front cover of Greek Tragedies 2
Greek Tragedies 2
Aeschylus: The Libation Bearers; Sophocles: Electra; Euripides: Iphigenia among the Taurians, Electra, The Trojan Women
Edited by Mark Griffith, Glenn W. Most, David Grene, and Richmond Lattimore
University of Chicago Press, 2013
Greek Tragedies, Volume II contains Aeschylus’s “The Libation Bearers,” translated by Richmond Lattimore; Sophocles’s “Electra,” translated by David Grene; Euripides’s “Iphigenia among the Taurians,” translated by Anne Carson; Euripides’s “Electra,” translated by Emily Townsend Vermeule; and Euripides’s “The Trojan Women,” translated by Richmond Lattimore.
 
Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.
 
In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.
 
In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.
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front cover of Iphigenia among the Taurians
Iphigenia among the Taurians
Euripides
University of Chicago Press, 2014
I am Iphigenia, daughter of the daughter of Tyndareus
My father killed me

Few contemporary poets elicit such powerful responses from readers and critics as Anne Carson.  The New York Times Book Review calls her work “personal, necessary, and important,” while Publishers Weekly says she is “nothing less than brilliant.” Her poetry—enigmatic yet approachable, deeply personal yet universal in scope, wildly mutable yet always recognizable as her distinct voice—invests contemporary concerns with the epic resonance and power of the Greek classics that she has studied, taught, and translated for decades.

Iphigenia among the Taurians is the latest in Carson’s series of translations of the plays of Euripides. Originally published as part of the third edition of Chicago’s Complete Greek Tragedies, it is published here as a stand-alone volume for the first time. In Carson’s stunning translation, Euripides’s play—full of mistaken identities, dangerous misunderstandings, and unexpected interventions by gods and men—is as fierce and fresh as any contemporary drama. Carson has accomplished one of the rarest feats of translation: maintaining fidelity to a writer’s words even as she inflects them with her own unique poetic voice.

Destined to become the standard translation of the play, Iphigenia among the Taurians is a remarkable accomplishment, and an unforgettable work of poetic drama.
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