The American suburban dream house-a single-family, detached dwelling, frequently clustered in tight rows and cul-de-sacs-has been attacked for some time as homogeneous and barren, yet the suburbs are home to half of the American population. Architectural historian John Archer suggests the endurance of the ideal house is deeply rooted in the notions of privacy, property, and selfhood that were introduced in late seventeenth-century England and became the foundation of the American nation and identity.
Spanning four centuries, Architecture and Suburbia explores phenomena ranging from household furnishings and routines to the proliferation of the dream house in parallel with Cold War politics. Beginning with John Locke, whose Enlightenment philosophy imagined individuals capable of self-fulfillment, Archer examines the eighteenth-century British bourgeois villa and the earliest London suburbs. He recounts how early American homeowners used houses to establish social status and how twentieth-century Americans continued to flock to single-family houses in the suburbs, encouraged by patriotism, fueled by consumerism, and resisting disdain by disaffected youths, designers, and intellectuals. Finally, he recognizes “hybridized” or increasingly diverse American suburbs as the dynamic basis for a strengthened social fabric.
From Enlightenment philosophy to rap lyrics, from the rise of a mercantile economy to discussions over neighborhoods, sprawl, and gated communities, Archer addresses the past, present, and future of the American dream house.
John Archer is professor of cultural studies and comparative literature at the University of Minnesota. His book The Literature of British Domestic Architecture, 1715-1842, is the standard reference on the subject, and he also contributed to the Encyclopedia of Urban America and the Encyclopedia of Twentieth-Century Architecture.
A moose frustrates commuters by wandering onto the highway; a cougar stalks his prey through suburban backyards; an alligator suns himself in a strip mall parking lot. Such stories, which regularly make headline news, highlight the blurred divide that now exists between civilization and wilderness.
In Coyote at the Kitchen Door, Stephen DeStefano draws on decades of experience as a biologist and conservationist to examine the interplay between urban sprawl and wayward wildlife. As he explores what our insatiable appetite for real estate means for the health and well-being of animals and ourselves, he highlights growing concerns, such as the loss of darkness at night because of light pollution. DeStefano writes movingly about the contrasts between constructed and natural environments and about the sometimes cherished, sometimes feared place that nature holds in our modern lives, as we cluster into cities yet show an increasing interest in the natural world.
Woven throughout the book is the story of one of the most successful species in North America: the coyote. Once restricted to the prairies of the West, this adaptable animal now inhabits most of North America—urban and wild alike. DeStefano traces a female coyote’s movements along a winding path between landscapes in which her species learned to survive and flourish. Coyote at the Kitchen Door asks us to rethink the meaning of progress and create a new suburban wildlife ethic.
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