the humanities today. Inspiring new ways of connecting the classical tradition and ancient tragic discourse with crises and political questions relating to gender, race, and social justice, Niobe insists on living on.

Contributors:  
Barbara Baert, Andrew Benjamin, drea brown, Adriana Cavarero, Rebecca Comay, Mildred Galland-Szymkowiak, John T. Hamilton, Paul A. Kottman, Jacques Lezra, Andres Matlock, Ben Radcliffe, Victoria Rimell, Mario Telò, Mathura Umachandran, Daniel Villegas Vélez 

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No Charity in the Wilderness
Poems
Shaun T. Griffin
University of Nevada Press, 2024
No Charity in the Wilderness is a long journey into the new American West. From the southern border to the isolating two-lane highways in the desert, this collection is a prayer of reconciliation with so much that troubles us—those who live without resources or voices—and their possible future in this ever-changing landscape of desire.

Griffin has spent many decades in the high desert trying to find the way forward—when what he knows has been challenged and still there is breath on the horizon. One day an ancient Chinese poet comes to visit: "Snow deepens/ to quiet what I once believed, and Wang Wei stoops from the spine:/ this is how you become silence." Even if you doubt the old poet's counsel, like Griffin, you want to journey with him into the wilderness.  
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No One Leaves the World Unhurt
John Foy
Autumn House Press, 2021
John Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. While moments in No One Leaves the World Unhurt may appear absurd or even funny on the surface—such as a psychological exploration of the Lord of the Rings character Gollum—beneath this lightheartedness lies a tone that is grim and foreboding. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying “It is what it is. / It’s not what it might have been.” Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy’s vibrant collection is simultaneously philosophical, whimsical, serious, and searching.
 
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front cover of No One Leaves the World Unhurt
No One Leaves the World Unhurt
John Foy
Autumn House Press, 2021
John Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. While moments in No One Leaves the World Unhurt may appear absurd or even funny on the surface—such as a psychological exploration of the Lord of the Rings character Gollum—beneath this lightheartedness lies a tone that is grim and foreboding. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying “It is what it is. / It’s not what it might have been.” Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy’s vibrant collection is simultaneously philosophical, whimsical, serious, and searching.
 
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Nonprofit
Matt Burriesci
New Issues Poetry and Prose, 2015
Thrust into the bizarre labyrinth of DC society, John MacManus struggles to rescue a bankrupt nonprofit while starting a family. Wackiness ensues.
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Notes on Vermin
Caroline Hovanec
University of Michigan Press, 2025
Vermin—rats, cockroaches, pigeons, mosquitoes, and other pests—are, to most people, objects of disgust. And vermin metaphors, likening human beings to these loathed creatures, appear in the ugliest forms of political rhetoric. Indeed, vermin imagery has often been used to denigrate poor, foreign, or racialized people. Yet many writers have reclaimed vermin, giving new meaning to creeping rodents, swarming insects, and wriggling worms. 

Notes on Vermin is an atlas of the literary vermin that appear in modern and contemporary literature, from Franz Kafka’s gigantic insect to Richard Wright’s city rats to Namwali Serpell’s storytelling mosquitoes. As parasites, trespassers, and collectives, vermin animals prove useful to writers who seek to represent life in the margins of power. Drawing on psychoanalysis, cultural studies, eco-Marxism, and biopolitics, this book explores four uses for literary vermin: as figures for the repressed thought, the uncommitted fugitive, the freeloading parasite, and the surplus life. In a series of short, accessible, interlinked essays, Notes on Vermin explores what animal pests can show us about our cultures, our environments, and ourselves.
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Notorious Facts
Publicity in Romantic England, 1780–1830
James Mulvihill
University of Delaware Press, 2012

Notorious Facts examines the sensationalistic confounding of persons and principles in the public life of Romantic England (1780–1830). Its purview is limited to five decades straddling the late eighteenth and early nineteenth centuries, but its trajectory, moving from a politics rendered in personal terms to a politics of personality, describes a shift still in process today. The study’s chapters draw on a motley body of literature (pamphlets, secret histories, and the like) that at first glance seems uncharacteristic of what literary historians call the English Romantic period. Viewed in the context of something called late Georgian England, these texts seem more indigenous, but if the canonical revisionism of the last few decades should teach us anything, it is that a Romanticism encompassing all romanticisms ideally excludes nothing.

In its heroic Enlightenment sense, publicity is concerned with exposing the workings of power for all to see. A good deal may be inferred about publicity in Romantic England from primary texts in which this salutary function is at once espoused and subverted. These texts—the mostly nameless or pseudonymous authors of the age’s pamphlet literature are the heroes and villains of the piece—almost invariably claim to speak from a disinterested conception of publicity while putting its methods of critical exposure to wholly self-interested purposes. This study examines well-known authors of the period like Jeremy Bentham, Samuel Taylor Coleridge, and William Hazlitt, as well as pamphleteers like John Horne Tooke, Philip Withers, and Nathaniel Jefferys. Other figures include authors of secret history like Thomas Ashe, Mary Anne Clarke, Lewis Goldsmith, and Joseph Haslewood in addition to notorious figures in their own right such as the Prince and Princess of Wales, Mrs. Fitzherbert, and the Reverend Edward Irving. Among the topics treated are treasonous libel, royal scandal, secret history, and celebrity.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 

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The Novel of Human Rights
James Dawes
Harvard University Press, 2018

The Novel of Human Rights defines a new, dynamic American literary genre. It incorporates key debates within the contemporary human rights movement in the United States, and in turn influences the ideas and rhetoric of that discourse.

In James Dawes’s framing, the novel of human rights takes as its theme a range of atrocities at home and abroad, scrambling the distinction between human rights within and beyond national borders. Some novels critique America’s conception of human rights by pointing out U.S. exploitation of international crises. Other novels endorse an American ethos of individualism and citizenship as the best hope for global equality. Some narratives depict human rights workers as responding to an urgent ethical necessity, while others see only inefficient institutions dedicated to their own survival. Surveying the work of Chris Abani, Susan Choi, Edwidge Danticat, Dave Eggers, Nathan Englander, Francisco Goldman, Anthony Marra, and John Edgar Wideman, among others, Dawes finds traces of slave narratives, Holocaust literature, war novels, and expatriate novels, along with earlier traditions of justice writing.

The novel of human rights responds to deep forces within America’s politics, society, and culture, Dawes shows. His illuminating study clarifies many ethical dilemmas of today’s local and global politics and helps us think our way, through them, to a better future. Vibrant and modern, the human rights novel reflects our own time and aspires to shape the world we will leave for those who come after.

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Now and Then
England 1970-2015
Daniel Meadows
Bodleian Library Publishing, 2019
Daniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over the course of forty-five years, uniquely capture the life of England’s “great ordinary.” He has fashioned from his many encounters a nation’s story, challenging the status quo by working collaboratively.

This book includes important work from Meadows’s groundbreaking projects, drawing on the archives now held at the Bodleian Library. It follows the maverick documentarian as he ran a free portrait studio in Manchester’s Moss Side in 1972 and then traveled 10,000 miles to make a national portrait from his converted double-decker, the Free Photographic Omnibus, a project he revisited a quarter-of-a-century later. The book goes on to show how, at the turn of the millennium, Meadows adopted new “kitchen table” technologies to make digital stories, which he dubbed “multimedia sonnets from the people.” Through the unique voices of his subjects, Meadows has made and continues to make moving and insightful commentaries on life in Britain.
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Nowhere Was a Lake
Margaret Draft
Four Way Books, 2024
Captivated by the simultaneously routine and disruptive nature of violence and desire, Nowhere Was a Lake marks a luminous debut from poet Margaret Draft. “What do you do when a horse dies? / You hollow out the land, // you try to make enough space, / and when you think you have enough, // keep digging.” In these poems, our own tenderness endangers us, and yet — when faced with the enormity of our hunger, an appetite that proclaims both the bounty of nourishment and our capacity for loss — Draft keeps digging. “He said this because // he himself had to enter the hole / with the horse and shovel, // shift the legs, reposition the head.” The speaker here has an unflinching pragmatism, a characteristic that paradoxically makes her emotions all the more tangible. This is how you prospect a grave, she seems to say, but you’ll be in it, too. You with your body among the other bodies. Draft rejects simple binaries, insisting that oblivion can be a place, that fidelity and betrayal can coexist in our most intimate relationships, that to live as a human animal means embodying both hunter and prey. Deft in its exploration of female sexuality, the emotional complexity of polyamory, and the distinction between freedom and abandonment, Nowhere Was a Lake mesmerizes with its erotic pastorals and frank prose poems. “Edge” interrogates “the dialectic of trust” structuring romantic relationships and negotiated through sexual physics: “It is not a question of whether you will / harm me, but whether you will / stick around long enough / to hold me when I am harmed.” The risk and reward of such exploration is uncertainty: anything could happen, but anything could happen. “In no place, going someplace, I know. / There are so few things I can say I know definitively. // But this must be the definition of plenty. / The sun slowly setting over the valley.”  And, yes, love may wend through the field as we thresh it. And, yes, we are in the light as it goes down. 
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The Nutmeg's Curse
Parables for a Planet in Crisis
Amitav Ghosh
University of Chicago Press, 2021
In this ambitious successor to The Great Derangement, acclaimed writer Amitav Ghosh finds the origins of our contemporary climate crisis in Western colonialism’s violent exploitation of human life and the natural environment.

A powerful work of history, essay, testimony, and polemic, Amitav Ghosh’s new book traces our contemporary planetary crisis back to the discovery of the New World and the sea route to the Indian Ocean. The Nutmeg’s Curse argues that the dynamics of climate change today are rooted in a centuries-old geopolitical order constructed by Western colonialism. At the center of Ghosh’s narrative is the now-ubiquitous spice nutmeg. The history of the nutmeg is one of conquest and exploitation—of both human life and the natural environment. In Ghosh’s hands, the story of the nutmeg becomes a parable for our environmental crisis, revealing the ways human history has always been entangled with earthly materials such as spices, tea, sugarcane, opium, and fossil fuels. Our crisis, he shows, is ultimately the result of a mechanistic view of the earth, where nature exists only as a resource for humans to use for our own ends, rather than a force of its own, full of agency and meaning.

Writing against the backdrop of the global pandemic and the Black Lives Matter protests, Ghosh frames these historical stories in a way that connects our shared colonial histories with the deep inequality we see around us today. By interweaving discussions on everything from the global history of the oil trade to the migrant crisis and the animist spirituality of Indigenous communities around the world, The Nutmeg’s Curse offers a sharp critique of Western society and speaks to the profoundly remarkable ways in which human history is shaped by non-human forces.
 
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