front cover of Contemporary Theatre in Mayan Mexico
Contemporary Theatre in Mayan Mexico
Death-Defying Acts
By Tamara L. Underiner
University of Texas Press, 2004

From the dramatization of local legends to the staging of plays by Shakespeare and other canonical playwrights to the exploration of contemporary sociopolitical problems and their effects on women and children, Mayan theatre is a flourishing cultural institution in southern Mexico. Part of a larger movement to define Mayan self-identity and reclaim a Mayan cultural heritage, theatre in Mayan languages has both reflected on and contributed to a growing awareness of Mayans as contemporary cultural and political players in Mexico and on the world's stage.

In this book, Tamara Underiner draws on fieldwork with theatre groups in Chiapas, Tabasco, and Yucatán to observe the Maya peoples in the process of defining themselves through theatrical performance. She looks at the activities of four theatre groups or networks, focusing on their operating strategies and on close analyses of selected dramatic texts. She shows that while each group works under the rubric of Mayan or indigenous theatre, their works are also in constant dialogue, confrontation, and collaboration with the wider, non-Mayan world. Her observations thus reveal not only how theatre is an agent of cultural self-definition and community-building but also how theatre negotiates complex relations among indigenous communities in Mayan Mexico, state governments, and non-Mayan artists and researchers.

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front cover of Crafting Prehispanic Maya Kinship
Crafting Prehispanic Maya Kinship
Bradley E. Ensor
University of Alabama Press, 2013

By contextualizing classes and their kinship behavior within the overall political economy, Crafting Prehispanic Maya Kinship provides an example of how archaeology can help to explain the formation of disparate classes and kinship patterns within an ancient state-level society.

Bradley E. Ensor provides a new theoretical contribution to Maya ethnographic, ethnohistoric, and archaeological research. Rather than operating solely as a symbolic order unobservable to archaeologists, kinship, according to Ensor, forms concrete social relations that structure daily life and can be reflected in the material remains of a society. Ensor argues that the use of cross-culturally identified and confirmed material indicators of postmarital residence and descent group organization enable archaeologists—those with the most direct material evidence on prehispanic Maya social organization—to overturn a traditional reliance on competing and problematic ethnohistorical models.
 
Using recent data from an arch aeological project within the Chontalpa Maya region of Tabasco, Mexico, Ensor illustrates how archaeologists can interpret and explain the diversity of kinship behavior and its influence on gender within any given Maya social formation.
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front cover of Oysters in the Land of Cacao
Oysters in the Land of Cacao
Archaeology, Material Culture, and Societies at Islas de Los Cerros and the Western Chontalpa, Tabasco, Mexico
Bradley E. Ensor
University of Arizona Press, 2020
For decades, the Chontalpa region of Tabasco, Mexico, conjured images of the possible origins of the Itzá, who migrated, conquered, or otherwise influenced much of Mesoamerica. In Oysters in the Land of Cacao, archaeologist Bradley E. Ensor provides an important resource for Mesoamerican Gulf Coast archaeology by offering a new and detailed picture of the coastal sites vital to understanding regional interactions and social dynamics.

This book synthesizes data from multiyear investigations at a coastal site complex in Tabasco—Islas de Los Cerros (ILC)—providing the first modern, systematic descriptions and analyses of material culture that challenge preconceptions while enabling new perspectives on cultural developments from the Formative to Late Classic periods through the lens of regional comparisons and contemporary theoretical trends. Ensor introduces a political ecological understanding of the environment and archaeological features, overturns a misconception that the latter were formative shell middens, provides an alternative pottery classification more appropriate for the materials and for contemporary theory, and introduces new approaches for addressing formation processes and settlement history.

Building on the empirical analyses and discussions of problems in Mesoamerican archaeology, this book contributes new approaches to practice and agency perspectives, holistically integrating intra- and interclass agency, kinship strategies, gender and age dynamics, layered cultural identities, landscapes, social memory, and foodways and feasting. Oysters in the Land of Cacao addresses issues important to coastal archaeology within and beyond Mesoamerica. It delivers an overdue regional synthesis and new observations on settlement patterns, elite power, and political economies.
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