front cover of A History in Sum
A History in Sum
150 Years of Mathematics at Harvard (1825–1975)
Steve Nadis and Shing-Tung Yau
Harvard University Press, 2013

In the twentieth century, American mathematicians began to make critical advances in a field previously dominated by Europeans. Harvard’s mathematics department was at the center of these developments. A History in Sum is an inviting account of the pioneers who trailblazed a distinctly American tradition of mathematics—in algebraic geometry and topology, complex analysis, number theory, and a host of esoteric subdisciplines that have rarely been written about outside of journal articles or advanced textbooks. The heady mathematical concepts that emerged, and the men and women who shaped them, are described here in lively, accessible prose.

The story begins in 1825, when a precocious sixteen-year-old freshman, Benjamin Peirce, arrived at the College. He would become the first American to produce original mathematics—an ambition frowned upon in an era when professors largely limited themselves to teaching. Peirce’s successors—William Fogg Osgood and Maxime Bôcher—undertook the task of transforming the math department into a world-class research center, attracting to the faculty such luminaries as George David Birkhoff. Birkhoff produced a dazzling body of work, while training a generation of innovators—students like Marston Morse and Hassler Whitney, who forged novel pathways in topology and other areas. Influential figures from around the world soon flocked to Harvard, some overcoming great challenges to pursue their elected calling.

A History in Sum elucidates the contributions of these extraordinary minds and makes clear why the history of the Harvard mathematics department is an essential part of the history of mathematics in America and beyond.

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front cover of The Sum Of Our Parts
The Sum Of Our Parts
Mixed-Heritage Asian Americans
Teresa Williams-Leon
Temple University Press, 2001
Largely as a result of multiracial activism, the U.S. Census for 2000 offers people the unprecedented opportunity to officially identify themselves with more than one racial group. Among Asian-heritage people in this country and elsewhere, racial and ethnic mixing has a long but unacknowledged history. According to the last U.S. Census, nearly one-third of all interracial marriages included an Asian-descent spouse, and intermarriage rates are accelerating. This unique collection of essays focuses on the construction of identity among people Asian descent who claim multiple heritages.

In the U.S., discussions of race generally center on matters of black and white; Asian Americans usually figure in conversations about race as an undifferentiated ethnic group or as exotic Eurasians. The contributors to this book disrupt the standard discussions by considering people of mixed Asian ethnicities. They also pay particular attention to non-white multiracial identities to decenter whiteness and reflect the experience of individuals or communities who are considered a minority within a minority. With an entire section devoted to the Asian diaspora, The Sum of Our Parts suggests that questions of multiracial and multiethnic identity are surfacing around the  globe.  This timely and provocative collection articulates them for social scientists and students.
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front cover of Sum of the Parts
Sum of the Parts
The Mathematics and Politics of Region, Place, and Writing
Kent C Ryden
University of Iowa Press, 2011
Proponents of the new regional history understand that regional identities are constructed and contested, multifarious and not monolithic, that they involve questions of dominance and power, and that their nature is inherently political. In this lively new book, writing in the spirit of these understandings, Kent Ryden engagingly examines works of American regional writing to show us how literary partisans of place create and recreate, attack and defend, argue over and dramatize the meaning and identity of their regions in the pages of their books.
 
Cleverly drawing upon mathematical models that complement his ideas and focusing on both classic and contemporary literary regionalists, Ryden demonstrates that regionalism, in the cultural sense, retains a great deal of power as a framework for literary interpretation. For New England he examines such writers as Robert Frost and Hayden Carruth, Mary E. Wilkins Freeman and Edith Wharton, and Carolyn Chute and Russell Banks to demonstrate that today’s regionalists inspire closer, more democratic readings of life and landscape. For the West and South, he describes Wallace Stegner’s and William Faulkner’s use of region to, respectively, exclude and evade or confront and indict. For the Midwest, he focuses on C. J. Hribal, William Least Heat-Moon, Paul Gruchow, and others to demonstrate that midwesterners continually construct the past anew from the materials at hand, filling the seemingly empty midlands with history and significance.
 
Ryden reveals that there are many Wests, many New Englands, many Souths, and many Midwests, all raising similar issues about the cultural politics of region and place. Writing with appealing freshness and a sense of adventure, he shows us that place, and the stories that emerge from and define place, can be a source of subversive energy that blunts the homogenizing force of region, inscribing marginal places and people back onto the imaginative surface of the landscape when we read it on a place-by-place, landscape-by-landscape, book-by-book basis.
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