front cover of Papal Justice
Papal Justice
Subjects and Courts in the Papal State, 1500-1750
Irene Fosi
Catholic University of America Press, 2011
This lively overview of the papal justice system reaches a transatlantic readership and makes available the fruit of Fosi's decades-long research in unpublished archives in Rome and the Vatican.
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Past and Future Presence
Approaches for Implementing XR Technology in Humanities and Art Education
Lissa Crofton-Sleigh and Brian Beams, editors
Amherst College Press, 2024
While uses and studies of XR technology within STEM-based education have been plentiful in recent years, there has been lesser or even, at times, a lack of coverage for this novel learning tool in the arts and humanities.Past and Future Presence aims to bridge some of that gap by presenting research-based theory and case studies of successful application and implementation of XR technology into postsecondary educational settings, ranging in topics from ancient to modern languages, classical and contemporary art, and reenvisioned historical scenes and events presented in ways never seen before. The studies also contemplate how this novel medium can enhance and supplement learning in classrooms and other formal or informal learning environments. The volume as a whole is intended to demonstrate to educators, scholars, and researchers in higher education the potential value of integrating XR technology into their classrooms and to provide a strong argument for college and university administrators to invest in training and development of new research and content for classrooms inside and outside of STEM. The authors of these chapters come from a diverse range of backgrounds at different stages of their careers, providing a broad crosssection of scholastic work within the humanities and arts. Each chapter offers a different angle or approach to incorporating XR technology into teaching or research within different subject areas. As the volume suggests, this technology also places additional emphasis on the humanity within the humanities, by focusing on increasing connection between users and different cultures, time periods, and perspectives.
 
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Pastplay
Teaching and Learning History with Technology
Kevin Kee, editor
University of Michigan Press, 2014

In the field of history, the Web and other technologies have become important tools in research and teaching of the past. Yet the use of these tools is limited—many historians and history educators have resisted adopting them because they fail to see how digital tools supplement and even improve upon conventional tools (such as books). In Pastplay, a collection of essays by leading history and humanities researchers and teachers, editor Kevin Kee works to address these concerns head-on. How should we use technology? Playfully, Kee contends. Why? Because doing so helps us think about the past in new ways; through the act of creating technologies, our understanding of the past is re-imagined and developed. From the insights of numerous scholars and teachers, Pastplay argues that we should play with technology in history because doing so enables us to see the past in new ways by helping us understand how history is created; honoring the roots of research, teaching, and technology development; requiring us to model our thoughts; and then allowing us to build our own understanding.

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Performing Math
A History of Communication and Anxiety in the American Mathematics Classroom
Andrew Fiss
Rutgers University Press, 2021
Performing Math tells the history of expectations for math communication—and the conversations about math hatred and math anxiety that occurred in response. Focusing on nineteenth-century American colleges, this book analyzes foundational tools and techniques of math communication: the textbooks that supported reading aloud, the burnings that mimicked pedagogical speech, the blackboards that accompanied oral presentations, the plays that proclaimed performers’ identities as math students, and the written tests that redefined “student performance.” Math communication and math anxiety went hand in hand as new rules for oral communication at the blackboard inspired student revolt and as frameworks for testing student performance inspired performance anxiety. With unusual primary sources from over a dozen educational archives, Performing Math argues for a new, performance-oriented history of American math education, one that can explain contemporary math attitudes and provide a way forward to reframing the problem of math anxiety.
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Philadelphia Mural Arts @ 30
Jane Golden
Temple University Press, 2014

The Mural Arts Program of Philadelphia began in 1984 as a summer youth program with modest support from city government. Under the guidance of Jane Golden, however, it gradually grew into one of the largest and most successful public art organizations in the country, garnering support from local corporations, foundations, and individuals to extend the reach and effectiveness of its innovative programs. 

 

Now three decades later, the Mural Arts Program has created more than 3,800 murals and public art projects that have made lasting imprints in every Philadelphia neighborhood. In the process, Mural Arts has engaged thousands of people of all ages from across the city, helped hundreds of ex-offenders train for new jobs, transformed the face of struggling commercial corridors, and developed funding partners in both public and private sectors. 

  

While the Mural Arts Program has significantly changed the appearance of the city, it has also demonstrated how participatory public art can empower individuals and promote communal healing around difficult issues. Philadelphia Mural Arts @ 30 is a celebration of and guide to the program's success. Unlike Philadelphia Murals and the Stories They Tell and its sequel, More Philadelphia Murals and the Stories They Tell, Philadelphia Murals @ 30 showcases the results of 21 projects completed since 2009 and features essays by policy makers, curators, scholars, and educators that offer valuable lessons for artists, activists, and communities to emulate.

 

Philadelphia Mural Arts @ 30 traces the program's history and evolution, acknowledging the challenges and rewards of growth and change while maintaining a core commitment to social, personal, and community transformation.  

 

Contributors include: Dr. Arthur C. Evans, Jr., Arlene Goldbard, Thora Jacobson, Rick Lowe, Dr. Samantha L. Matlin, Paulette Moore, Jeremy Nowak, Maureen H. O'Connell, Elisabeth Perez Luna, Robin Rice, Dr. Jacob Kraemer Tebes, Elizabeth Thomas, Cynthia Weiss, Howard Zehr, and the editors.

 
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Physics Demonstrations
A Sourcebook for Teachers of Physics
Julien Clinton Sprott
University of Wisconsin Press, 2015
Wow! How? Few techniques are as effective at generating interest in science as dramatic demonstrations. This fully illustrated sourcebook describes eighty-five physics demonstrations suitable for performance both inside and outside classrooms. These demonstrations will fascinate and amaze while teaching the wonders and practical science of physics. Videos for the demonstrations are online at http://physicsdemonstrationsvideos.com/.
            Dr. Sprott shares demonstrations tested over many years in his popular public lectures on “The Wonders of Physics,” which appeal to general audiences and to students from grade school to graduate school. Science teachers at all levels will find a wealth of detail showing how to present these demonstrations to students with flair. Science professionals will find indispensable information for creating educational and entertaining public programs. Organized to teach the six major areas of classical physics—motion, heat, sound, electricity, magnetism, and light—Physics Demonstrations includes:
• a brief description of each demonstration
• materials lists, with sources for common materials
• preparation procedures
• discussions of the physics principles demonstrated
• potential safety hazards
• references for further information.
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Pioneers of Ecological Restoration
The People and Legacy of the University of Wisconsin Arboretum
Franklin E. Court
University of Wisconsin Press, 2012

Internationally renowned for its pioneering role in the ecological restoration of tallgrass prairies, savannas, forests, and wetlands, the University of Wisconsin Arboretum contains the world’s oldest and most diverse restored ecological communities. A site for land restoration research, public environmental education, and enjoyment by nature lovers, the arboretum remains a vibrant treasure in the heart of Madison’s urban environment.
    Pioneers of Ecological Restoration chronicles the history of the arboretum and the people who created, shaped, and sustained it up to the present. Although the arboretum was established by the University of Wisconsin in 1932, author Franklin E. Court begins his history in 1910 with John Nolen, the famous landscape architect who was invited to create plans for the city of Madison, the university campus, and Wisconsin state parks. Drawing extensive details from archives and interviews, Court follows decades of collaborative work related to the arboretum’s lands, including the early efforts of Madison philanthropists and businessmen Michael Olbrich, Paul E. Stark, and Joseph W. “Bud” Jackson.
    With labor from the Civilian Conservation Corps during the 1930s Depression, University of Wisconsin scientists began establishing both a traditional horticultural collection of trees and plants and a completely new, visionary approach to recreate native ecosystems. Hundreds of dedicated scientists and staff have carried forward the arboretum’s mission in the decades since, among them G. William Longenecker, Aldo Leopold, John T. Curtis, Rosemary Fleming, Virginia Kline, and William R. Jordan III.
    This archival record of the arboretum’s history provides rare insights into how the mission of healing and restoring the land gradually shaped the arboretum’s future and its global reputation; how philosophical conflicts, campus politics, changing priorities, and the encroaching city have affected the arboretum over the decades; and how early aspirations (some still unrealized) have continued to motivate the work of this extraordinary institution.

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Playing With Stories
Story crafting for storytellers, writers, teachers and other imaginative thinkers
Kevin D. Cordi, Ph.D.
Parkhurst Brothers, Inc., 2014
It has not been easy to value play.  Mainstream culture urges us to rush and finish what we are working on to quickly advance to the next task at hand.  Too often we must punch our time clock forward without much consideration.  As the minutes and hours move, we indirectly communicate both to ourselves and the world no time remains to play; we must work. 
 
Despite that the world around me does not value play, in my creative life, play is necessary.  In fact, I have discovered it is the real work I do as an artist and teacher.  As a storyteller, writer, teacher, and imaginative thinker, it is play that has produced the most desired results in my life, in my work, and especially, in my creativity.   It is in play that we experience who we are and we begin to extend our choices.   Play is not consciously prepared; discovery that happens in the moment.   It invites reflection.   In fact, Plato once shared, “You can discover more about a person in an hour of play than in a year of conversation.” 

 In this book, you will discover new ways to work with your story craft and find new story direction using play.  Indeed, play is a meaningful way to create and learn. 
 
In both childhood and adult play, the imagination plays a central role in the meaning making process.  Although there are many types of play: school-based, recess, sports, this work is rooted in play inviting the writer, storyteller, or imaginative thinker to make choices as they work to create meaning in their work.   
 
I will share how collaborative play can increase your choices when making a story.  You will find not only exercises to build your story making and telling skills, but pedagogy of practice to use when called to create story.
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Point of View and the Emotional Arc of Stories
A handbook for writers and storytellers
Loren Niemi & Nancy Donoval
Parkhurst Brothers, Inc., 2020
A creative writing manual for high school to adult aged writers and storytellers, this volume includes the authors' philosophy regarding story creation and pointers especially related to the variety of choices regarding point of view available to writers and other story-creators or refiners.
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Prepare to Scare
How to tell scary stories
Elizabeth Ellis
Parkhurst Brothers, Inc., 2021
Prepare to Scareis a handbook edited by Circle of Excellence storyteller, Elizabeth Ellis, with contributions by the A-list of scary story writers and tellers on the American Storytelling Festival Circuit. It is a handbook for adults who tell stories to children or other adults in a variety of settings: storytelling events, schools, aftercare programs, camps, and homes.
 
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Preparing Adult English Learners to Read for College and the Workplace
Kirsten Schaetzel, Joy Kreeft Peyton, Rebeca Fernández
University of Michigan Press, 2024
The ability to read effectively—to work with a text, understand its meaning, and talk and write about it with, and for, others—is a critical aspect of academic and workplace success. However, many adults who are learning English as a second or additional language do not have the skills needed to be successful and may drop out of college and university programs before they reach their goal. Bringing together a rich collection of topics and authors, this edited volume provides theory, research, and instructional approaches to help adult education ESL practitioners work effectively with adult learners and prepare them to be successful with reading in academic and workplace settings. 

After reading this book, adult ESL practitioners will be able to
  • Prepare adults learning English to apply appropriate reading strategies to a variety of academic and professional contexts and purposes
  • Use instructional strategies, including digital technology, to help struggling and developing readers close gaps in skills and conceptual knowledge
  • Improve reading comprehension through robust vocabulary instruction
  • Enhance reading skills and comprehension through writing instruction that balances sentence-level, discourse, and interactive processes and practices
  • Inspire students to become lifelong readers who engage in extensive reading outside of school and professional contexts
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A Primer for Teaching African History
Ten Design Principles
Trevor R. Getz
Duke University Press, 2018
A Primer for Teaching African History is a guide for college and high school teachers who are teaching African history for the first time, for experienced teachers who want to reinvigorate their courses, for those who are training future teachers to prepare their own syllabi, and for teachers who want to incorporate African history into their world history courses. Trevor R. Getz offers design principles aimed at facilitating a classroom experience that will help students navigate new knowledge, historical skills, ethical development, and worldviews. He foregrounds the importance of acknowledging and addressing student preconceptions about Africa, challenging chronological approaches to history, exploring identity and geography as ways to access historical African perspectives, and investigating the potential to engage in questions of ethics that studying African history provides. In his discussions of setting goals, pedagogy, assessment, and syllabus design, Getz draws readers into the process of thinking consciously and strategically about designing courses on African history that will challenge students to think critically about Africa and the discipline of history.
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A Primer for Teaching Indian Ocean World History
Ten Design Principles
Edward A. Alpers and Thomas F. McDow
Duke University Press, 2024
A Primer for Teaching Indian Ocean World History is a guide for college and high school educators who are teaching Indian Ocean histories for the first time or who want to reinvigorate their courses. It can also serve those who are training future teachers to prepare their own syllabi as well as those who want to incorporate Indian Ocean histories into their world history courses. Edward A. Alpers and Thomas F. McDow offer course design principles that will help students navigate topics ranging from empire, geography, slavery, and trade to mobility, disease, and the environment. In addition to exploring non-European sources and diverse historical methodologies, they discuss classroom pedagogy and provide curriculum possibilities that will help instructors at any level enrich and deepen standard approaches to world history. Alpers and McDow draw readers into strategically designing courses that will challenge students to think critically about a vast area with which many of them are almost entirely unfamiliar.
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Producing Excellence
The Making of Virtuosos
Wagner, Izabela
Rutgers University Press, 2015
Driven by a passion for music, for excellence, and for fame, violin soloists are immersed from early childhood in high-pressure competitions, regular public appearances, and arduous daily practice. An in-depth study of nearly one hundred such children, Producing Excellence illuminates the process these young violinists undergo to become elite international soloists.
 
A musician and a parent of a young violinist, sociologist Izabela Wagner offers an inside look at how her young subjects set out on the long road to becoming a soloist. The remarkable research she conducted—at rehearsals, lessons, and in other educational settings—enabled her to gain deep insight into what distinguishes these talented prodigies and their training. She notes, for instance, the importance of a family culture steeped in the values of the musical world. Indeed, more than half of these students come from a family of professional musicians and were raised in an atmosphere marked by the importance of instrumental practice, the vitality of music as a vocation, and especially the veneration of famous artists. Wagner also highlights the highly structured, rigorous training system of identifying, nurturing, and rewarding talent, even as she underscores the social, economic, and cultural factors that make success in this system possible.
 
Offering an intimate portrait of the students, their parents, and their instructors, Producing Excellence sheds new light on the development of exceptional musical talent, as well as draw much larger conclusions as to “producing prodigy” in other competition-prone areas, such as sports, sciences, the professions, and other arts. Wagner’s insights make this book valuable for academics interested in the study of occupations, and her clear, lively writing is perfect for general readers curious about the ins and outs of training to be a violin soloist.
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Pronunciation Myths
Applying Second Language Research to Classroom Teaching
Linda Grant with Donna M. Brinton, Tracey Derwing and Murray J. Munro, John Field, Judy Gilbert, John Murphy, Ron Thomson, Beth Zielinski and Lynda Yates
University of Michigan Press, 2014

This volume was conceived as a "best practices" resource for pronunciation and speaking teachers in the way that Vocabulary Myths by Keith S. Folse is one for reading and vocabulary teachers. Like others in the Myths series, this book combines research with good pedagogical practices.

The book opens with a Prologue by Linda Grant (author of the Well Said textbook series), which reviews the last four decades of pronunciation teaching, the differences between accent and intelligibility, the rudiments of the English sound system, and other factors related to the ways that pronunciation is learned and taught.

The myths challenged in this book are:

§  Once you’ve been speaking a second language for years, it’s too late to change your pronunciation. (Derwing and Munro)

§  Pronunciation instruction is not appropriate for beginning-level learners. (Zielinski and Yates)

§  Pronunciation teaching has to establish in the minds of language learners a set of distinct consonant and vowel sounds.  (Field)

§  Intonation is hard to teach. (Gilbert)

§  Students would make better progress if they just practiced more. (Grant)

§  Accent reduction and pronunciation instruction are the same thing. (Thomson)

§  Teacher training programs provide adequate preparation in how to teach pronunciation (Murphy).

The book concludes with an Epilogue by Donna M. Brinton, who synthesizes some of the best practices explored in the volume.

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